Category Archives: Photographs: Fall Color

Marshland Trees, Autumn Haze

Marshland Trees, Autumn Haze
Marshland trees with fall foliage on a hazy San Joaquin day.

Marshland Trees, Autumn Haze. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Marshland trees with fall foliage on a hazy San Joaquin day.

This was quite a day — San Francisco Bay Area to the San Joaquin Valley to the Sierra foothills and back, sunrise alone in tule fog among the birds to the crowded (and fun!) reception for the “AVIAN — Birds in a Changing World” exhibit in Oakhurst, and lots of driving!

The day began with my pre-dawn arrival in the San Joaquin Valley wetlands, where tule fog was forming as the first light appeared. Although it was a weekend morning, there was almost no one else out there besides me and a few thousand birds. I saw a giant flight of what I believe were trim-color blackbirds in the distance — I’ve never seen so many at one before — and then an impressive dawn fly-out of sandhill cranes. A bit later in the morning, once the early morning bird action had subsided, I spent a bit of time photographing the landscape. This beautiful tree, with late-season autumn color, is striking in its quiet presence in this mostly flat landscape of ponds and grasslands and, of course, birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Marsh, Geese, Autum Tree

Marsh, Geese, Autum Tree
Geese take to the air beyond an autumn tree in San Joaquin Valley marshlands on a foggy morning

Marsh, Geese, Autum Tree. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Geese take to the air beyond an autumn tree in San Joaquin Valley marshlands on a foggy morning

These Central Valley wetlands are not just where the birds are. The total experience they provide includes the migratory and other birds, but it also includes light, atmosphere, sound, and much more. And virtually none of the elements is static — each undergoes transitions on a daily or seasonable schedule. I thought about all of this once again as I started visiting this autumn, beginning a bit before the “winter” birds arrived and while the lingering effects of summer were still felt back in October. My latest visit was a month and a half later, in early December, a time when winter and fall elements seem to overlap for a while.

I usually arrive before dawn, in near darkness and often in foggy conditions. The first impression of these landscapes, aside from those associated with the fog, are usually aural. I finally finish my two-hour drive, turn off the car, get out, and hear the wild, exuberant sound of thousands of birds — geese and (especially!) cranes and more. At this point the transition from night to day is already underway, and I quickly begin to work the light of this time of fast-changing light and conditions. On this morning it had been clear, but low fog began to form just at dawn. Perhaps an hour later one of my favorite morning conditions began — that period when the low sun just begins to overpower the low fog, shedding soft but strong light on close subjects but still allowing things in the distance to retain a muted and soft appearance. Beyond this autumn tree in that first light, geese that had settled onto this pond overnight began to rise up and fly away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

River of Aspens

River of Aspens
A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

River of Aspens. Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

Perhaps a more appropriate title could be “Another River of Aspens” — such features are ubiquitous in the Sierra and other locations, where aspens frequently are found along stream beds and can spread out as water might when they reach the lower and flatter elevations. As a result, the “streams” of trees can seem to flow in almost that same way that water might. This is a particularly obvious example, as the trees meander along the descending gully, spread out into a fan at its base, and then arrive at the shoreline of a lake. (The pattern also is similar to that of alluvial fans and even some forms seen below glaciers.)

We were at this location rather early on a fall morning. It is a place that is popular — a bit too popular these days — with photographers and others, but hard to resist if one is nearby for other purposes. We arrived before dawn and spent some time photographing in the cold, pre-sunrise light before we packed up and headed off to those “other purposes” nearby. This very early light is different from what we experience a bit later in the day. It can be quite blue in quality — often so much so that compensation is required during post processing — but the soft light can produce a more subtle effect with light getting into the shadows and revealing some of their details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Before Sunrise

Aspens, Before Sunrise
A large grove of eastern Sierra fall aspen trees in pre-sunrise light

Aspens, Before Sunrise. Eastern Sierra Nevada, California. October 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large grove of eastern Sierra fall aspen trees in pre-sunrise light

After spending so many years exploring the Sierra, and for the past 15 or so expanding my explorations to include some of the high east side locations mostly accessible by vehicle, there are little spots all over the range that have become personal favorites — places I return to regularly whenever I get a chance. You might think that they would get “old” after a while, being so familiar. Instead, I find that there is always something new to discover about them, and I enjoy the sense of spending time with old landscape friends!

This is one of those places. In this case, I have to drive to get to it, but it is still typically a nicely lonely place, and I often have it entirely to myself at dawn. A person or two might pass by, but that’s about it. (Though, funny story, this time as I took in the view a small vehicle carrying four deer hunters passed by. We waved and they kept going. Later, as I descended from this spot, heading in the direction from which they had come, I passed through a herd of a dozen deer right on the road.) I usually go before dawn and watch the first light strike the highest peaks and work its way down into the valleys. I made this photograph before the direct sunlight had arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.