An Ancient One

Image November 11, 2022 G Dan Mitchell Leave a comment

During my recent trip to photograph Eastern Sierra fall color I spent one day high in the White Mountains. This range (one of multiple “White Mountains” ranges in the USA!) lies to the east of the central Sierra Nevada, running south from roughly Boundary Peak, the tallest in Nevada, to Westgard Pass, which separates the range, somewhat arbitrarily, from the Inyo Mountains. It is a high, remote, dry, and largely unvisited range in the rain shadow of the Sierra Nevada. Although it rises as high as the Sierra, it lacks that range’s rugged, sculpted peaks — much of its high country is more of a rounded moonscape. It is one of the prime locations for bristlecone pines.

The bristlecone pines are remarkable trees. They are among the very oldest living things — some may be close to 5000 years old. Surprisingly perhaps, the oldest grow in some of the most rugged and least hospitable places. It seems that the struggle strengthens them, and these “old ones” are characterized by resistance to exposure and the appearance of being more dead than alive — the trees sacrifice the majority of their branches in order to sustain a few remaining living portions. Their remarkable character and great age always cause me to slow down and ponder.

COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Food Cart, Fifth Avenue

Image November 10, 2022 G Dan Mitchell Leave a comment

This photograph comes from the second of our two recent visits to Manhattan, this one about a week into the month of October. The previous visit was in August. (I can just hear the New Yorkers: “What!! You went to New York City in August? Are you nuts?”) Let’s just say that the weather on the first trip was different than on the second. In October it was quite pleasant, and there was a hint of autumn. Things seemed to be slowing a bit, and the light was different. In fact, in the urban canyons of Manhattan, the later sunrise meant that many places were still in shadow later in the day, including this street corner along the east side of Central Park.

We were staying a few blocks west of Central Park, and on this morning we went out for a walk through the park. I came upon this food cart when we reached the far side of Fifth Avenue. Two things catch my attention about this cart. First, it sure isn’t very busy! Second, because of those shadows the cart’s lights almost make it look like evening. It also occurs to me that something about the colors of light and shadow and the empty streets creates a sort of autumnal feeling.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Fall Color, Bare Aspens

Image November 9, 2022 G Dan Mitchell Leave a comment

Nearly bare aspen trees in the center of a scene of Eastern Sierra autumn color.

This photograph, made when this grove had passed its prime, gets us closer to the end of this year’s autumn transition in the Sierra, when some trees here are almost bare. While writing about this photograph I pondered my favorite time of aspen season. Is it the first explosion of color early each fall? Is it the peak time when the greatest number of leaves are fully transitioned? Or is it this time, when some colorful leaves remain but it is more and more obvious that winter is almost here? Honestly, it is hard to pick one over the other, but I do love how the trunks and branches are gradually revealed as the leaves fall..

While this photograph focuses on trees near the end of the color transition, nearby and just out of the frame were many trees still in peak, golden color. This year it seemed that brilliant colors hung on just a bit longer, and I have some theories about why this happened. The ongoing warm-up of the California (and global) climate is one factor. Another specific to this year (thought not unique to it) is that the absence of significant early season storms or wind allowed leaves that might otherwise have been blown down to remain on the trees a bit longer.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Upper West Side

Image November 8, 2022 G Dan Mitchell Leave a comment

Steps leading to residences on the Upper West Side, Manhattan

Recently I’ve been sharing a steady stream of landscape photographs, most of which came from trips to photograph fall color on the east and west coasts. We were in the East twice in recent months, and both times took us to somewhat more rural areas of New England — southern Vermont in August and New Hampshire (and a bit more Vermont) in October. But both times we include some time in New York City. That lengthy introduction is all by way of warning you that there’s some Manhattan urban and street photography coming up!

I start gently with this photograph, one that you might even think of as a sort of “urban landscape.” We often stay at a place on the Upper West Side, a bit west of the Natural History Museum, since it is outside of the busiest parts of Manhattan, provides good subway access, and is closer to some folks in Northern Manhattan and the Bronx. We walk a lot while we’re there, and I photographed these steps in the neighborhood on one of those walks. The line-up of the steps intrigues me, but I also like the unusual palette of colors.