Category Archives: Photographs: Travel

Twins

Twins
Twin sisters and other pedestrians along a Manhattan sidewalk.

Twins. © Copyright 2021 G Dan Mitchell – all rights reserved.

Twin sisters and other pedestrians along a Manhattan sidewalk.

Given that many people have had it much harder than I have during the pandemic, I can’t really complain. However, recently I’ve been missing travel (at least of the urban sort) and large crowds of people along busy streets, on transit, in restaurants, at concerts. I’m especially missing New York and its crazy energy. We have relatives there and typically visit a couple of times each year… but the last visit was in December of 2019, just months before everything shut down. I think that the short-lived feeling that we were emerging from all of this in the early summer has interfered with the optimism that we were starting to feel. This will eventually be behind us, but it is going to take longer than we hoped.

I grabbed this little street vignette in Manhattan during that last visit. When I saw these two women approaching — apparently twins, wearing the same clothes and carrying nearly identical bags — I quickly squeezed off a single frame here they were gone. Technically, it was a terrible photograph! It was badly tilted and not framed very well. But with some post-processing magic I think I was able to make it work. I wonder… is there a pair of twins like this in every big city? There were two women in San Francisco for years who went out dressed identically just like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Land’s End, December Mist

Land's End, December Mist
December fog and light along the Pacific Coast Highway, Big Sur.

Land’s End, December Mist. © Copyright 2021 G Dan Mitchell – all rights reserved.

December fog and light along the Pacific Coast Highway, Big Sur.

This was a wild and unusual early-December morning along the Big Sur coast. I drove down early on a crisp and clear morning, having heard that the surf might by quite large. Below Carmel I began to see the evidence — first the low coastal fog that rises above the surf on such mornings and soon the actual waves. I continued south, stopping at various points along the way to photograph into the fog and the raging surf.

This kind of fog has several special characteristics. When the sun is behind it, as it is in the morning along this section of the coastline, the hazy atmosphere glows magically. The intensity of this glow, combined with the opacity of fog, drains the colors from the scene, and in places the world looks almost monochromatic. This fog, being thin, still allows fairly long views, though most of the fine details of the landscape are invisible, leaving the larger features to become more apparent. In this location the Pacific Coast Highway runs precipitously along the edge of steep cliffs over the ocean, and the rugged coastline breaks apart into cliffs and sea stacks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bridge and Fog

Bridge and Fog
A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Bridge and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Somewhat to my surprise, I have yet another photograph from this December visit to the Big Sur coast. Actually, I should not be surprised to “discover” photographs among files left behind when I originally considered them. For some reason, this is not an uncommon experience at all. (I believe it was Gary Winogrand who waited for a considerable time before even developing his film.) I have some theories. One is that in the days right after making the photograph I have some ideas of what I expect it to be, and the actual image does not always come up to the imagined standard. But given time and some aesthetic distance from the image, its inherent, intrinsic potential starts to emerge on its own.

The subject here is a particular spot that I’ve stopped to photograph many times on my visits to the Big Sur coast. (Hint: It is not the bridge you probably think it is.) I remember thinking on more than one occasion that there was no new way to photograph the scene, only to come upon it in some particular set of conditions that I had not seen before. There are a few different elements in this version. First, the fog was quite special — a combination of low, coast-hugging fog and spray from the surf, with clear sky above that let the light create a backlit glow. Due to the particularities of season and time of day, I was able to point back toward the land and get the bright reflections on the water. The little bit of fence at the left is another new element. Typically when I had photographed here in the past I went to some effort to keep that fence out of the frame — but this time I decided to embrace it as part of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.