Category Archives: Photographs: Urban/Street

Photographs: England, Photographs: Travel, Photographs: Urban/Street

Shad Thames

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Shad Thames
People walk along Shad Thames, London

Shad Thames. © Copyright 2013 G Dan Mitchell – all rights reserved.

People walk along Shad Thames, London.

This week the pandemic “voyage through the raw files archives” arrived in London, with photographs of a weeklong visit back in 2013. (I’m wanting to get to some Sierra Nevada photographs, but I’m sticking to a linear traverse of the archive, so I’m perhaps a month early for those.) As people whose travels have been largely in the US, this was our first visit to London. We had a great time — we were there on our own for a few days and then were joined by some of Patty’s family members. You’ll likely see more photos from the trip over the next week or two.

This fascinating little street, called Shad Thames, is near one end of the Tower Bridge in London, in an area that was historically a receiving area for commodities delivered by ship. (The area is also know as Butler’s Wharf.) Some decades ago, as modern shipping changed the market, the area apparently became somewhat run down but, as happens in big cities, it was revitalized and is now expensive and trendy. The narrow street still has cobbles, but the most striking features are the old bridges between the upper floors of the old warehouses.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

560 Blue

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560 Blue
“560 Blue” — A man walks past a blue San Francisco building in morning sunlight.

Let me start by pointing out that this is not the first time I have shared this photograph. An earlier interpretation of it exists using a different aspect ratio. I came across it again recently as I scanned through my old raw files, and I decided to take another look at it. This time I altered the aspect ratio, retaining the original 3:2, though I more typically work with 4:3. This allowed me to include the decorative rectangles at the upper right and left. In addition, as I thought more about the role of the blue color in this photograph I decided to simply remove a few elements that were dissonant with that.

The scene is a San Francisco street, and I made the photograph on one of my day trips up to “The City” by train, something that was a regular photographic event for me prior to the pandemic. I was walking up into the main downtown area from the train station, pausing along the way to photograph interesting subjects in the full morning sun across the wide street. I had already made a couple of photograph of this very blue building when I saw the man walking into the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Bench and Shadows

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Bench and Shadows
A bench and shadows, photographed through a window, Portland, Oregon.

Bench and Shadows. © Copyright 2013 G Dan Mitchell – all rights reserved.

A bench and shadows, photographed through a window, Portland, Oregon.

This photograph may be a bit difficult to explain, especially to the satisfaction of those who might be looking for the usual landscape and nature images. For the most part, I don’t think I will try to explain it too much, except to say that perhaps it isn’t just about benches, and that for me it seems like it has a connection to work created by an artist that I like quite a bit.

Having said that — not a lot, but that’s all I got! — I can mention a few facts. I made the photograph on a visit to Portland, Oregon. We were out wandering around the edges of the central downtown area, and I was photographing all varieties of street subjects that I saw. This must have been a fairly quick shot, as street photographs can be, since it wasn’t a subject I lingered on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Urban/Street

Look

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Look
A “LOOK” sign at a light rail crossing.

Look. © Copyright 2020 G Dan Mitchell – all rights reserved.

A “LOOK” sign at a light rail crossing.

It seems to me that few photographers are able to resist at least occasionally photographing signs that catch their attention. (Not everyone will admit to it though!) I’m pretty sure I recall that my father collected them, and I’ve done it fitfully for decades. (Many years ago I was an avid cyclist, and I always used to get a laugh out fo a sign that I passed on one of my routes. It simply announced: “1/4 MILE AHEAD.”) Signs can be graphically interesting, funny or ironic depending on where they are found, or even useful for certain non-photographic purposes.

I had been looking (ironic, yes?) at this sign for months as I passed it along one of my pandemic routes for daily walks. For at least the previous month I had thought about photographing it each time I passed… but I didn’t do so. Most of the time I just didn’t bother, but the one previous time I did try there was an issue with the light. But finally the sign was in shade and I captured it. And it IS a good reminder to always look, especially if you are a photographer!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.