It is no secret that I’m pretty serious about my landscape photography. I spend a lot of time going to interesting places, searching out subjects, and making photographs. In fact, this activity is undoubtedly the single biggest influence on the nature of my outdoor experiences.
Midday summer sky reflected in a subalpine tarn, Yosemite National Park
I embrace this effect and regard it as highly positive. I’m convinced that photography deepens my appreciation and understanding of these places and subjects. Like every photographer I know who shares my passion for these subjects, entering the natural world to make photographs focuses my perceptions in powerful ways. I slow down. I stop. I look. I ponder. I wonder. I indulge my curiosity and I see things that I would otherwise miss. I’m intensely aware of light, color, atmosphere, form, and subject.
“Island and Trees, Tuolumne River” — Trees grow on a small ,rocky island in the Tuolumne River, Yosemite National Park
This first evening on a recent trip to the Yosemite high country turned out to be special. I arrived in the park in the middle of the day and snagged a camp site at Tuolumne Meadows. I set up my simple camp, lounged around a bit, and then it was time to head out and look for photographs. I headed back along Tioga Pass Road, making note of several possibilities as I passed the meadow, then turned around to go back to one of them. Along the way I decided to pull over to take in the view and by lucky coincidence I pulled in right behind my friends Michael and Claudia. We ended up hiking across the meadow to a likely photography location. Within moments a couple caught up with us — another group of friends, Charlotte and Gary!
Our group continued hiking along the river, eventually reaching a beautiful area where the slope increased, the channel narrowed, and the river picked up speed. Here it glides across granite slabs, bounces around and across boulders, and occasionally pools for a moment in hollows in the valley. We stopped at a granite bowl where the river makes a bend, and I photographed this small island and its trees against a background of late-afternoon sky with dissipating clouds.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
A small group of trees in morning light atop a glaciated Sierra Nevada ridge.
This photograph includes many of the things that say “Yosemite” to me: the broken granite ridge of glaciated granite, the bluish morning haze, the small group of trees with space between them, ridges receding into the distance. Other things say “Sierra Nevada” to me, but these seem closely connected to the high country of this particular part of the Sierra.
This is a location that I (and, no doubt, quite a few others) have photographed many times, in a variety of conditions of light, atmosphere, weather, and time of year. I almost always stop here when I cross the Sierra through the park. On this morning I wasn’t making a stop while in transit to another place — this area was my destination. I had several photographs in mind when I arrived, ranging from more distant landscape to intimate scenes of glacial erratics and granite slabs. I knew that if I walked a short distance up hill and climbed a small hill that I could get a higher vantage point and look back at these trees and across this ridge and the morning light illuminated them from behind.
Morning light on trees and granite slabs along the shoreline of Tenaya Lake
I think this photograph combines several elements that I find attracting in my landscape work. I have written that I sometimes like to photograph along the “edges of the light,” the boundaries between shadow and sunlight that move across landscapes, especially when it is early or late in the day and/or when the landscape is surrounded by higher ridges. This photograph was made in early morning, in an area where the sunlight does not arrive until some time after dawn. When the light does come, it works its way down the granite slabs on the left as beams of light pass across the valley from the right. I also love to work with haze. (I often am baffled by photographers who always want crystal clear atmosphere — that can be beautiful, too, but it can also be stark and obvious.) There was plenty of haze on this morning, and the light shining through it partially obscures the background forest. And the photograph is rendered in black and white. While I don’t think of myself as a “black and white photographer,” I frequently find myself seeing scenes like this one in monochrome. Perhaps that goes back to my roots as a photographer.
There is something a bit unusual about this landscape, too — a road bed features prominently in the scene! This is the edge of Tenaya Lake along the Tioga Pass Road through Yosemite’s high country, and here the road (for better or worse) passes right along the shoreline. But for me the trees are the dominant feature, standing along the base of the granite slabs, trying to push their way up onto the slabs, and filling the background as forest ascends the slopes of this valley toward the granite ridges above.
