Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gullies, Hills, and Mountains

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Gullies, Hills, and Mountains
A line of badlands terrain full of gullies with desert mountains in the distance.

Gullies, Hills, and Mountains. © Copyright 2022 G Dan Mitchell.

A line of badlands terrain full of gullies with desert mountains in the distance.

This photograph embodies many elements that attract me to Death Valley National Park. I’m always impressed by the clarity (and seeming irony) with which the place reveals the effect of water on the landscape. Essentially everything in this scene is the result of water, from the gullies on the soft foreground formations, to the gigantic, gravel-filled wash beyond, and the the eroded mountains in the distance. That distance is another important feature — I’ve only encountered the immense scale of this landscape in a few other places.

It was still morning when I made this photograph, though golden hour had passed. We had photographed more intimate aspects of the landscape in the earlier light, and now we were moving on when we paused at this high point to take in this gigantic scene. Beyond the foreground hills, the flat wash stretches for miles to the base of haze-obscured desert mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Architecture, Photographs: Structures and Objects

Concrete Steps

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Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature

Tulips

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Tulips
Close-up photography of a tulip blossom, tulip buds, and plants.

Tulips. © Copyright 2022 G Dan Mitchell.

Close-up photograph of a tulip blossom, tulip buds, and plants.

It seems that I have begun a little series of black and white flower photographs, so I’m going to run with it. Here’s another, this time featuring tulips — a background of tulip leaves and stems, a pair of buds at different stages of development, and one central flower that is just about to open.

Of course, the colors of spring flowers are the main story, and I’ve made plenty of color photographs of the subject. In fact, if you look back a bit in my post stream you may find a somewhat different take on this group of flowers done that way. But a monochromatic rendition gives me greater creative flexibility in many ways, and I think it also may let me focus on the forms of the flowers a bit more without the “distraction” of the appealing colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers and Folds

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Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.