Grasses, Water, Talus

Grasses, Water, Talus
Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

Grasses, Water, Talus. © Copyright 2018 G Dan Mitchell – all rights reserved.

Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

This is (yet another) photograph from my September backcountry sojourn in the John Muir Wilderness, accompanied by a group of four friends and photographers who try to do this every year. We packed in to a lake a few miles from the trailhead, set up camp, and proceeded to work the surrounding landscape for the next week, starting early and finishing late almost every day. In the course of the week we thoroughly explored the surroundings within a few miles radius of our camp.

The far edge of the lake near our camp was completely rocky and almost entirely devoid of flora. (Our side did features a meadow and some stunted trees.) A tremendous talus field, distorted by glacial action, rose straight up from the lake shore to the surrounding ridges. I photographed this material several times during our stay, most often working in the early morning before the direct sunlight arrived. In many of the photographs there is nothing by rocks and water, but in this one I included a bit of the colorful shoreline grass.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Stairs, Le Centre Pompidou

Stairs, Le Centre Pompidou
Outside stairs at Le Centre Pompidou, Paris

Stairs, Le Centre Pompidou. © Copyright 2018 G Dan Mitchell – all rights reserved.

Outside stairs at Le Centre Pompidou, Paris

We had previously walked past the Pompidou Center museum but had not stopped, instead visiting other museums on our list. The structure is famous (or infamous, depending on your aesthetics) for its unusual architecture, which exposes lots of things that would usually be hidden beneath the skin of a more traditional building — ventilation ducts, stairs, escalators, structural reinforcements, and more. While the art inside the building was fascinating, the photographer in me was attracted to the structure itself.

I made this photograph from the ground level before we went inside. The simple “x” shape is superimposed on some of those exposed structural details, in this case a bunch of outside stairways. The color scheme of the building in this area is almost purely monochromatic — at first I thought I was looking at a black and white image, until I noticed a bit of yellow color along a margin. Since it was already monochromatic I decided to eliminate even that bit of color and go with a black and white rendition.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Blue Hour Talus, Cliff and Lake

Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Window and Plants

Lush plants grow around a window of a stone building in Barbizon, France

Window and Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Lush plants grow around a window of a stone building in Barbizon, France

Today I continue with my back-and-forth between photographs from a lengthy summer visit to several European countries and a following week-plus backcountry Sierra Nevada photography trip. Today it is back to Europe. (Anyone getting whiplash yet?)

Near the end of our trip we joined members of our extended American and European family for a week at a house in the French countryside near Fontainebleau. We have been doing something like this every other summer for the past few years — we get together, hang out, cook and eat, travel around a bit, and generally have a good and slightly lazy time. To be a bit more specific about our location, we were (just barely) walking distance from the village of Barbizon, which gives the appearance of being a sort of artist community, or at least a place where people attracted to that identity have chosen to live. It is a lovely little village and we visited several times, including near the end of the trip when I made this photograph of the plant-covered window of a local building.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.