Category Archives: Photographs: Urban/Street

21 Choices

21 Choices
A Pasadena street corner on a winter afternoon

21 Choices. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A Pasadena street corner on a winter afternoon

To some extent, although I’ll write a bit about it, this is one of those photographs that you’ll need to sort out for yourself. It may seem like a snapshot, or it may seem like something else, or it might seem like both.

Just after New Years Day we went to Southern California for a few days, driving down the Coast Highway (before the winter storms closed it) and then visiting areas at the northern and southern ends of the Los Angeles Basin. We stayed in Pasadena, a place I hadn’t visited for a while and one that I don’t know all that well, aside from the typical Californian’s knowledge of a place that comes from driving past on freeways. Because we had some unscheduled time we ended up wandering in downtown Pasadena a bit, and I had time to begin to get a bit of a feeling for the place, at least as it is in mid-winter light of the sort in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Storey’s Ltd

Storey's Ltd
The Storey’s Ltd shop, with prints and maps displayed, London

Storey’s Ltd. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Storey’s Ltd shop, with prints and maps displayed, London

If I recall the circumstances correctly, I quite possibly made this photograph on the evening we attended a ballet performance in London. In any case, this scene is in the neighborhood, and my recollection is that we may have been walking a bit before we went into the theater, first for dinner and then the performance.

I’m not absolutely certain of what attracted me to this little shop, one of many booksellers and similar establishments on Cecil Court off of Charring Cross Road. I’m fascinated by what they sell — old books and, especially, old maps — but we did not go inside. However, from in front of the tiny shop we could look in and see the walls covered with all sorts of fascinating documents.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flag Makers

Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Abandoned Loading Dock

Abandoned Loading Dock
Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

Abandoned Loading Dock. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

This is another very still and quiet image from my recent evening photographing the historic Mare Island Naval Ship Yard. Image walking alone in the darkness among these old (mostly) abandoned ship yard buildings: shops, warehouses, towers. Occasionally a lone car drives past, momentarily raising my level of alertness. It is mostly silent except for a sound of distant traffic across the water in Vallejo. The air is typically cold and damp, and on this night a bit of a breeze blows. The photographs are visual images, but they also evoke, for me, a whole series of associations, memories, and sensations associated with the place the experience of making the photographs.

There is always a question of just how to treat luminosity and color with these nighttime subjects. The fact of the matter is that many of these scenes are barely visible to the human eye, and details are shrouded in darkness. In this low light color is mostly desaturated, only becoming visible afterwards in the photograph. And much of the color is not the true color of the objects, but rather is the color of the light that illuminates them — and it can range from yellow to reddish, but white or even blue-green. The concept of accurate rendering becomes moot, since an “accurate” photograph (if “accurate” means “what it looked like”) would be almost colorless and nearly pitch black. Instead I take this as an opportunity to capture “what the camera sees” and use that as the raw material for what must be an interpretation of the captured light — almost inevitably brighter and more colorful than the original, but still trying to evoke that mysterious and quiet nocturnal quality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.