Mountains, Sea, and Haze

Mountains, Sea, and Haze
Mountains, Sea, and Haze

Mountains, Sea, and Haze. Big Sur Coast, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mouth of the Little Sur River

Mouth of the Little Sur River
Mouth of the Little Sur River

Mouth of the Little Sur River. Big Sur Coast, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Little Sur river empties into the Pacific Ocean beneath the fog-shrouded mountains of the Big Sur coastline

It has been a very busy month or so, and since my early April trip to Death Valley, aside from a quick one-day visit to Tioga Pass on opening weekend, there has been less time for photography than I would like. I finally managed to find time to break away today, and I had enough desire to photograph that I was even willing to chance the Memorial Day traffic… along the Big Sur coast. I was up very early and on the road while most people were probably sleeping in, and as I passed Carmel and headed south it wasn’t all that crowded for such a day. However, after my first hour or two of photography, the crowds began to show up. I had decided that my plan would be to get the heck out of there before this happened, and as I turned back to the north I congratulated myself on not being in the traffic jam heading south on the coast highway. My joy was short-lived, however, and the rest of my return drive took at least twice as long as usual!

But, anything to get out for a morning along this coast! It was supposed to be warm along this section of the California coast today, and there wasn’t as much fog as usual. However, right in this area a stubborn bank of fog clung to the ridges of the Big Sur mountains, and as I drove along this section of the road the temperature dropped into the fifties and the wind blew like crazy. I almost didn’t stop at this overlook above the lagoon at the outlet of the Little Sur river, thinking that the wind might simply make it impossible to get a shot with the quality I wanted, but the beautiful curve in the green water of the lagoon, the fog bank, and the whitecaps on the deep blue Pacific convinced me to stop and give it a try.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

High Desert, Rock and Sage

High Desert, Rock and Sage
High Desert, Rock and Sage

High Desert, Rock and Sage. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

An upturned boulder stands in a wash below high desert mountains, Death Valley National Park

This was not a day like most that you would expect to experience in Death Valley National Park, although in this spring transitional season such days are not completely unexpected. Early in the morning we had been at a very high promontory from which we had expansive views of a huge area of the desert mountain landscape, though an incoming storm muted the colors and blocked the sunrise light. Soon after that it began to snow, and we spent several hours photographing in desert mountain snow. Oddly, a portion of this time was spent photographing copious spring wildflowers!

By early afternoon the main body of the storm was passing and the clouds began to break in some places, and while it continued to rain or snow in other nearby mountains we had sun where we were. We took advantage of this to visit an old historic site high in the mountains, and then we began our drive back to the Valley itself, where I had an evening subject in mind. Along the way we pulled over at a spot where I often like to stop and look at and perhaps photograph certain things. While there I looked back across this valley, with hills briefly green from spring moisture, and noticed the juxtaposition of the shape of this layered rock in the foreground and those soft hills with moving cloud shadows in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Conductor Karen Kamensek

Conductor Karen Kamensek
Conductor Karen Kamensek

Conductor Karen Kamensek. San Jose, California. May 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Karen Kamensek conducts the Symphony Silicon Valley

From my ongoing project photographing classical musicians that their world, this photograph of conductor Karen Kamensek comes from a recent performance of the Symphony Silicon Valley, one of the groups I have been working with. (One reason for this project is my hope to expose people who are not familiar with this world to a bit more of its reality, ranging from the sometimes mundane aspects of the work to the aspects that reflect the intensity, dedication, and incredible work that isn’t so easy to see directly.)

All performers in this world distill their technical skills and emotional/aesthetic focus to levels not often experienced by those in more prosaic lines of work. If you have the opportunity to watch closely—as I have, both as a former performing musician myself and now as a photographer—you begin to see subtleties that are difficult if not impossible to see from the audience during a performance. Or, people might see them, but only small parts of them and only for brief moments. The conductor provides a more visible example of what can be seen among all of the performers. A huge number of factors are simultaneously at work—tempo, expression, technical issues of timing and balance and intonation—and all of this unfolds rapidly and inexorably as the music moves forward in time. And the conductor must express (or, often, over-express) all of these things visually, often simultaneously signaling things about to happen, being in the moment of things happening now, and even responding to things that have just occurred.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.