Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Sky

Autumn Sky
“Autumn Sky” — November morning sky and clouds above California’s Central Valley.

The pre-dawn light on this autumn morning in California’s Central Valley did not look all that promising. It was one of those, “OK, but nothing remarkable” days — lovely, but not with quite the magic I hoped for. As I recall, the earliest light of sunrise was muted by clouds to the east over the Sierra Nevada. But before long things began to improve, and I had a few moments of quite intense light shortly after sunrise.

This is an example of a phenomenon that I’ve learned to watch for. It is a circumstance that increases the potential for brilliant dawn or sunset color, though it is far from a guarantee. On a cloudy morning or evening when the cloud layer ends far to the east (at dawn) or west (at sunset), there is a chance that the sun will briefly shine under the clouds as it touches the horizon, lighting the clouds with intensely colorful light from underneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Apartment Facade, Porto

Apartment Facade, Porto
“Apartment Facade, Porto” — A building full of tightly packed apartments, Porto.

We visited Porto, Portugal last summer during our travels though (mostly) Southern Europe. We spent a week in Portugal, split between Porto and Lisbon. We had heard good things about Porto, and it is clearly a city that combines history with modernity. That, in fact, seems to sometimes lead to some (typical urban) conflicts as older areas transition to incorporate expensive real estate, and you’ll sometimes see juxtapositions of wealth and poverty.

I saw this building on our very first walk in Porto. We headed toward the historic Ribiera district, which features densely packed buildings on a steep, hillside landscape alongside the Duoro River. The building in the photograph is not, as far as I know, any sort of historic treasure, but it is a visually remarkable structure. . It appears to be very dense apartments of some sort, and I can only imagine wh=at it must are like inside.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Pelicans, Winter Surf

Pelcans, Winter Surf
“Pelicans, Winter Surf” — A quartet of brown pelicans flies above raging winter surf off the California coast below San Francisco.

During last week’s extremely big surf we headed right over to the coast to witness and photograph the conditions. Waves were up to 30′ tall and even higher, and a winter “King tide” sent those waves right up onto the shore in many places. You might have seen news reports of damage to some coastal areas. While staying safe, we were able to get pretty close to the action on a drive between Santa Cruz and Half Moon bay, and we made quite a few photographs.

Most of the photographs were essentially seascapes — the watery equivalent of landscape images, featuring the shapes and colors and so on of the moving water. But as I made a series of photographs of this huge wave a line of pelicans flew through the frame, passing just above the raging surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.