Category Archives: Photographs: Flight

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Dusk Light

Geese in Dusk Light
Geese in Dusk Light

Geese in Dusk Light. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take off into the dusk sky above marshes, San Joaquin Valley, California

Yes. More geese. I photographed these on my New Year’s Day visit to the San Joaquin Valley with a group of fellow photographers and other folks with an artistic bent. We were out there to join the migratory birds in greeting the first sunrise of 2013. Joining us were many Ross’s geese, a heron or two, some egrets, thousands of geese, one flock of white pelicans, quite a large contingent of cranes, the odd coyote, and many others. We arrived early, photographed all morning, broke for a movie in a nearby town during the middle of the day, and returned to photograph until dark.

It is an interesting though challenging atmosphere on this day, one of those days that isn’t remarkable for extremes of weather or light – thick fog, brilliant sunrise light, etc. Instead, it was sort of gray in the morning with light fog and mostly very subtle colors at dawn. It never fully cleared, but near sunset the sky turned interesting colors of pink and purple and there was a last-minute bit of colorful light, as seen on the birds in this photograph. They had been settled in on a pond, but as the day ended they took off on the evening “fly out” to some other place. The lifted off in groups ranging from a few birds to a few hundred at a time and then mostly headed north or northwest. In this photo there is a close group that has just taken flight but beyond there are several other groups at varying distance that had left moments earlier. The result, as often seems to be the case with geese, is a sort of organized chaos. There are various ways to try to photograph this, but here I was trying to find instantaneous composition in which the various groups of birds aligned themselves, both within their groups and among the separate groups, in interesting ways.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Migration

Migration
Migration

Migration. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Ross’s geese fly across a cloud-filled late winter sky, San Joaquin Valley

By all of the usual standards, this was a spectacularly beautiful weekend here in the San Francisco Bay Area of Northern California. Yesterday the temperature reached into the low seventy-degree range as I drove up US-5 from one photography location to another. People were wearing shorts. Daylight savings time began today (and I’ll complain about that elsewhere! ;-) and the light feels like it lasts an hour longer. The weeds are coming up in our garden, but that means that we’ll have a vegetable garden again before long.

I imagine that anyone reading this who lives in a place with real winter won’t understand this, but I have mixed feelings about the end of winter. I’m much more interested in the extremes of winter weather, and every spring I realize that it will likely be months until I again see 30+ foot waves along the Pacific coast, new snow in the Sierra, a good rain storm, or the arrival of migratory birds in the Central Valley. The main purpose of this weekend’s drive around the San Joaquin Valley, the lower Sacramento Valley, and areas of the delta was to visit those birds one more time before the marshes dry up and the birds head back to the north. I made this photograph in the morning when, to my surprise, what started out looking like a clear spring-like day turned foggy and more like winter. The birds were still there – and in large numbers in many places – and at one point lines of them flew in front of this cloud for several minutes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Approaching Geese, Evening

Approaching Geese, Evening
Approaching Geese, Evening

Approaching Geese, Evening. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese approach their evening landing spot on a hazy late-autumn evening in California’s Central Valley.

This is yet another photograph of Ross’s geese from our December 2012 trek to the migratory bird areas of California’s Central Valley. We saw nearly all of the possible seasonal weather types on this day, save actual rain (that held off for another day) and clear, unfiltered sunlight. But other than that the day transitioned from so-thick-you-can-barely-drive tule fog, to clearing and drifting fog, to fog burning off, to brilliantly luminous winter haze, to dull and gray light as the first clouds of an incoming storm began to arrive, to the finale of a suddenly and unexpectedly colorful sunset.

After a mid-afternoon break to grab a bit to eat, we returned to this wildlife refuge in hopes of photographing the fly-in. Indeed, there were many thousands of Ross’s geese around, settled into pastures and occasionally lifting off to circle the area and then land again. But the light became increasingly dull as the first clouds of an approaching Pacific winter weather system arrived in the west. I made this photograph in what was, in many ways, rather gloomy light, though it is apparent that the sky is just beginning to pick up a hint of the pink that soon developed into a downright amazingly intense sunset. At this particular point in the evening I had positioned myself beyond the end of a large flock that stretched from nearly my position to the line of trees seen in the distance. It seemed that many of the geese were starting to move from the far end of the flock to closer to my position, so I was a in a good spot to photograph them straight on as they approached, and I had managed to position the slightly darker trees behind them, allowing their lighter bodies to stand out a bit. This group was just about to set down not far in front of me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.