Tag Archives: abstract

A Small Wave

A Small Wave
On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

A Small Wave. © Copyright 2022 G Dan Mitchell.

On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

My recent photographs from Point Lobos have mostly used the grand landscape as the subject, focusing on central subjects set in expansive surroundings. If you are familiar with those locations you might have been able to identify the specific places where I photographed, and you might have recognized the actual subjects of the images. This is not one of those photographs.

This photograph could be from any of an uncounted number of places along the coast of California — or any other coastal zone for that matter. I think this photograph can work in at least two ways. On one level it is a “capture” of a real thing that happens in these places: we see the submerged sand and kelp through clear water, while the more turbulent water that follows the little wave reflects more sky color. But I like the fact that it also woks as an abstraction of shape, color, and form.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Angle of Repose

Angle of Repose
Sand dune patterns, Death Valley National Park.

This “intimate landscape” is a sand dune vignette made in a specific place but which could be found almost anywhere. A close look may reveal some details that desert and sand aficionados may find interesting. The large patterns are typically found on one side of dunes where sand blown over the top of the dune collects below. The smaller “ripples” are a common feature of dunes, too, and these are completely undisturbed since the dunes are somewhat remote. Looking even closer may reveal some tinier patterns and tracks across the face of the sand.

The term “angle of repose” refers to the steepest angle at which a material, such as this sand, might collect without collapsing or sliding downhill. It is also the title of a wonderful Wallace Stegner novel, and that is where I first encountered the term. Fans of the history of the American West, especially the part that came after initial explorations, and especially those who have roots in the west may enjoy the novel as much as I did, with its connections to places and types of people that I know from my own experience.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fire Water

Fire Water
Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire water? Water and Fire? Smoke and Water? Hard to say. A group of use were in the Yosemite backcountry for a week, and after spending the first few days photographing around a quiet lake we moved to another location. Our partially cross-country route took us along an outlet stream that gradually steepened and eventually left us to work our way down an exposed expanse of open granite to the river below. Before out descent we saw a thin column of smoke far to our south, but soon after we arrived at the river the sky filled with smoke, the sun was almost blotted out, and ash began to fall.

Clearly we were downwind of a serious wildfire, but because we were deep in a canyon we had little idea of where it might be. It was a deeply unsettling experience to hike along the river in this mud-colored light with ash falling like light snow. Eventually we neared our destination and, as photographers inevitably do, we turned our attention to considering how to make photographs in and of these conditions. This photograph is a bit of the surface of a river, with reflections including weak sky, the brown of the smoke cloud, and dark areas reflecting surrounding canyon walls and vegetation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Leaf Edges

Leaf Edges
Leaf edges with thorns in the shape of small waves.

Leaf Edges. © Copyright 2021 G Dan Mitchell – all rights reserved.

Leaf edges with thorns in the shape of small waves.

Few of us seem to be able to resist photographing thick leaves like these, particularly when they overlap in such graphically interesting ways, presenting a contrast between dark shadows and the bright spines on the edges of the leaves. I know I can’t resist, and almost any time I find myself in a garden I end up pointing the camera at such things, even when photography is not my primary reason for visiting.

My first instinct with a subject like this one is frequently to go straight to monochrome. I’m not sure if that is because I feel that removing color may focus attention on the graphical forms or simply because the earliest photographs in this genre that I saw were monochromatic. Here I went the opposite direction, keeping and even amping up the intensity of the colors a bit, warming the shadow light as well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.