Category Archives: Photographs: Nature

East Side, Morning

East Side, Morning
Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

East Side, Morning. Along US 395 near June Lake, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

I’ve occasionally written about my “discovery” of the Sierra Nevada east side perhaps two decades ago. Like so many from Northern California, my orientation to the range came from arriving by driving east across the Great Central Valley and then making the long, gradual ascent from the Valley to the summit of the range, a summit whose peaks are often not even visible from that Valley. (But when they are, what a sight!) I thought of the Sierra as being a place of mostly forested mountains, rising gradually, and only topped by the rugged granite peaks at is furthest point. Then a friend, whose orientation was from Southern California and who had approached the range from the South, got me (finally!) to visit the east side of the range.

What a difference! Here the mountains begin in semi-arid high desert sage brush country. They mostly rise abruptly along the eastern escarpment, with rocky ridges and summits exposed to view. The range immediately has an alpine quality that is quite different from the gentle forested slopes of the west side. Yet it, too, is varied. In some places the abrupt and rugged steepness is real — some of the ridges just above Round Valley, for example. But in other locations that “abrupt” escarpment is more subtle, the result of starting at even higher desert elevations (in the 8000′ range in some places) and due to some very large canyons cutting toward the summit of the range. For examples, visit the huge valley that rises above Bishop, or consider these sage and tree covered slopes gradually ascending toward the inevitable granite cliffs in the vicinity of June Lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Aspens and Boulder

Autumn Aspens and Boulder
A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Autumn Aspens and Boulder. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A boulder in the midst of early autumn aspen color in the Eastern Sierra Nevada

Besides being an example of relatively bright color, this little aspen scene may reveal a few other things to close viewers. The colors range almost across the entire spectrum of aspen color, from the green or trees that have not yet turned, through the typical brilliant golden-yellow, and in between some orange and even a bit of red. These are rather small trees, growing on very rocky soil, the environment where the trees frequently begin to turn first.

The slope is perhaps not remarkable among many other similar slopes that are also covered with aspens. But for some reason — it may be an accidental turn I took near here years ago — this little section of an east side valley seems special to me, so much so that I have to make a sort of ritual passage past and through it when I’m in the area. This photograph was made close to the middle of September, which seems early for Eastern Sierra aspen color. But after several drought years the trees are not behaving according to the familiar plan. Yet, there is still a lot of green, too, which promises several weeks of developing color to come.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Basin, Wildfire Smoke, Dawn

Mono Basin, Wildfire Smoke, Dawn
“Mono Basin, Wildfire Smoke, Dawn” — Smoke layers from a nearby wildfire drift across Mono Basin at dawn

Late summer and early fall are the wildfire season in California and especially in the areas around the Sierra Nevada. (That statement used to be more accurate than it is these days, as drought and anthropic climate change have now extended the fire season in the state.) Like most people who spend time in the outdoors I have complicated responses to wildfire. I hate to see forests and wild lands destroyed, especially by some of the recent super-hot fires that have done more serious damage. At the same time I fully understand that fire is a natural and even necessary component of the natural life in these areas. In recent years I have tried to find beauty alongside the destruction, and it has opened my eyes to seeing fire in different ways.

During my recent mid-September Sierra Nevada photography jaunt, mainly focused on visiting a few high places and scouting early aspen color, a very smoky fire broke out in the Owens River area. I first spotted in while driving down from Yosemite in the evening after a backcountry hike, and the next morning there was a big cloud of smoke over the lands southeast of Lee Vining. Mono Lake was still mostly clear, except at the south end, but beautiful layers of smoke were beginning to drift across the lake before and during sunrise, muting details and rendering more clearly some of the larger elements of the landscape. I moved around the lake and surrounding areas looking for vantage points for several hours, until eventually the smoke-filled Mono Basin so much that I decided to leave.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Harbor Seals

Harbor Seals
A group of harbor seals hauled out on a beach at Point Lobos State Reserve

Harbor Seals. Point Lobos State Reserve, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A group of harbor seals hauled out on a beach at Point Lobos State Reserve

When I was very young, shortly after my parents moved the family from Minnesota to the San Francisco Bay Area of California, we used to periodically visit Point Lobos on the Monterey Peninsula, located at the very upper boundary of what some call the Big Sur coast. We were fascinated by the ocean itself and by the strange life we could find in the tide pools, by the birds on “bird island,” and by the rugged cliffs. I especially remember one small and pristine beach we often visited, in a very narrow cove and accessed by a steep stairway. I also recall that there were “seals,” but I don’t remember seeing a lot of them — somehow they weren’t really on my radar.

I have continued to visit Point Lobos for decades now, and I eventually became more away for the marine mammals that frequent the place. I learned where they hand out, and I found certain overlooks from which I could observe them. I figured out that not only had I been less than aware of these creatures, but that they come in colors! I have no idea how I missed that, but I recall the it may only have been a decade ago when I understood that the harbor seals are really quite beautiful — as you can see in this photograph, their mottled fur ranges from black to white-tan to somewhat blue. On a recent winter visit I found that little beach my family visited was now closed, and that a large group of these animals had made it their own.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.