Virtual Surfaces

Virtual Surfaces
Distorted reflections in the windows of a San Francisco building.

Virtual Surfaces. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distorted reflections in the windows of a San Francisco building.

Almost every time I photograph in big city (and sometimes small city…) downtowns I end up getting distracted by the things reflected in the windows of tall buildings, and by how they relate to the forms of these architectural structures.

Buildings of certain styles and vintages have exteriors that are largely glass. While these buildings have physical forms and volumes, what we see of them is more a result of what is around them than of their own shapes. I’m intrigued by how little of what we see when we look at such structures is actually the structures themselves — most of what we see is virtual, imaginary, and transitory. In this photograph, all you see of the buildings actual exterior are a few non-reflective areas between windows — some dark horizontal strips and a few lighter vertical panels. Everything else in the image is either inside the building (a few interior lights seen through the windows) or a distorted reflection of the building’s surroundings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Building and Reflections

Buiolding and Reflections
One Front Street in black and white, San Francisco.

Building and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

One Front Street in black and white, San Francisco.

At this point it is probably no secret that I like photographing urban subjects — not just nature — and that the urban landscape is near the top of my list. I’m fascinated by city subjects, from the bustle of people-filled scenes to the almost abstract possibilities found in modern buildings.

This is an often-photographed San Francisco building that towers above pedestrians in the central downtown area. The parallel curved structures extending skyward capture and reflect light in all sorts of interesting ways. Here the reflections of surrounding structures merge with the forms of the building itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall and Benches

Wall and Benches
A wall and two benches in a Japanese garden.

Wall and Benches. © Copyright 2020 G Dan Mitchell – all rights reserved.

A wall and two benches in a Japanese garden.

This is a “quiet photograph” made at the Japanese Garden in Portland, Oregon a few years ago when we were there for a family visit. It was not a photography trip, and I had intentionally travelled light, carrying only a camera and one lens. But we ended up visiting several of the cities beautiful gardens, and I was glad that I had that equipment with me!

The Japanese Garden is a beautiful and quiet place, and there was a lot to see and photograph there. At the time I made this photograph something about the scene caught my eye, but aside from a bit of quick work a few days later the file sat quietly in my archives for eight years. It was only this past week, as I continued my pandemic exploration of old files, that I came across this subject. After some consideration it seemed to me that this photograph was a candidate for a monochromatic treatment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Shoreline, Point Reyes

Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.