Photographs: Architecture, Photographs: Germany, Photographs: Structures and Objects, Photographs: Urban/Street

Hostel 36

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Hostel 36
Window and entrance to Hostel 36, Heidelberg

Hostel 36. © Copyright 2018 G Dan Mitchell – all rights reserved.

Window and entrance to Hostel 36, Heidelberg

By now we have visited Heidelberg several times, spending a total of perhaps a couple of weeks there. We have relatives (Patty’s brother and sister-in-law) who live there, so we almost always include a visit when we are in that part of the world. By now we’ve wandered a bit around the city, especially the Altstadt area and its surroundings, but also on the other side of the hill that runs along the opposite of the Neckar.

The Altstadt is, of course, a bit of a tourist destination. It is an older area of the city, many of the streets are narrow enough that there is little or no vehicle traffic, it is filled with restaurants, hotels, and other things that attract visitors, with historic churches, a university, and a large castle in the hills above. I recall that the first visit took us right up one of those streets filled with shops and restaurants. We still go there, but we also wander away from the “main drag” and into some of the back streets. It was on one such walk that I spotted this scene, a hostel with an unusual color exterior color scheme.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Subalpine Lake, Late Afternoon Light

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Subalpine Lake, Late Afternoon Light
Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

Subalpine Lake, Late Afternoon Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

This is a photograph that required a bit of persistence! During our September stay in the Eastern Sierra Nevada backcountry, I first walked up to this lake several days before I made this photograph. When I arrived for the first time I made a guess as to where I might find a photograph, but the guess was wrong! As the light faded I tried a different spot, and I found a good one, but I missed the best light. I made a mental note to come back, and even noted the specific spot to be in. A day or two later I headed back in that direction late in the day, with plenty of time to get there before the good light arrived… but then I got distracted by some other attraction, spent too much time on it, and arrived at this lake — you guessed it! — about three minutes too late! However, I did have a bit more time to consider the location and timing of the shot I had it mind.

I went back one more time, and this third time was almost not a charm. I got there plenty early and found my spot well before the good light… and discovered a woman set on fishing from the lovely rocks on the peninsula in the center of the photograph! Since I was early I decided to wait quietly and not try to convince her to get out of my shot, but I did explain what I was there for. I waited. She continued to fish. I began the internal debate about just how aggressive I should be about trying to get the shot. I think she figured out that I really wanted this photograph, since about five minutes before I made it she moved on to another spot on the other side of the rock. (She continued to fish, and I had to time my exposures between her casts, when sent line right into the water beyond the rocks.) In the end my persistence paid off, and I got a photograph that I like — to me it seems to capture that lovely late-day, late-summer light in the high country, and it even includes some really lovely color in the water. I finished the photography here… and had time left over for a short hike to the top of a nearby pass before the light faded.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Austria, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Child In The Street

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Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Rocky Shoreline, Reflections

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Rocky Shoreline, Reflections
Sky and high peaks reflected in the surface of a lake in rocky alpine country

Rocky Shoreline, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky and high peaks reflected in the surface of a lake in rocky alpine country

This is (yet another!) photograph from my September week in the John Muir Wilderness backcountry with a group of photographer/friends. We set up a base camp at a lake in a long valley running north/south, and photographed the immediate area and further subjects that we could reach on day hikes. The orientation of this valley gave us an unusual lighting condition — hours of blue hour light in the morning and early evening after the sun dropped below the tops of the two giant ridges to the east and west.

Our lake was mostly a fairly rocky place. The gentler portions of the shoreline featured small trees, often separated by open space and both rocky and meadowy areas. The more rugged side of the lake was the base of a gigantic talus field that extended far up the mountainside to the east. I made this photograph when light still illuminated the upper slopes of the ridge while the lake itself was in shadow. The effect was to make the landscape seem even more stark, so I photographed to emphasize the large forms of light and dark, and then chose to render it in black and white.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.