Category Archives: Photographs: Urban/Street

Boba Tea Shop, Night

Boba Tea Shop, Night
A San Francisco Chinatown Boba Tea shot at night.

Boba Tea Shop, Night. © Copyright 2021 G Dan Mitchell – all rights reserved.

A San Francisco Chinatown Boba Tea shot at night.

This is another San Francisco night street photography photograph, made possible by the advent of very good, very small digital cameras that can now make good images in very dark conditions. Places like this one, with narrow streets, bright interiors, and a fair amount of ambient light from business signs, become viable subjects for the photographers working with handheld cameras and no electronic flash. In this sort of photography I often work quickly, pausing only long enough to frame up an interesting urban landscape and look for people to populate it.

As a person who frequently photographs on foot in San Francisco and who has lived reasonably close to The City for decades, I know some parts of San Francisco pretty well at this point. I’m frequently in and around Chinatown when I’m up there — because a friend suggests it, because I pass through on my way to another destination, or because it is my destination. For the most part I eschew the busy, commercialized stretch of Grant Street that most think of when they hear “Chinatown” in San Francisco. But at night it becomes more interesting to me, and the larger number and variety of ambient light sources are both interesting and helpful. The bright interior of this shop contrasts with the dark world on the sidewalk, and it is hard for me to say what is actually going on in the shop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Criminal Courts Building

Criminal Courts Building
“Criminal Courts Building” — North Entrance, Criminal Courts Building, Manhattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Three Women, Grant Street

Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees at Twilight, Lower Manhattan

Trees at Twilight, Lower Manhattan
Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan

Trees at Twilight, Lower Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winter trese in twilight at the entrance to the Brooklyn Bridge-City Hall subway station, Lower Manhattan.

At about this time two years ago, near the end of the Before Times, we were in New York City for the holidays. It was a trip much like previous visits there — we mingled in gigantic crowds, walked almost everywhere, occasionally froze in very un-California weather, ate in packed restaurants, and did pretty much all of the things one does in a busy, crowded, and intense place like New York. Although we had no idea at the time — the first news of the oncoming pandemic had still not arrived — this would be the last big trip like this for years.

I mentioned above that we walk a lot in Manhattan. Those who don’t know the place are, it seems, often surprised to find that almost everyone there walks, residents and visitors alike. Certainly part of the reason is that it is not a friendly place to drivers. But it also really is a friendly place to walkers, despite what you might think. We always wander around on foot a lot when we visit, and even in winter we’ll sometimes walk long distances. This was one of those days. We started in more or less Midtown and then headed south all the way to Lower Manhattan below the City Hall area, where we met family members. Close to our destination we passed this scene at a subway entrance near City Hall as the day was ending and evening lights were appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.