By default, visitors to my website are able to comment on posts and articles, and I welcome your comments and questions.
However, earlier this week a reader noted that comments had been turned off on an article he wanted to comment on. That surprised me, but when I looked more closely I discovered that an automatic setting was closing comments a few weeks after posting.
That isn’t what I intended… and I think I have now fixed the problem re-enabled your ability to leave questions and comments.
A flock of small birds rises into pre-dawn sky about San Joaquin Valley wetlands
This was a long day with lots of driving. In the evening I would be in Oakhurst, in the Sierra Nevada foothills near Yosemite, where I planned to attend the reception for “AVIAN: Birds In A Changing Landscape,” an exhibit of art related to the lives of birds in California. (Two of my photographs are in the show, and it runs through January 14 at Gallery Five.) But before going to Oakhurst I figured I would start my day by visiting the San Joaquin Valley wetlands, the environment where the birds actually live.
After a two-hour drive I arrived a half hour or so before dawn. I grabbed a quick cup of coffee from my thermos, put the big lens on my camera, and turned my attention to the surrounding bird-filled landscape. Within moments I was stunned to see something new to me — an absolutely huge flock of very small birds rose in the distance. My best guess is that they may have been tai-color blackbirds, but the numbers were far beyond anything I had seen here before. The light was too low and they were too far away to make an effective photograph, but before long a very small fraction of the flock came across this section of the wetlands closer to my location, and I was able to photograph them against the pre-dawn sky.
Morning on a San Francisco street, as a man prepares a store for opening
This is another in my small series of photographs made on a recent two-day visit to San Francisco. Since we were there primarily to attend a couple of event musical performances, we had time during the day to combine general laziness with street photography and walks in the area. We weren’t up exactly at the crack of dawn — and then there was breakfast — but we were up and out on the street before things became very crowded.
From where we stayed, the walk down toward the Hayes Valley area near the opera house and symphony hall gradually evolved from a mostly urban residential to a mostly commercial area of shops and restaurants. This market was roughly at the midway point, where there were still residences (of the old style rather than newer condos) but there were also a few businesses, including this corner market, outside of which an employee was doing a quick clean up before, I presume, opening up for the day.
A San Francisco street scene viewed from the window of a photography gallery
We came to this place more or less by chance. It was a somewhat lazy day for us — we had attended a concert the night before and stayed overnight near the venue. Since we had another concert coming up on the second evening we decided to not have any serious plans in the morning. We got up late and finally wandered down past City Hall, through a farmers market, and then headed down Market Street. At one point I happened to look across the street and see the sign for “SF Camerawork” above an unlikely looking storefront, so we walked across to take a look, noticed that it was scheduled to open in less than 10 minutes, and decided we would stick around and take a look.
It probably seems odd that I hadn’t ever visited before, especially since this organization has existed in the City for decades, but sometimes odd things happen. In any case, the door finally opened, we climbed the long and marrow stairway, and arrived to find them in the process if installing an upcoming show: Landmark: Yosemite Through The Lens of Contemporary Landscape Photography. Despite the unfinished state of the installation, they allowed us to poke around and see the work that was already hung. They had one of Jerry Uelsmann’s fantastical landscape, several of the Mark Klett & Byron Wolfe juxtapositions of classic photographs collaged with modern photos of the same locations, a few witty Ted Orland pieces, and more. The exhibition space itself is very nice — open and with good light — and at one point I wandered to one of the street-facing windows and took advantage of the upper story location to make a few photographs of the street below.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
