Tufa, Wildfire Smoke, Mono Lake

Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning, Wildfire Smoke

Morning, Wildfire Smoke
Wildfire smoke layer drift, above Mono Lake at sunrise

Morning, Wildfire Smoke. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke layer drift, above Mono Lake at sunrise

The subject of this photograph comes about as close to being insubstantial as possible. When I began photographing before dawn on this September morning, Mono Lake was still mostly visible, though a large cloud of wildfire smoke was gathering to the southeast and beginning to drift toward the lake. First, layers of smoke began to stretch individually across the lake as sunrise approached. As more of them arrived they began to completely obscure the more distant landscape and to mute the colors and details of objects that were even closer. If you look at this photograph for a moment you can begin to see what remains — a bit of a peninsula with some tufa formations along the right margin, and in the lower center and stretching toward the left some soft reflections of morning light on the surface of the lake.

For a moment when I first saw the smoke I was disappointed that it might interfere with my photography, but it only took a moment to realize that these were special and beautiful conditions not likely to occur that often. The smoke and the morning backlight rendered details almost invisible, only seen faintly through gaps in the smoke. The smoke itself, dividing into layers and taking on subtle colors from the morning back-light, filled the scene with nearly abstract shapes. But before long smoke filled in even more, and soon it was too opaque to photograph at all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire Smoke, Morning Light

Wildfire Smoke, Morning Light
Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

Wildfire Smoke, Morning Light. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

The night before I made this photograph I had driven back to my Lee Vining Canyon camp from a backcountry hike in the Tioga Pass area, leaving the park and descending the steep route after dark. As I crossed the upper end of Lee Vining Canyon, where there is a relatively clear view to the east, I saw the pall of smoke from a developing wildfire and the glow from the flames lighting it from below. Given California’s drought, the late point in the dry season, and the number of other fires in this area, I was quite concerned about what might be happening.

I got up well before dawn the next morning and as I headed down canyon toward Mono Lake there was just a bit of smoke in the air. As I came around the final bend before the junction with US 395, however, I could see that there was a very dark cloud to the southeast and that layers of smoke were starting to drift across the surface of Mono Lake in the pre-dawn light. My first though was a bit of disappointment that the smoke was likely to interfere with my photography plans, but this was quickly replaced by the realization that I was starting to see some very special and unusual conditions as the dawn approached. I found a high place and went to work photographing abstract and soft patterns composed of the reflecting surface of Mono Lake, the drifting smoke bands, and the partially obscured distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

Aspens, Earth Shadow, Morning. East of the Sierra Nevada. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.