Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Wildfire, Forest, Early Morning

November 1, 2017 G Dan Mitchell Leave a comment

Early morning smoke from a wildfire drifts through a Yosemite National Park forest

This is the second in what will almost certainly be a series of photographs I made of this wildfire in late October. The fire — the Empire Fire — started in the region south of Yosemite Valley, covering terrain ranging from the Bridal Veil Creek area to the broad valley east of Glacier Point Road, and in many places burning right along that driving route. At one point the road had been closed, but by the time of my visit it had reopened. The fire was not longer spreading rapidly, but was instead in that slow-burning phase that may actually be beneficial to Sierra forests.

I ended up here almost by accident. I originally planned to be at Glacier Point by dawn, but other photographic subjects distracted and ultimately delayed me. By the time I arrived here the sun had cleared the mountains of the Sierra crest and the light was reaching down into the valley. But the air was still on this morning and the smoke settled and drifted slowly among the trees and mountains. I found a position well above the smoke and spent almost an hour looking for the beauty in this scene, one that might initially conjure up thoughts of destruction, but which eventually does have a kind of stark beauty. As the morning continued, the wind began to gradually pick up, the smoke rose to and above my position (making breathing difficult) and eventually the smoke simply began to uniformly obscure the landscape — and I moved on.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest, Wildfire Smoke

October 31, 2017 G Dan Mitchell Leave a comment

Smoke from the Empire Fire drifts among forest trees in the early morning

In late October I spent a few days photographing in and around Yosemite National Park. I was in the area for the opening reception for the last hurrah of this year’s Yosemite Renaissance Exhibit, which has been installed at Gallery Five in Oakhurst. I took advantage of the visit to photograph various autumn subjects including the (somewhat early this year) fall colors in Yosemite Valley. But I also photographed another Sierra Nevada fall subject that we often aren’t as easily attracted to, namely wildfire smoke.

Like most Americans brought up with Smokey The Bear, I used to think that wildfires were uniformly evil things. We are more enlightened today, and we now understand that fire is actually a healthy part of the forest ecosystem. (Some fires at not so healthy, such as some during recent years that have completely destroyed large areas of forest.) Periodic fire clears out underbrush and forest litter, doesn’t kill mature trees, and tends to prevent the truly dangerous fires may otherwise occur. While I understand this intellectually, it has been harder for me to begin to see wildfires as attractive photographic subjects. However, on this morning, it was a bit easier! I had decided to get up early and head for Glacier Point at dawn — but I was soon distracted by an opportunity to photograph autumn dogwood trees. By the time I finished that I knew that I wasn’t close to being on schedule for dawn at Glacier Point, but I decided to head that direction anyway. As the road turns toward Glacier Point and overlooks a vast expanse of Sierra to the east, the view of this valley filled with early morning smoke that

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Pacific Northwest, Photographs: People, Photographs: Urban/Street

Storyville Coffee

October 30, 2017 G Dan Mitchell Leave a comment

Patrons sitting at the window of a Seattle coffee shop

As you may have noticed — at least if this isn’t the first time you have seen one of my posts — I like to photograph a rather wide range of subjects. Some know me as a “landscape” or “nature” photographer, but my subjects include many other things: night photography, street photography, urban landscapes, musicians, and more. One line of thinking holds that this is not a good thing — that it dilutes one’s photographic identity and fails to produce a recognizable style. Yet, it turns out that I’m not alone, and lots of other photographers are fascinated by multiple subjects. (Last weekend I ran into a couple of fine photographers and friends high in the Yosemite Sierra, people who have a reputation for photographing the natural world. When I met them they were just finishing up photography of peeling paint on an empty building…) Once they have been typecast, they tend to accept that — since being recognized for a type of photography is a good thing — but they occasionally admit to being frustrated when their other work isn’t understood.

So this is from my “other photography” — the work I do when I spend time in urban environments. It is hard for me to explain the fascination of “street photography” to those who don’t get it, but I’ll try. First, I think we can regard this world as a kind of “urban landscape” — and some of the same attractions of light and texture and color and form are found here. Second, it can be an incredibly dynamic “landscape.” When things are going well, I often feel that I’m in the midst of a continuous flow of people and compositions and their collisions and that there is almost too much to see. The trick is often (though not always) to stay tuned in and to be read to see and photograph quickly. Third, the human layer is something found much less in landscape photography, and it fascinates me. Here I just happened to spot one of the little vignettes that are everywhere in the city — an interest group of people in different poses and likely with different attitudes.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Aspen Color

October 29, 2017 G Dan Mitchell Leave a comment

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.

G Dan Mitchell Photography

Wildfire, Forest, Early Morning

Forest, Wildfire Smoke

Storyville Coffee

Aspen Color

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.