Walking Man, Narrow Street

Walking Man, Narrow Street
A man walks up a narrow street in Florence, Italy.

Walking Man, Narrow Street. Florence/Firenze, Italy. August 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man walks up a narrow street in Florence, Italy.

This past summer we had the chance to do some extensive travel. The “main event” was a five-week trip that began in New York City and continued to London, Paris, Heidelberg, and various places in Italy. After a week in the wine and olive country of the Chianti region we returned to Florence for a few days before our return flight to the US. My only regret about this last phase of the journey was that we didn’t give ourselves nearly enough time in Florence!

Yes, Florence is now crowded with tourists, and in a place that isn’t that large to begin with the effect is hard to ignore. But putting that aside for a moment, Florence (at least to this observer) combines many things that seem typical of Italy with its own unique qualities. We stayed in the old part of Florence, between the Arno and the Duomo and not far from the Uffizi Museum. The streets here are strikingly narrow and lined with tall buildings, almost all in tones of brown to tan. The effect on the light reminds me in ways of being in the canyons of the American Southwest, though populated and perhaps more twisty, not by necessity following the effect of gravity on water. Unlike American cities, there are very few obvious signs in most places. And if you go out to the right places at the right times of day you can find nearly empty streets like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Slender Aspens

Slender Aspens
Slender aspen trees with leaves transitioning from green to yellow

Slender Aspens. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Slender aspen trees with leaves transitioning from green to yellow

I made this photograph quite a bit earlier in the season that usual — just past the middle of September. More typically I photograph these trees a couple of weeks later. However, this fall I made a reconnaissance trip to the Eastern Sierra at this early date and discovered quite a bit of good color, especially at higher elevations. (The typical pattern has the earliest color starting at higher elevations and in the smaller trees, then progression downwards and into the larger trees over the next few weeks.)

When it comes to the possible ways to photograph aspens, there are too many to count: front, side, or backlit; while there are still green leaves, when everything is golden-yellow (and orange and red), or when the trunks are bare; in sunlight or shadow; big trees and small; up close or from further back. I photographed this beautiful little grove of slender trees from some distance, using a long focal length to flatten the perspective a bit and to create a tighter composition. The leaves were at a typical early stage, with a few having turned yellow and others still quite green. But I think it was the slender and stark white trunks and the patterns they created that drew me to this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire Smoke, Early Morning

Wildfire Smoke, Early Morning
layers of thick wildfire smoke obscure the morning light

Wildfire Smoke, Early Morning. Along US 395, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

layers of thick wildfire smoke obscure the morning light

This was the culmination of more than twelve hours of observation of a developing wildfire located east of the Sierra Nevada, roughly between Lee Vining and Mammoth Lakes. The previous evening I finished a hike into the Sierra backcountry not far from Tioga Pass, returning to my car well after sunset. As I drove back down Lee Vining Canyon in the near-darkness I saw a big tower of smoke to the southeast and the tell-tale glow of fire on the bottom of the cloud. The next morning I woke up and headed straight back toward Mono Lake, from which I figured I could photograph conditions related to the fire.

I began photographing Mono Lake itself, where the lake was still mostly visible with only a few thin smoke clouds floating over it. But very soon this changed as winds brought the smoke right over Mono Lake, casting a pall over the scene all the way up to Conway Summit. My goal was to head south along the eastern escarpment, but as I did so the smoke only became thicker. I made this photograph at a point closer to the fire, where the smoke was very, very thick, enough so to take away most of the sunlight and add a post-apocalyptic quality to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Intersection, Montmartre, Dusk

Intersection, Montmartre, Dusk
An intersection of narrow streets at dusk, Montmartre, Paris

Intersection, Montmartre, Dusk. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A deserted Montmartre intersection in the evening “blue hour,” Paris

This past August we stayed in Montemartre during our weeklong visit to Paris. We went to many places in Paris, often on foot, but we obviously ended up spending quite of bit of time in Montmartre near our hotel — going out on walks, looking for restaurants, returning from other adventures. This area is more hilly that other parts of Paris, so here the narrow and twisting streets also wind up and down hills in many places.

I’m not certain at the moment where we were headed on this evening, though there is a pretty good chance that it involved food! It might have been on our first night in Paris, when we didn’t yet know our way around the local area and we went out for what amounted to a random walk. I made the photograph during that brief interval between night and day, the “blue hour,” when all areas in shadow are lit by the blue wash of light from the sky. At the moment I made this photograph the light was dimming, just enough that the brightest street lights were beginning to create pools of warmer light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.