Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Bay Reflections, Morning

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Bay Reflections, Morning
Bronze morning light reflects on the surface of San Francisco Bay and silhouettes Alcatraz and Treasure Islands.

Bay Reflections, Morning. © Copyright 2013 Dan Mitchell – all rights reserved.

Bronze morning light reflects on the surface of San Francisco Bay and silhouettes Alcatraz and Treasure Islands.

Happy New Year! Let’s start 2021 with a sunrise. 2020 was a year we all want to put behind us as soon as possible — to move on as a country, to get through the worst of this pandemic and see vaccines take effect, to travel again, to see friends and relatives in person, to eat out and go to concerts and, all in all, perhaps find a bit of normalcy once again. So, perhaps the best wish is: Happier New Year!

The photograph is of San Francisco Bay, photographed not long after sunrise on a very early spring morning a few years ago. The conditions were a bit unusual — prevalent thin fog rather than the more typical strands of the stuff. I photographed directly toward the rising sun, capturing the metallic colors and textures of the Bay waters along with Alcatraz Island, Treasure Island, and the far shores of the East Bay.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes and Tree, Tule Fog

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Sandhill Cranes and Tree, Tule Fog
“Sandhill Cranes and Tree, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Architecture, Photographs: Southern California, Photographs: Structures and Objects

Interior Study

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Interior Study
The interior of a San Diego, California building.

Interior Study. © Copyright 2013 G Dan Mitchell – all rights reserved.

The interior of a San Diego, California building.

Photographs like this one are, for me, something like visual “palate cleansers.” It is really only about composition, shapes, densities, lines, and, of course, light. Whether you feel that understanding these things is central to photographs or, alternatively, simply underlies the other things that photographs are about, the fact remains that these basic visual qualities are a big part of what attracts many of us to the medium.

I’m not 100% sure where I made this photograph. I know it was in San Diego, and I’m pretty certain that it was at Balboa Park, and I strongly suspect that it was inside the Museum of Photographic Arts. To me, the photograph is a bit deceptive and is a bit more complex than it might initially appear. I’ll leave it to viewers to explore that notion.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes, Tule Fog

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Sandhill Cranes, Tule Fog
“Sandhill Cranes, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond on a foggy winter morning.

Unlike most winter drivers in California, I was thrilled when I ran into serious fog about an hour before arriving at my intended photography location. I chose this day to visit the Great Central Valley specifically because I hoped to photograph in such fog. As I continued to drive, dropping down into the valley from surrounding hills, the fog only got thicker. By the time I arrived at my destination is was so thick that the roadway was. barely visible in the pre-dawn darkness. I turned off the main road and spent some time looking for birds, finally finding a flock of cranes standing in a shallow pond.

To read about nature photography and photographers, you might occasionally get the mistaken idea that it involves non-stop action and compelling scenes. You would be wrong. Those tend to the exceptions, and they are often separated by long periods of stillness and quiet. I don’t regard that as a problem and, in fact, this is part of the appeal of these places. The fog amplifies this effect, muting sounds and restricting visibility to a small radius. I stopped and slowly and patiently watched these birds, barely visible at times in the fog, making occasional photographs as they assembled themselves in interesting compositions.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.