Photographs: Architecture, Photographs: Pacific Northwest

Table and Window

Image July 26, 2020 G Dan Mitchell Leave a comment

A table in a room at the Lan Su Chinese Garden, Portland, Oregon.

Considering its location, jammed into an urban block in Portland, this garden is a remarkably quiet and serene place. In fact, my visit convinced me that this feeling is contagious, altering the attitudes and behavior of visitors who come through the gates from that urban environment.

We had a few afternoon hours to enjoy the place some years back on a visit to Portland, a visit on which we went to many of the city’s lovely gardens. This photograph looks into a small room, across a game table, through a window, and out into the garden.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Pacific Northwest

Garden Gate

Image July 25, 2020 G Dan Mitchell Leave a comment

An entry gate to the Japanese Garden, Portland, Oregon.

Some years back our youngest son and our daughter-in-law lived in the lovely and quirky city of Portland, Oregon. Since it is (just barely, if you have a lot of endurance!) a one-day drive from the San Francisco Bay Area we managed to get up there somewhat regularly, and we came to like the place a lot. Among other things, it is a city of gardens, including several that we visited more than once. This photograph of a stone walkway passing through a gate comes from the lovely Japanese Garden.

Having roots in a non-west-coast part of America (long ago, but they stick with you), I can understand how the character of towns along the Pacific coast is difficult for some to understand in other parts of the country. But Oregon is a wonderful place that is hard to characterize in any single way. There is a long tradition of a kind of counter-culture there, but there is also a large suburban population. Don’t believe the simplistic, politicized claims that the city is “under siege” or a hotbed of some kind of awfulness that requires federal intervention.

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Photographs: Architecture, Photographs: San Francisco

Detail, Palace of Fine Arts

Image July 24, 2020 G Dan Mitchell Leave a comment

Detail of a small section of the Palace of Fine Arts, San Francisco.

Perhaps I was channelling my inner Atget when I made this photograph a few years back. I was wandering around San Francisco with a camera — a favorite activity in non-pandemic times — and I ended up at the Palace of Fine Arts near the waterfront. It is a remarkable place with a remarkable history. Originally constructed as part of the 1915 Panama-Pacific Exposition, it was the only structure that wasn’t taken down afterwards. Originally meant to be a temporary feature of the Exposition, it deteriorated and was eventually completely taken down in the 1960s and reconstructed by the mid-1970s. .

Something in the photograph illustrates how I do (and do not) see when I’m making photographs. One one hand I and other photographers often see things that others might miss. On the other hand, because we are focused on one way of seeing our subject we may entirely miss things that are completely obvious to others. Sometimes we “discover” these elements of our photographs later. (Someone pointed out that a difference between photography and painting is that the photographer cannot know everything in the image.) In this case, it was only years later that I noticed the rather striking symbols that appear on the surface of this building — symbols that no sane person would include today. This led me to some quick research that suggests that in 1915, and before the atrocities of WWII, the symbol in question had an entirely different meaning.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Morning

Image July 23, 2020 G Dan Mitchell Leave a comment

Morning light and hazy atmosphere above Mono Lake.

Mono Lake is, of course, particularly known for the tufa formations found along its shoreline and in the close-in shallow waters. These remarkable features were formed underwater and revealed as the lake’s water level dropped. (By looking at the surrounding hills you can observe evidence of much higher prehistoric water levels. ) The lake also affords dramatic views of the steep eastern escarpment of the Sierra Nevada.

All of these things appeal to me, but they are not what I most associate with the place, namely its vast expanse of stillness and quiet. The scale of the Mono Basin dwarfs the peaks to the west, quite honestly, though you have to slow down a bit more before its stillness gets to you. I think I most like the morning hours, when the air is often still, and when the morning sun can make the atmosphere luminous.

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G Dan Mitchell Photography

Table and Window

Garden Gate

Detail, Palace of Fine Arts

Mono Morning

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.