New England Woods #8

New England Woods #8
“New England Woods #8” — Dense New Hampshire forest with colorful fall foliage.

California photographers like me, familiar with the more limited color palette of aspen trees against conifers, are almost overwhelmed by the variation and intensity of autumn colors in New England. I can find all of these colors in the Sierra, but I have to search them out and, even then, some of these colors are relatively rare. But here in New Hampshire the wild colors seemed to on and on.

Photographing here required a bit of an attitude adjustment. I’m used to having to search for the good color. In the Eastern Sierra I look for particular locations, particular groves, and even particular trees. But here in New Hampshire, at least during our visit two years ago, the color seemed to be almost everywhere. Instead of searching out the scattered bits of color, the challenge was to find compositions in the continuous blanket of color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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After the Rain

After the Rain
“After the Rain” — Rain-slicked rocks in a subalpiine meadow as a Sierra storm clears.

This photograph evokes memories of a whole range of sensory experiences in the Sierra. Some are specific to the time and place where the photograph was made, but others are more generalized. There’s something compelling about backcountry rain and the experience of its passage. We think of the Sierra as the “range of light,” but a storm changes everything — the light, the colors, the air, the smells, and even the sound.

This time it had rained since the previous afternoon, hard enough to keep us in our tents and away from photography. Shortly after midday it slowed to a light drizzle, and we were able to escape the tents and head out with camera gear. Nearby was an outcropping where the rocks where still shiny with rain, and in the distance post-rain fog was drifting among the peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Central Station, Glasgow

Central Station, Glasgow

“Central Station, Glasgow” — The Central Railrway Station and underpass, downtown Glasgow, Scotland.

The Scottish railway tracks reach this station via a nearby bridge over the River Clyde, and the tracks are still elevated here. Above we see a glass roof designed to light the interior, while below we see… an underpass between two sections of Glasgow’s downtown. Because rail transportation is common in the UK and Europe we see many more railway stations than we are used to in the US. There are some very modern stations, but many of them are more utilitarian and feature older architecture.

Although we arrived in and left from Glasgow by rail, we never made it inside this station. We came upon it near the end of a very long walk that took us from downtown Glasgow to the West End and then following the River Clyde. We turned into the city when we arrived at the railway bridge over the city.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Forest Colors, Autumn

Forest Colors, Autumn
“Forest Colors, Autumn” — Wildly colorful autumn trees in New England.

As a long time California fall color photographer — hey, I wrote a book on that! — I noticed a few significant differences when we photographed New England fall color. For one thing, wildly varied colors often appear in close proximity, as in this photograph. Another big difference is that the colors seem to go on forever, draped across entire mountain ranges almost without break. (In California they tend to be more localized and uniform.) Another difference? There are far more people there to see the colors! I thought that it got crowded at popular California spots on fall weekends, but it is nothing like what we saw in New England!

This photograph comes from one of those popular areas, the Kancamagus Parkway. This two-lane road crosses one of the more spectacular fall color areas, and people flock to it in huge numbers. But there is so much color everywhere that you can stop at almost any point and find something to photograph, especially if you like making compositions out of complex forest scenes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.