The broken branches of a fallen tree on the ground in the back-country of Yosemite National Park.
These branches belong to what is left of a tree that fell in the area around our campsite in the north east section of the back-country of Yosemite National Park. On a couple of mornings during the time we were there doing photography, I began my morning by wandering a bit through this section of forest, meadow, and dried-up ponds, looking for whatever little miniature landscapes I might find.
Dried and broken branches of fallen and dead trees intrigue me, though they can make very difficult subjects to photograph. Light and color are tricky – too much light and it is difficult to get shadow detail without washing out the highlights; too little light and the subject can go flat and pick up blue tones. And sometimes the patterns are so complex and disorganized as to nearly defy my efforts to make any sort of compositional sense out of them.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early evening light slants across the rocky shoreline of a sub-alpine back-country lake, Yosemite National Park.
Late in the afternoon on this mid-September day, when the calendar says summer but the surroundings say autumn, we walked cross-country from the lake where we were camped up to the next higher lake in the drainage, following the stream through forest and then sub-alpine meadows to arrive at the outlet of the higher lake in the early evening light. This has been a somewhat unusual year in the Sierra, with late and heavier than normal snowfall, and cool temperatures that maintained the snowpack late into the season, and there were still patches of snow all the way down to the lake’s rocky shoreline. (For scale, if you look really close near the lower right “corner” of the large snow field, you might be able to make out a small spot that is one of my fellow photographers. Hi, Mike!)
I worked this little shoreline clump of rocks to death – I started here shortly after we arrived, and I continued to shoot in more or less this spot until the light faded to the point that we had to start our return hike in order to get back to camp before it was completely dark. This specific spot had a lot to offer, not all of which is visible in this photograph. Along the near shore at my feet there was a little bit of shoreline meadow with grasses, heather, and a few blooming plants and interrupted by these light-colored granite rocks and slabs set at odd angles. Beyond was the water of the lake, transparent and shallow enough that some underwater rocks were visible, and also reflecting the snow, talus fields, and ridges on the far side. I especially like the quality of light at this subtle interval between the “normal” daytime light and the very warm-colored light that comes a bit later. Here the light begins to soften a bit and the color warms slightly, but not so much that the colors are obvious.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
This is the second of two photographs of this week’s full lunar eclipse that I will share. The earlier one was a horizontal format version of roughly the same subject. Here the fully eclipsed setting moon passed behind the upper portion of the south tower of the Golden Gate Bridge, as seen from the San Francisco Bay shoreline in the Crissy Field area. There was just a bit of pre-dawn light in the sky at this point, and within a few minutes of making this photograph the combination of increasing ambient light, the generally hazy atmosphere, and the moon dropping into high, off-shore clouds brought the show to a fairly quick conclusion.
I was stunned by the number of other photographers out at this very early hour, even considering that it was within the city of San Francisco. I had originally tried Treasure Island, in the bay between San Francisco and Oakland. There were quite a few photographers lined up there at 5:00 a.m., but I did not like the potential positioning of the moon relative to likely foreground features near the horizon, so I didn’t stick around. Instead, I made a guess based on my knowledge of the area that there was a good chance that the moon might line up with the Golden Gate Bridge from vantage points in the Fort Mason, Crissy Field, and Fort Point areas. I drove over there quickly and was surprised to find the parking lots were nearly full and tripod-laden photographers walking about or already set up. I grabbed the first decent parking space, loaded up my gear, and started walking west, figuring that I could get to the likely spot on foot quite quickly.
A second surprise was that the ideal location, which wasn’t hard to find at all, was far less crowded than the areas closer to the parking lot. I was even able to find a spot or two where I could set up apart from other photographers and wait – for only a few moments by this time – for the moon to intersect with the bridge.
Another view of this subject in landscape orientation is posted here.
An interesting side note: Photographer Florian Kainz later shared his eclipse shot with me and asked if I might be the photographer standing in front of the bridge. Yes. That’s me! With Florian’s permission I have included a small version of his photo here – follow the links back to see his full-sized post at Flickr. He has given me permission to share his photograph here. Thanks, Florian!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late summer corn lilies begin to take on fall colors, Yosemite National Park.
Corn Lilies are among my favorite Sierra Nevada high country plants. During their short summer growth period they begin as corn-cob-shaped shoots that spring up in wet areas as the snow melts out. They quickly grow into lush green plant in thick bunches that are intensely green and which have beautiful curving shapes and textures. (This makes them a very popular subject for photographers!) As the season continues they begin to show some “flaws” from insect damage and so forth, and at some point in August they begin to lose their green color, often beginning to pick up some brown coloration that can be nearly golden in the right light. At some point in September even the most durable specimens begin to be striped with yellow, brown, or even black and they finally simply fall over.
I found this bunch very close to our campsite in the back-country of Yosemite National Park around the middle of September. Although you cannot see it in this photograph, this clump of corn lilies had fallen over in a most interesting way – they all fell pointing away from the center of the group! So these plants are in the middle of falling over, and are lit by early morning light diffused by forest cover.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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