Category Archives: Photographs: Northern California

Photographs from Northern California

Lenticular Clouds, Alpenglow Reflections

Lenticular Clouds, Sunset Reflections
Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

Lenticular Clouds, Alpenglow Reflections. © Copyright 2022 G Dan Mitchell.

Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Light, Sierra Crest

Evening Light, Sierra Crest
sunset light illuminates Sierra crest peaks as summer clouds clear beyond Tuolumne Meadows, Yosemite National Park.

Evening Light, Sierra Crest. © Copyright 2022 G Dan Mitchell.

sunset light illuminates Sierra crest peaks as summer clouds clear beyond Tuolumne Meadows, Yosemite National Park.

This is the second photograph in this series that I’ve shared recently. (Two more are in the pipeline.) I posted a slightly different one that rendered the scene in portrait orientation. But a bigger difference is how the light evolved over the couple of minutes between the two exposures. At this time of day in these conditions, the light is very dynamic as it shifts from yellowish toward pink and red and ultimately to the blue tones of dusk. Meanwhile, the sunset light from the west is affected by intervening clouds, and the light and color move across the landscape. In this exposure, those blue tones are strengthening in the foreground forest and meadow and in the darker clouds above the lenticular formations.

Often a scene suggests one particular photographic interpretation or perhaps two. Maybe portrait- and landscape-orientation versions are in order or there is more than one way to frame the composition. But on a spectacular evening like this one when the scene remains compelling as it undergoes radical transformations of color and light, it is possible to end up with too many photographs! Originally I strained to hold myself to a series of four from one vantage point. However, after returning to these images recently I now see that others work, too — like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Zeum, Architectural Detail

Zeum, Architectural Detail
A San Francisco view from the Zeum on a blue sky day.

Zeum, Architectural Detail. © Copyright 2022 G Dan Mitchell.

A San Francisco view from the Zeum on a blue sky day.

Recently I have leaned on a Minor White quote more than once: “One should not only photograph things for what they are but for what else they are.” I’ve always taken this to be about photography’s burden of “capturing the real world,” how limiting that goal may be, and how photographs can be seen in other ways. It is almost always worth asking about a photograph, “Beyond what this is, what is it?”

This is, obviously, a photograph of a bit of architecture in San Francisco, a place called “The Zeum.” I’ve wandered through it many times while on San Francisco photography walks. An incomplete list of the “what else it is” in this photograph could include some of the following. It is about color and light and shadow. It is about perspective and angles and lines. It is about that sky and that single cloud. Perhaps you can think of other things?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Big Trees

The Big Trees
Giant sequoias at Mariposa Grove, Yosemite National Park

The Big Trees. © Copyright 2022 G Dan Mitchell.

Giant sequoias at Mariposa Grove, Yosemite National Park

With the Washburn fire in the news, many of us have been thinking about that fire, the fact that the Mariposa Grove has been in its path, the recent destruction of a significant percentage of Southern Sierra sequoias, the role of fire in forest life, and the changes wrought by human-caused climate change. This grove, along with almost all Sierra forests, has a symbiotic relationship with periodic wildfires. A disruption of that cycle — either through complete suppression or the resultant hot and destructive fires that feed on too much undergrowth, enhanced by the changing climate — is dangerous to the long-term health of forests.

Figuring out how to feel about wildfires is complicated. If you were brought up on Smokey the Bear telling us that all fires are bad, it was a revelation to later learn that this isn’t the whole truth. More recently, as we were coming to terms with the idea that fire plays a role in forest health, Sierra fires have become more frequent, larger, and far more destructive. The duration of the fire season is expanding, and the forests are being so badly damaged that some seem to not be coming back.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.