Category Archives: Photographs: Sierra Nevada

Forest and Meadow, Evening

Forest and Meadow, Evening
“Forest and Meadow, Evening” — Soft evening light on backcountry forest and meadows, Sierra Nevada.

One of the attractions of the Sierra backcountry is deep quiet, something that gets lost in all the attention paid to spectacular peaks, wild sunrises and sunsets, flowing water, and more. From the photographic perspective, this may partly be because it is easier to reflect those powerful subjects in a photograph — quiet photographs don’t demand our attention in the same way. This is one of the quiet photographs.

We were camped very close to this scene for about a week on a backcountry trip. Like virtually all photographers, we started our work at the beginning of our stay by heading out to photograph those peaks, wildflower-filled meadows, spectacular skies, and streams cascading over rocks and through meadows. But as we settled into the quiet daily routines of the backcountry we began to notice other things — like this scene with a few trees and bit of rocky meadow in the soft evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Transitions

Aspen Transitions
“Aspen Transitions” — A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.

Photographers sometimes debate the “best” moment to photograph autumn aspen color. Some say it is when the first trees start to show golden color. Others prefer the stage where every color from green through yellow, orange, and red is visible. Then the green leaves fall and only the wild autumn color remains. But there’s also something compelling about the post-peak stage when leaves have fallen and stark white trunks are more visible. This photograph is from the “every color”stage. You can follow the “aspen color rainbow” from the closest green trees to intensely colorful trees farther up the valley.

This color range is not the only “transition” in this photograph. Aspens do not last forever — old trees die and new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the burned trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene. Perhaps they were burned in a fire years ago, but now they are almost obscured by the colorful new trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Trees, Sierra Rain

Two Trees, Sierra Rain
“Two Trees, Sierra Rain” — Two trees standing on a rocky outcropping as a Sierra Nevada summer rain storm sweeps across the mountains.

In some ways I was surprised to find these two trees standing here, among high rocks not far from our campsite. After a day of heavy weather, I thought about how they had managed to escape significant damage from years of exposure to winds, precipitation, and lightning strikes. But there they were, standing tall on this little ridge above a small meadow as another storm cleared.

These are not my favorite weather conditions for photography. While clear, blue-sky mountain days don’t usually excite me, photographing in the rain is challenging, too. And it was still raining when I made this photograph. After being tied down by the storm for the better part of a day, I think I was anxious enough to get out and photograph that I was willing to work in the wet.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpine Ridge, Evening

Alpine Ridge, Evening
“Alpine Ridge, Evening” — Golden hour light glances across a shattered, rocky ridge, John Muir Wilderness

There is a common notion that landscape photography is a slow and deliberate activity, that we stand in front of a static landscape and carefully work out the right composition as the landscape awaits. This can happen, but the landscape is often quite dynamic, particularly when it comes to changing light. Beams of light between clouds can move across the scene, sunset light is ephemeral, rain showers can momentarily reveal or obscure features.

I made this photograph near our campsite on a lovely late-summer evening. It was during the last half of our weeklong stay, so we were settling in. As the day ended we were all wandering about looking for photographs. As the sun dropped to the west, deep shadows began to fill the great valley in front of us and then creep up the slopes. A last beam of light fell across the near ridge, and then was gone moments after I photographed it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.