Improving Your Odds: That’s Why They Call It “Exceptional”

May 8, 2018 G Dan Mitchell 4 Comments

This is the first of what will be a series of articles looking at steps you can take to improve your chances of producing compelling photographs.

A recent stay in Yosemite Valley during my Yosemite Renaissance artist-in-residency reminded me again that while many aspects of photography are out of our control, there are things we can do to increase the odds of success.

On this visit I had three late April spring days to photograph in the park, which mostly means “in Yosemite Valley” at this time of year when the high country is still snowed in. By non-photography standards, the Valley was beautiful — if a bit crowded. The sun was out, the sky was blue, temperatures were comfortable, rivers were full of early snowmelt, the waterfalls were flowing, there were hints of green in the seasonal vegetation, and too many tourists were already showing up!

I did the usual things: I got up before dawn to find the early light. I stuck around until the last light faded. I returned to subjects that I knew from past experiences to be promising. I considered where the light would be at different times of day. I went looking for new subjects in likely places. I wandered. I kept my equipment with me at all times. I made photographs, and some of them are even pretty good, but at times it was hard to “see” something special in these conditions.

What’s not to like, right? From a photographer’s point of view these are not ideal conditions for photography. As pleasant as nice weather is for hiking and camping and picnicking, it can be hard to find exceptional photographs in such everyday light. I and many of my fellow Sierra photographers prefer interesting and unusual conditions — precipitation, broken light, mist and clouds, some haze.

On the final morning I was up and heading into the Valley well before sunrise. The light was unspectacular, with thick overcast cutting off the morning light. But then I caught sight a bit more light in the east, and soon I saw some breaks in the clouds. Within fifteen minutes the conditions opened up and I was treated to an exceptional spectacle of light and clouds and landscape that lasted for several hours, during which I photographed continuously. I made more interesting photographs during these few hours than during the rest of the visit.

Clearing Clouds, Merced River Canyon — The morning sun breaks through clearing clouds above Merced Canyon

To state the obvious, “exceptional” and “unusual” conditions are not the norm. The blue-sky “blah” light is. If you show up on ten randomly selected days, nine of them are going to be, literally, unexceptional, and if you are looking for something unusual and beyond-the-norm you aren’t likely to find it.

The basic lesson is simple: The more you are out there the more likely you’ll be out there for something great. Continue reading Improving Your Odds: That’s Why They Call It “Exceptional” →

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Clearing Clouds, Merced River Canyon

May 8, 2018 G Dan Mitchell Leave a comment

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Black Oaks and Ghost Trees

May 7, 2018 G Dan Mitchell Leave a comment

A pair of skeletal dead “ghost trees” behind a row of black oak trunks

This is a subject familiar to virtually anyone who has spent much time in Yosemite Valley, and especially to photographers who have worked there. Generally, the black oaks of the Valley are one of its most characteristic features, tied to its relatively low elevation in the Sierra Nevada. Oaks are lowland trees, but they are still abundant at the elevation of the Valley. You’ll find them in warmer, open areas, often near meadows.

While they are not the most colorful trees, in the right light they can be fascinating. Early in the season the backlit leaves can be intensely colorful, and the same effect is possible in autumn light. Their curving, skeletal trunks can be quite beautiful in snow, where they contact with the near-perfect verticals of conifers. This group of trees grows unusually close together. As a result they have strongly vertical character, likely created as they compete with one another for access to sunlight. I photographed these in early spring, when brown autumn leaves remained on the branches and before the new spring growth appeared.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Blue Stairway

May 6, 2018 G Dan Mitchell Leave a comment

A blue stairway in a softly lit alcove

In contrast to much of what I have recently shared, this photograph is not a landscape. Or perhaps it is. OK, it is. I think of photographs like this, at least to some extent, as being “urban landscapes.” In many ways (but not all) I see them in ways that are similar to how I see landscape. I’m looking for form and composition, color, effects of light, some sense of the feeling of the place, and often a quality of stillness. I also think that these photographs, like some of my personal favorite landscape photographs, attempt to look at a familiar place in an unfamiliar way. For example, there is almost nothing in this photograph to tell you that it was made in San Francisco, not far at all from some rather iconic views.

Despite the similarities to my landscape photography, there are also some obvious differences. The distinctly non-natural subject is one obvious clue. Perhaps less obvious is that these photographs are not made in the usual natural landscape manner, relying on tripods, remote releases, and sometimes plenty of time to think and consider. Instead, these are virtually always shot handheld with a small camera. I’m generally on the move when I photograph these subjects, typically pausing only long enough to frame and trip the shutter, and then I continue along. In fact, I barely broke my stride as I passed this scene and made this photograph.

G Dan Mitchell Photography

Improving Your Odds: That’s Why They Call It “Exceptional”

Clearing Clouds, Merced River Canyon

Black Oaks and Ghost Trees

Blue Stairway

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.