Man In White Pants

Man In White Pants
A man walks into the sun on a San Francisco sidewalk

Man In White Pants. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man walks into the sun on a San Francisco sidewalk

After more than a month filled with colorful photographs of autumn foliage in the Eastern Sierra Nevada, I’m going to cleanse my palate a bit… with a black and white street photograph. I know it seems odd and even inexplicable to some that someone who photographs the natural world and likes to spend time there would also be attracted to photographing the constructed world of urban streets — but I do. In some ways I think of this other universe as more of an extension of the same way of seeing that attracts me to natural landscapes. These are simply urban landscapes and they are populated by people rather than animals. The same light falls on the city and on the mountains. In addition, photographing street tunes up my visual sense, forcing me to quickly see and respond to compositions, light, and subjects.

On a couple of occasions this past summer I joined a small group of like-minded photographers to wander around parts of San Francisco making photographs at night. We generally assembled in the late afternoon, photographed first in the daylight late in the day, grabbed a bite to eat, and then headed back out into the evening to photograph street scenes under ambient and artificial light. Here I headed up a street into the late afternoon light, focusing initially on the backlit subjects and the lengthening shadows, and then this fellow walked into the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Inside the Grove

Inside the Grove
Among the trees of an Eastern Sierra aspen grove, autumn

Inside the Grove. Eastern Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Among the trees of an Eastern Sierra aspen grove, autumn

Late in the afternoon on this day of Eastern Sierra fall aspen color photography I found myself in a familiar place, where a small lateral road, narrow and gravel, roughly parallels are larger paved road. I like to pull off the main road here and slowly drive the short distance up canyon on the gravel road, stopping along the way to view and photograph the variety of aspen trees that grow here. It is especially nice late in the day when the sun drops behind high peaks, leaving soft, shadowed light.

I pulled into a familiar pull-out along this road, at a spot where I have photographed in the past and where there is  a little grove of small trees. None of the trees seems to be as tall as twenty feet, but they grow very closely together — so closely that it is actually difficult to walk among them. The spot is often quiet — personal rather than iconic — especially late on an autumn day, and I sometimes simply pause quietly here for a while. On other occasions, like this one, I make photographs. I decided that I would put on a very wide-angle lens and then walk in among the trees, photographing them very close up and trying to capture some of the feeling of being inside such a dense little grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fall Foliage in Transition, Eastern Sierra

Fall Foliage in Transition, Eastern Sierra
Fall color comes to cottonwood and aspen trees in McGee Canyon, Eastern Sierra Nevada

Fall Foliage in Transition, Eastern Sierra. Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Fall color comes to cottonwood and aspen trees in McGee Canyon, Eastern Sierra Nevada

This is a favorite east side Sierra Nevada canyon. Like so many of these canyons, it spills out into the Valley east of the sharp eastern front of the range, with evidence of ancient glaciation in the form of lateral moraines. It quickly twists and turns and rises toward the monumental peaks of the Sierra crest, quickly transitioning from essentially desert country to alpine terrain in a matter of a relatively few miles. This particular canyon doesn’t necessarily look like much from the valley, as its lower reaches are obscured by the moraine ridges near its base. But as soon as you cross those low hills and enter the main canyon, its steep walls and stupendous scale become obvious.

In the fall the lower canyon is full of cottonwood trees turning golden, while higher up the canyon aspens change color a bit earlier. Several years ago I backpacked into this canyon in September, the only time I’ve done so, and I passed through some of the earliest color I’ve seen in the Eastern Sierra. This was another early color year, largely as a result of California’s four-year drought. On this visit there was a bit of relief from the incessant heat and dryness as weather fronts passed through, and a bit of snow is visible along the higher faces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Musings: Canon and Mirrorless Cameras

(It has been a while since I’ve written a “morning musings” post, but since I’ve been “musing” about Canon and mirrorless cameras over the past few days and learning a few things about the subject, it seems like time for another such post.)

Unless you’ve been under a rock for the past few years you are aware of the introduction of so-called mirrorless cameras by several manufacturers and of the increasing sophistication of these cameras. Their features typically include:

  • smaller and lighter bodies that may be reminiscent of older rangefinder film cameras.
  • the ability to allow use of smaller lens designs, due to the shorter distance between the lens mount and the sensor.
  • electronic viewfinders (EVFs) that can incorporate additional useful tools and information into the viewfinder display and which have advantages in low light.
  • designs and features that increasingly appeal to serious photographers.

There are still issues with these cameras, and while much progress has been made and will continue, they still lag behind DSLRs is some areas:

  • battery consumption rates tend to be quite high by comparison to DSLRs.
  • AF performance is uneven and in some cases quite slow.
  • EVFs have latency issues.
  • Not everyone is fond of looking at an EVF monitor instead of the “real” image on focusing screen.
  • With some systems (notably Sony) using a wide range of lenses will likely require the use of third-party adapters.

I’ve been using a Fujifilm X-trans mirrorless system for my travel and street photography for nearly three years. (Mine is a discontinued model, but if I were buying today I would get the Fujifilm XT1 or perhaps the Fujifilm XT10.) Virtually all of my street/travel photographs of the past two years were made with my Fujifilm camera and lenses.  For this photography, the small size and excellent quality of the system compensates for the slower AF speeds and the battery consumption issues.

More recently the Sony A7r and A7rII cameras have gotten a lot of attention. When first introduced, the A7r came with the highest MP full frame sensor then available. The cameras can use (with varying degrees of compatibility and functionality) a wide range of non-Sony lenses, and they have a number of the other pluses associated with mirrorless designs. Several landscape photographer friends use the A7r and A7rII bodies for their tripod-based, manual focus photography, and I know several street/travel photographers who like the system a lot.

Sony and Fujifilm are not the only companies moving in this direction. For example, Olympus and others produce some very fine small mirrorless cameras.

All of which leads to the question: “Where is Canon’s mirrorless offering?” (Or, “Is the EOS-M the best Canon can do?”) Continue reading Morning Musings: Canon and Mirrorless Cameras

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.