Category Archives: Photographs: Nature

Fractured Canyon Wall

Fractured Canyon Wall
Fractured canyon wall detail.

Fractured Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fractured canyon wall detail.

With this photograph I believe I’ll conclude my nostalgic return to photographs from my 2012 autumn visits to Utah. It was a special autumn for my in Utah, as I was able to visit twice for a period adding up to almost a full month. On the second visit I was able to travel into some out-of-the-way locations, a few of which were shared with me by people who live and photograph there. That was quite a privilege. It has been too long since I’ve photographed there. Perhaps I can return next year?

This is simply a bit of canyon wall, and the specific location is hardly relevant at all — you can find rock like this all over Utah. Part of what attracted me to this little vignette was the boundary between darker old rock and the lighter rock below where some of the older material has obviously broken away. The surface of the upper, darker area is fascinating to me, and a close look reveals remarkable colors, textures, and shapes on its surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sierra Showers

Sierra Showers
Afternoon thundershower clouds reflected in the surface of a raindrop-dappled alpine lake, Kings Canyon National Park.

Sierra Showers. © Copyright 2013 G Dan Mitchell – all rights reserved.

Afternoon thundershower clouds reflected in the surface of a raindrop-dappled alpine lake, Kings Canyon National Park.

As I was getting ready to post this photograph I was pondering, as usual, what to write about it. As I considered the focus of what I ended up writing here today it occurred to me that this one photograph could be the starting point for an entire book. (Don’t worry, I’ll keep this post considerably shorter than that.) It could naturally lead to subjects including my visits and return visits to certain locations in the Sierra, the experience of spending long periods in the backcountry, what and how to see there, the sensory experiences of things like afternoon rain, how non-iconic subjects evoke these things, my good fortune in photographing the backcountry in the company of good friends during the last decade, and much more…

But that’s far too much for this post, so I’ll just share a little background. A group of five of us isolated ourselves at a very high backcountry location for a week back in 2013. We photographed morning and evening every day, in very diverse conditions, and we hung out together through the slower midday hours. There were many lakes nearby, and on this afternoon I had walked the short distance to one of them and was photographing when the afternoon showers began. For me, this photograph conjures up all of the associations I have with that trip and with afternoons like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese in Fog

Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ross’s Geese in Flight

Ross's Geese in Flight
A large group of Ross’s geese in flight above California’s Central Valley.

Ross’s Geese in Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large group of Ross’s geese in flight above California’s Central Valley.

Recently I shared another photograph of Ross’s geese made on the same day as this one. The two photographs could not be more different! I made that other photograph in fading evening light, and I opted for a rather long shutter speed, resulting in a soft and abstract image of the motion of birds taking off. This photograph was made earlier in good light, and while it also focuses on birds taking to the air, there is no softness in this one!

How many birds? I don’t know. (Though if you are interested and patient you can count birds in a small area and then multiply to reflect those in the rest of the frame!) I took a close enough look to say that the birds are primarily Ross’s geese, which is not to say that there might not be a few stray snow geese sneaking into the party.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.