Shoreline Meadow, Unnamed Lake

Shoreline Meadow, Unnamed Lake
Shoreline Meadow, Unnamed Lake

Shoreline Meadow, Unnamed Lake. Kings Canyon National Park, California. September 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Granite boulders line a small rock-filled meadow near the outlet of an unnamed sub-alpine High Sierra lake, Kings Canyon National Park

This is, to say the least, a complex photograph. I am well aware that it violates all of the “rules,” especially those that suggest that a photograph should have a clear central subject. While that is often fine advice – and I often try to use a single aspect of a larger subject to say something about the larger whole – I think that in some cases it may be fine to use a photograph to portray things that are not quite so simple, and subjects or scenes where the core nature of the thing is, in fact, its overwhelming complexity of detail and form.

This was clearly a very detailed scene, and it embodies an important aspect of the character of these high sierra areas that sit just below timberline in the sub-alpine zone. While there is an order to this environment, it is not a simple order and many components work together in complex ways. I made this photograph at the outlet stream of this nameless lake, located at the 11,000′ level a very short distance from our camp. On this morning the lake’s waters were very still, reflecting the rocky surrounding terrain. (The only simple thing in this scene is the bit of reflected sky at the lower right.) The bit of foreground meadow has taken on the late summer and early fall golden and brown tones, and its surface is interrupted by embedded rocks that become more numerous near the lake’s edge and in its outlet stream. The rest of the landscape is largely one of rock – massive chunks of rock such as the dome-like feature along the far shore and the rounded and rugged shapes of the slopes above, along with fractured and shattered talus slopes composed of rock that has fallen down from the peaks above. Aside from the meadow, the only plant life visible in this landscape consists of scattered trees growing among the rocks and small clusters of alpine willows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens and Pines

Aspens and Pines
Aspens and Pines

Aspens and Pines. Eastern Sierra Nevada, California. October, 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few pine trees stand among the autumn aspens near Conway Summit in the eastern Sierra Nevada

I made this photograph in the vicinity of a well-known and easily accessible aspen color “hot spot” in the eastern Sierra, at Conway Summit along highway 395 north of Lee Vining. Here is one of the largest and most easily accessible areas of aspen color in the eastern Sierra, since it is in a large open area with grand vistas up aspen covered slopes and because these slopes rise from an open section of the highway. At the right point in time (almost) every season, trees in every stage of color may be seen, ranging from green through yellow, orange, and red to bare trees that have lost all of their leaves.

This season I was in the eastern Sierra for five days, ranging between Carson Pass in the north and as far south as the Bishop Creek drainage. Several times during this period I managed to end up at or near Conway Summit. The first visit was on the trip over to Bishop, when we drove 395 down from Carson and Monitor Passes in the middle of an early season snow storm. Arriving at the summit that day, I photographed this area in falling snow that almost obscured the trees. Only two days later I was there again in the afternoon, when the backlight coming across the Sierra crest can cause the autumn aspen leaves to glow with great intensity. For this photograph I found a spot where the nearer trees were largely bare except for a few trees still holding a few golden leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Three Snags, Unnamed Sierra Cliff

Three Snags, Unnamed Sierra Cliff
Three Snags, Unnamed Sierra Cliff

Three Snags, Unnamed Sierra Cliff. Kings Canyon National Park, California. September 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three dead snags on a small ledge catch the late afternoon light at the base of a huge, shadowed cliff of crumbling granite.

I returned to the area near this cliff face almost daily during our mid-September photography trip to this region of the Kings Canyon National Park back-country. The area was rich with photographic subjects – sub-alpine ponds and larger lakes, late summer golden meadows, granite slabs and boulders, individual trees and forest, the surrounding slopes and cliffs, and the summits of ridges and peaks beyond. We photographed here morning and evening, and in sun and rain and clouds. Although we were in the area of almost a full week, we could easily return for another week and find plenty more to photograph.

This rugged and broken bit of cliff face had intrigued me before I thought to photograph it this way. It rose above the far end of the largest lake in this area, with talus slopes at its base and a higher ridge above. Beyond it other faces and slopes rose into a higher valley that was topped with very high and fractured ridge. At this late time in the summer season, the face was in shade in both the early morning and evening hours, with only some areas struck by light slanting across from one side or the other. While looking at the face I noticed a small group of three bare snags standing in the sun at the lower right and though that I might be able to contrast them with the larger rocky face, and include them as a way to suggest the large scale of the cliffs. The blue tones are, of course, because the rocks are in shadow, though some reflected light adds a glow to some of the rocks facing toward the left. This photograph may be a bit difficult to make sense of at a small web size, but my intention is to print it very large so that the details will be more visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens, First Autumn Snow

Aspens, First Autumn Snow
An early season storm brings snow to eastern Sierra Nevada aspen groves.

Aspens, First Autumn Snow. Eastern Sierra Nevada, California. October 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An early season storm brings snow to eastern Sierra Nevada aspen groves.

We made it to the eastern Sierra Nevada last week for the annual pilgrimage to photograph aspen color. We drove over on the day when the first winter-like storm of the season came to the range, and our travel plans changed accordingly. Normally we would cross the Sierra via Tioga Pass through Yosemite National Park. Although the Republican government shutdown closed the park, the trans-Sierra highway 120 remained open… until the night before our trip when it was closed in preparation for the forecast storm. When this pass closes – as it can often do in October, when early season storms drop a few inches of snow on the road – I have to consider options to the north: Sonora, Ebbetts, or Carson Passes. When we started out, Sonora was still open, but I figured that Carson was a better bet, as it is an all-season route. So we headed over Carson in the morning, encountering the first snow flurries well before the pass. From this point on, with the exception of a few lower elevation sections of our drive over Monitor Pass and then down highway 395 to Bishop, we were either in or near light snow.

This has been a slightly different year for aspens – though, to be honest, no two years evolve exactly the same way when it comes to the color transition. The highest trees had mostly lost their leaves, but we saw excellent color in many places all along the route. This color transition marks, for me, the reality that the warm season is over and California’s rainy, snowy, and colder season is coming. Being among the aspens during one of the first early season snow storms amplifies that effect, and we remarked on how sudden the transition was. Only a few days earlier it had been in the low 90 degree range in parts of Central California… and here we were in snow. I photographed the scene in this photograph as we reached the top of Conway Summit, the high point on highway 395 just north of the town of Lee Vining. Here one of the largest and most accessible aspen groves can provide an astonishing amount and variety of color for a few days each year. However, on this day the colors were distinctly muted by the falling snow.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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