Receding Ridges, Trees, Morning

Receding Ridges, Trees, Morning
Morning haze and tree covered glacial ridges, Yosemite National Park

Receding Ridges, Trees, Morning. Yosemite National Park, California. July 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning haze and tree covered glacial ridges, Yosemite National Park

This is a view that has long caught my attention. It is very close to a place where [i]every[/i] park visitor stops to take in a famous view, but I suspect that quite a few miss this view in their anticipation of the stop for the more famous overlook. Some years ago a group of friends and I had an unusual experience here. One of my long-time backpacking buddies and I love listening to classical music on long drives, and we sometimes attempt to time the music so that particularly appropriate and impressive points in the music may coincide with our arrival at appropriate and impressive places. (Full backpacking and music geekery into one thing, and that’s what you end up with! ;-) We we listening to Mahler’s second symphony and we managed to hit the overwhelmingly powerful conclusion of that work right as we came around the bend to see this view. Needless to say, that made an impression on me, and the place is both special on its own and now associated with that experience.

Music aside, this is a stunning bit of Yosemite high country scenery, and it is perhaps (somewhat ironically) revealed even more clearly in the morning haze seen here. In the foreground trees manage to eke out an existence on the nearly solid granite slabs of a glaciated dome. Another similar ridge rises in the middle distance with more trees. And it keeps going. On the other side of that ridge there is a huge and deep valley, but across its expanse there is even more of the glaciated granite terrain, all of it highlighted in the early morning back-light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Urban Reflections

Urban Reflections
Reflected image of lights in San Francisco’s Chinatown

Urban Reflections. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Reflected image of lights in San Francisco’s Chinatown

This photograph comes from a late-July evening spent doing night street photography in San Francisco, this time working the area between North Beach and Union Square… which of course means largely the Chinatown district. We began photography at dusk a few streets up from the touristy main drag, walking along Stockton street as the last shops closed up for the day. From here we wandered down narrow streets to the main drag, Grant, arriving there as darkness came on.

Even though it was a Friday night during the height of tourist season, there were not all that many people here, at least by the sometimes extraordinarily crowded standards of this area. Some shops were still open — catering to the out-of-town visitors — but many had closed or were closing. Nonetheless, the street held a wild variety of bright lights. At several points I forced myself to take a break from the “normal” street photography stuff and try to look at things in different ways. Here I had decided to look at light reflected in other objects, in this case a parked car.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Controlling Highlights (A Napkin Drawing)

Earlier this month some friends and I got together in San Francisco, as we do every month, to share prints and talk photography. One friend shared prints of some beautiful night photographs he had made of a San Francisco subject. As we looked for little things that could make excellent prints even better we got to talking about highlights and how to control them. There are quite a few ways to do this, and I drew a little picture on a napkin to illustrate one technique I sometimes use to get a bit more detail out of areas that appear to be nearly pure white. The drawing looked a lot like the following.

Drawing on a napkin

It doesn’t look like much here, but trust me when I say that it made sense at the time. My friend picked up the napkin and took it with him as a reminder… and then a few days later contacted me to say he had lost the “napkin notes” from our conversation. He asked if I would mind describing the technique again. I said I’d do it — and three weeks later I finally got around to writing it up in this article!

Photographers using digital cameras have to watch out for over-exposing highlights. While we can recover a lot of detail from dark shadows, especially with current digital cameras, there is much less headroom at the bright end of the spectrum. When the exposure is too bright it is easy to end up with lost details in high luminosity areas. Go a little too far and you end up with that bane of digital photography, blown highlights, where the bright areas are simply pure white, leaving little or no hope of recovering the lost details. Continue reading Controlling Highlights (A Napkin Drawing)

Green Door, Brick Wall

Green Door, Brick Wall
Repainted and patched green door in the brick wall of an old San Francisco building

Green Door, Brick Wall. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Repainted and patched green door in the brick wall of an old San Francisco building

On this mid-August morning I got up early, took the bus to the train and the train to San Francisco, then walked right up into the downtown core of the City. The walk began with among train commuters heading up toward Market Street, past construction zones, freeway interchanges, and lots of traffic. Once at Market Street I turned toward the Bay and walked slowly, stopping frequently to watch and photograph. At the end of Market I turned south and began my walk back to the train station along the Embarcadero.

Eventually I decided to leave the Embarcadero and follow smaller streets to cross back to the Caltrain station. Like so many parts of San Francisco today, this is an area in transition. There are still some gritty old buildings, but things are rapidly evolving in a much more upscale and expensive direction — and for now the gritty and the modern live side by side. But not for long. Given the price of real estate in this area, funky old buildings like the one with this doorway do not have much of a future. I imagine that almost all of them will be knocked down for more condos and townhouses, and those that remain will be cleaned up and gentrified in ways that retain only the stylish chic quality. Two things (at least) caught my attention about this doorway, at least sufficiently to make me stop for a minute and make a few exposures. First is the stark contrast between the pinkish color of the painted bricks and greens of the doorway. Second is the sum effect of paint over graffiti and then painting it over again, which often produces interesting cubist patterns on San Francisco architecture in places like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.