Category Archives: Photographs: Nature

Photographs: Nature, Photographs: Ocean & Coast, Photographs: Wildlife

Gull, Sky, and Fog

July 16, 2011 G Dan Mitchell Leave a comment

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Forest, Gazos Creek

July 14, 2011 G Dan Mitchell Leave a comment

Today I used the excuse of driving my son over the hill to UC-Santa Cruz for his summer school class to get in a short trip up the coast north of Santa Cruz. We are in the midst of the “June gloom” period along the coast of northern California, and the fog doesn’t clear until later in the day, and never does clear completely in some areas. As I left Santa Cruz the fog bank was visible but well off-shore, but as I travelled north I eventually encountered it right around Año Nuevo State Reserve.

I had a vague plan to check out Gazos Creek Road, having heard from some other photographers that there are interesting redwood trees and other subjects in that area. Since I still had some time, I turned up the road and it quickly narrowed as it followed the creek and the bottom of the canyon into the Santa Cruz Mountains. Since this was more or less a scouting trip, I drove all the way to the end of the road without stopping much, but on the way back down I decided to stop and make some photographs of this grove of new-grown coast redwoods mixed with the curving trunks of big leaf maple trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Rocky Shoreline, Lower Young Lake

July 12, 2011 G Dan Mitchell 5 Comments

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Late Afternoon, Tenaya Lake

July 8, 2011 G Dan Mitchell Leave a comment

Ice covers the surface of Tenaya Lake on the day of the mid-June opening of Tioga Pass Road as afternoon clouds cluster around the summit of Mount Conness, Yosemite National Park.

After the wild sunset-illuminated versions of this scene that I’ve posted recently, I thought it might be a relief to post something more subtle! This photograph was also made on the evening of June 18, the day that Tioga Pass Road opened for the 2011 season. A bit earlier I had photographed along the shoreline of Tenaya Lake – the ice-covered area in the lower portion of this image – where I had juxtaposed melting ice, deep blue water, and interesting clouds. When I finished there I had a decision to make – whether to head back up toward the pass, continue to photograph around the lake, or try to get a shot of Mount Conness from Olmsted Point. Since I had been in contact with a client concerning Mount Conness photographs just a few days earlier, I decided to try that third choice.

When I arrived at Olmsted, conditions were a bit unpromising. Clouds had come up over the Sierra crest and Conness was completely obscured. In addition, a certain type of gloomy haze and cloudiness was taking much of the energy out of the scene. Clouds to the west were washing out the light, too. Many times I don’t give up immediately in situations like this, at least not until I’ve spent a bit of time trying to get a sense of where things might be headed. (Ultimately on this evening that turned out to be a good decision, as near sunset one of the most intense displays of Sierra evening color occurred… but that it a story I’ve already told in earlier posts.) As I watched, the clouds around Conness began to move a bit and every so often a bit of the tip of the mountain would poke through. During one of these moments, a bit of light filtered through the high clouds from the west and glanced across the slopes of Polly Dome and struck the upper reaches of Medlicott Dome.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.