During the first weekend of September 2008 I made my first late-season visit to the Sierra, heading to Fletcher Lake in the Yosemite backcountry, a place I often try to visit each year at about this time. I like to get up there as the fall season approaches, and an added bonus this time was the possibility of meeting some fellow photographers who were in the area. (More about that later.)
In the morning of my last day at Fletcher I was up early to photograph the morning light on the rocks and trees around the lake, especially those reflected in the still water at that hour. I was just about finished with that project when I spotted these needles on the shady side of a shoreline grove of trees.
keywords: pine, branch, needle, tree, fletcher, vogelsang, lake, yosemite, national park, california, usa, sierra, nevada, nature, green, fall, autumn, pattern, stock
Two pelicans fly over the golden sunset light of the California Pacifica ocean coastline south of San Francisco.
On September 3, 2008 my son and I drove over the hill to Santa Cruz late in the day and headed north along the Pacific Coast on Highway 1. I had several possible subjects in mind, but when they didn’t quite pan out I decided to go for an old standby – park along the top of the bluffs overlooking the Pacific Ocean and wait for seabirds to fly past on the updraft from the ocean wind. We weren’t disappointed! Many birds were doing their commute up and down the coast, including lots of gulls and several impressive flocks of pelicans.
As the birds come by I begin by trying to get focus on one or more of them, and then I (attempt to) pan smoothly as they pass by. Because it was just before sunset on this evening the light varied tremendously as the birds came past, ranging from fairly flat blue light when shooting to the south to this amazingly saturated gold (or orange?) light when the sun and ocean and distant fog bank were right behind the birds. The color of this light is real – I shot in RAW mode and use the “as shot” setting during the conversion. Hard to believe, I know…
keywords: two, pelicans, sea, bird, ocean, coast, shore, pelagic, pacific, california, usa, wildlife, nature, landscape, orange, yellow, gold, sunset, evening, central, san francisco, santa cruz, stock
I climbed Mount Whitney – again – on August 11, 2008 after crossing the Sierra Nevada from west to east on Sequoia National Park’s High Sierra Trail. I’ve been to the summit a couple times in the past. Last year I swore I would not climb this peak again, mainly because there are so many other beautiful things to see in the Sierra and I didn’t feel a strong need to do this again. But my friends proposed a trip that concluded with the Whitney ascent, and I couldn’t say no.
A traditional starting point for ascents from the west is Guitar Lake, a small – and often somewhat crowded – little lake in a truly alpine setting just above timberline. From here the trail ascends the valley containing these lakes, leading to the junction with the trail from the east side just before reaching the ridge, and then a lateral trail traverses out to the summit of Whitney.
It won’t surprise anyone if I say that there are some wonderful panoramas to be seen from almost any point on this climb. One of my favorite is this view back across the valley from which the trail ascended and towards high elevation Hitchcock Lakes and the ridge between them and the Crabtree Basin beyond.
(Oddly, I often find the summit view to be photographically uninspiring, and I usually end up just making some “record” photos there and a perfunctory pano or two.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Three Pelicans” — Three Pelicans in flight at Point Lobos State Reserve, California
I admit it. I’m a big sucker for photographing these amazing birds, and I’m lucky to live within a short driving distance of the California coastline where it is usually easy to find and photograph them. My technique is usually to find a spot either at the top of a steep coastal cliff or on a promontory that extends a bit into the ocean, where they tend to come much closer to the land. Then I attach the long lens and wait.
But this time the story is a bit different. I was photographing a pair of sea otters alternatively cavorting and sleeping in a kelp forest near the south end of Point Lobos. I just happened to look away from the viewfinder for a moment (always a good idea!) when I saw a flock of a half dozen or more of these birds approaching over a nearby rocky ridge. I quickly swung the camera around on the tripod and managed to squeeze off a handful of shots as they passed.
This is a crop from a vertical format photograph that had a lot of white space in it. To be more accurate there was a lot of “nearly white gray space” in the photo since the birds were photographed against a background of thinning fog illuminated by the emerging sun. The only significant post-processing of this photo was to lighten the fog to virtually white so that the birds would stand out more from the background. (In answer to the inevitable question: No, the birds were not “assembled” in post-processing. They were actually obliging enough to appear in exactly this configuration as they flew over. :-)
COMMENT OR QUESTION? Scroll down to the comment form.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
