For Sale: EF 24mm f/1.4L II and EOS 5D Mark II Body

I am selling some equipment that I no longer use:

Canon EF 24mm f/1.4 L IICanon EF 24mm f/1.4 L II lens – This is the newest version of Canon’s wide-angle, large-aperture 24mm prime lens, known for its excellent image quality and performance at large apertures. This lens is in “like new” condition — no scratches or blemishes, as it was purchased for a particular project and only used minimally for that purpose. Includes lens, both caps, hood, pouch, and original box. Reduced to $1050.

Canon EOS 5D Mark II DSLR body-only — This is the 21.2 MP full-frame DSLR body that I have used to make the great majority of the photographs you see on this website and elsewhere. I am selling it now that I have acquired a 5Ds R DSLR body. This is a “well used” camera body — it is not in new condition, but everything works well and nothing is broken. It includes a body cap, several batteries (not new), the charger, the original box, and a few other small odds and ends. This is a fine body for someone on a budget who wants a solid full frame camera. $900. Does not include a lens. Camera SOLD 7/1716


I prefer a person-to-person cash sale in the San Francisco Bay Area — that way be both know what we’re getting. Leave a comment on this post or email me if you are interested in either item.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Headlands, Cove, Coastal Haze

Headlands, Cove, Coastal Haze
Headlands stretch into the distance beyond a cove and beach, Big Sur

Headlands, Cove, Coastal Haze. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Headlands stretch into the distance beyond a cove and beach, Big Sur

We just returned from a two-day jaunt along the Central California coast. This is familiar territory, as I’ve been visiting this part of California since I was a child, and I have been photographing it almost as long. (Some of my earliest photographic memories include using old film cameras borrowed from my father to make photographs at Point Lobos.) Most of my visits are on day trips, so it is special to be able to spend more than a single day at a time photographing here.

We had unusual conditions and we saw a number of unusual things this time. The remnants of tropical storm Dolores have affected the weather, bringing unusual amounts of tropical moisture to the state and setting of big thunderstorms. We had no such storms on the coast — though they had swept through a day or two earlier — but there was high humidity, a lot of clouds, and warm temperatures. The water was also unusual in several ways. The swell was coming out of the south rather than the typical northwest. Overall the water was relatively calm, and in many places the water’s surface was smooth enough to produce interesting reflections. Sea life seemed unusually abundant: we spotted whales in many places, and large numbers of fishing boats were lined up close to the shore south of Carmel. In the evening as we headed back north towards Monterey the coastal inversion layer began to reassert itself, producing a layer of incipient fog along the coastline and producing haze that enhanced the sense of distance as we looked past successive layers of coastal headlands stretching into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Canon 5Ds R — Autofocus ‘Torture’ Test

OK, “torture test” might be overstating things just a bit, but I’ve been meaning to check out a few things related to the capabilities of the autofocus system of my new Canon EOS 5DS R. A few years ago birds, especially winter migratory birds, became one of my photographic passions. While this camera is not really optimized for this sort of photography, I plan to use it for this purpose, as I did my 5DII.

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

Most often when I photograph birds I use the Canon EF 100-400mm f/4.5-5.6L IS II lens. It usually provides enough reach for my purposes, it focuses accurately and quite quickly, it is sharp, and its flexibility fits my style of photography. (I often pause while photographing the birds and use the lens to photograph landscapes.)  It was my understanding that the 5Ds R added the capability to autofocus (AF) at smaller apertures down to f/8. This means that I should be able to add my Canon Extender EF 1.4x III tele-extender to get 560mm at f/8 from this lens.

A few days ago I was doing landscape/seascape photography along the Central California coast between lower Big Sur and San Francisco. On the final afternoon as we drove north we passed a small island where scores of brown pelicans had landed.

Continue reading The Canon 5Ds R — Autofocus ‘Torture’ Test

Dawn Fog and Haze, Tuolumne Meadows

Dawn Fog and Haze, Tuolumne Meadows
Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

Dawn Fog and Haze, Tuolumne Meadows. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

I was up quite early on this morning, and with a plan to drive a bit to photograph a particular subject as it was struck by the first dawn light. In the dark I got dressed, crawled out of my tent, got in my vehicle, and quietly left the campground. Within a few hundred yards of the campground exit my plans changed. A low fog lay across almost the entirety of Tuolumne Meadows, shallow in places and deeper in others, partially obscuring trees and domes. In the pre-dawn light the quiet scene was one of very low contrast and not altogether interesting color, but I suspected that once the sun begin to come over the Sierra crest that it might strike the fog and create some interesting effects. So, out the window with the original plan, and now to see what I could make of my new plan.

I headed to the far end of the meadow where I figured that several potentially interesting things would happen. First, the fog was likely to be back-lit once the sun hit it. Second, I could shoot back across large sections of the fog-blanketed meadow and do so from a slight elevation. Third, I knew that I could position myself so that interesting ridges and trees might appear in the frame. In fact, it all worked out! As the sun rose high enough to illuminate the drifting fog, it began to rise and form more distinct patterns against the background of ascending ridges. I’m often somewhat surprised to find myself completely alone at this utterly beautiful times of day, when the sun is just coming up or when its last light is leaving the meadows. Tuolumne is an impressive place at any time, but it is often special in all sorts of ways during these beginning and ending of the day times. Yet most people, folks who I assume come here at least partially to seek out mountain beauty, miss out as they sleep in, linger over morning coffee, or head back to campfires before the day is over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.