Category Archives: Photographs: Mono Lake Basin

Photographs: Mono Lake Basin, Photographs: Nature

Rising Sun, Wildfire Smoke

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Rising Sun, Wildfire Smoke
Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada

Rising Sun, Wildfire Smoke. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada,

This was one of the most eerie days I have experienced in the Sierra. While it wasn’t the first of last time I’ve encountered the effects of wildfire there, this was quite different. The previous evening I had seen a bit of smoke far to the south, but didn’t think too much of it, as this was the wildfire season and such things aren’t unusual. I was camped in a deep east side valley that did not afford a distant view, so it wasn’t until I left that valley in the early morning and headed out on the east side fo the range that I saw what was happening.

I arrived at the junction of US 395 and Tioga Pass Road before dawn and found a high spot to photograph Mono Lake. It was immediately clear that a very active wildfire was building to the south and that the smoke was drifting north. It was still mostly clear above the lake, but not for long. Soon the smoke nearly obscured the view, though I continued photographing. I thought that heading north might get me away from the smoke, but now it was spreading fast and I couldn’t escape it. I made a few photographs from a high location that featured the smoke-filled Mono Basin, and then I started toward the southern Sierra. Passing again by Mono Lake I encountered some of the thickest wildfire smoke I have seen. This photograph was made under that pall, which was so dark that it barely seemed like twilight and the light of the sun was almost blocked.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Morning Reflections

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Tufa, Morning Reflections
Tufa towers and morning light reflecting on the surface of Mono Lake

Tufa, Morning Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tufa towers and morning light reflecting on the surface of Mono Lake

The tufa towers are often the first subjects that people think of when they consider photographing at this location. I’ve photographed them many times and in may ways — up close, at a distance, in silhouette, in all kinds of conditions and at all times of day. I still find them fascinating, but I’ve come to see the lake as being more about other features now.

The greatest impression I get from the lake is immense space. This comes partly from the sheer size of this landlocked lake, but it may also come from a combination of often seeing it from elevated viewpoints and from the open and sometimes cloud-filled sky. And at early and late times of day the water takes on colors of sky and surrounding mountains, ranging from brilliantly intense to quite subtle. These colors are interrupted when the wind produces patterns on the surface of the water.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Sierra Nevada

Dawn, Mono Lake and Sierra Crest

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Dawn, Mono Lake and Sierra Crest
Dawn light on the Sierra crest at South Tufa, Mono Lake

Dawn, Mono Lake and Sierra Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on the Sierra crest at South Tufa, Mono Lake

There is a bit of a story behind the choice to post this photograph today. And that story may help explain the posting of more than a few older photographs this month. Every December, like so many other photographers, I prepare a set of “favorite photographs” from the year that is about to conclude. (Something happened this past December and I was delayed in this process. One thing led to another and I never did post my annual set of favorites for 2017!) Part of my process for preparing the list of favorites is to go through ALL of my raw files from the year, and I often discover interesting work that I missed as I engage in this process. I didn’t do that either… so I’m now digging back into the older files to see what I missed. So expect a mixture of current and older work through August and possibly into early September.

To make things a bit more confusing, this photograph is even older! It comes from 2007. Once I get into this process of looking at old files, I never know where it will lead! I made the photograph on a lovely, quiet morning at Mono Lake, when the water was still and the first light was shining on the eastern Sierra Nevada.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane,Mare Island Naval Ship Yard.
“Ship Yard Buildings, Crane” — Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.