Tag Archives: abstract

Fire Water

Fire Water
Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire water? Water and Fire? Smoke and Water? Hard to say. A group of use were in the Yosemite backcountry for a week, and after spending the first few days photographing around a quiet lake we moved to another location. Our partially cross-country route took us along an outlet stream that gradually steepened and eventually left us to work our way down an exposed expanse of open granite to the river below. Before out descent we saw a thin column of smoke far to our south, but soon after we arrived at the river the sky filled with smoke, the sun was almost blotted out, and ash began to fall.

Clearly we were downwind of a serious wildfire, but because we were deep in a canyon we had little idea of where it might be. It was a deeply unsettling experience to hike along the river in this mud-colored light with ash falling like light snow. Eventually we neared our destination and, as photographers inevitably do, we turned our attention to considering how to make photographs in and of these conditions. This photograph is a bit of the surface of a river, with reflections including weak sky, the brown of the smoke cloud, and dark areas reflecting surrounding canyon walls and vegetation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Leaf Edges

Leaf Edges
Leaf edges with thorns in the shape of small waves.

Leaf Edges. © Copyright 2021 G Dan Mitchell – all rights reserved.

Leaf edges with thorns in the shape of small waves.

Few of us seem to be able to resist photographing thick leaves like these, particularly when they overlap in such graphically interesting ways, presenting a contrast between dark shadows and the bright spines on the edges of the leaves. I know I can’t resist, and almost any time I find myself in a garden I end up pointing the camera at such things, even when photography is not my primary reason for visiting.

My first instinct with a subject like this one is frequently to go straight to monochrome. I’m not sure if that is because I feel that removing color may focus attention on the graphical forms or simply because the earliest photographs in this genre that I saw were monochromatic. Here I went the opposite direction, keeping and even amping up the intensity of the colors a bit, warming the shadow light as well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Dunes

Evening Dunes
Abstract interpretation of sand dunes in evening light.

Evening Dunes. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abstract interpretation of sand dunes in evening light.

For this photograph I decided to move further from supposed reality than usual. In my view, no photograph actually portrays “objective reality” accurately. That’s a good thing, and I prefer subjective reality in photographs. In other words, I’m interested not so much in what the photograph claims to tell us about the reality of the subject as I am interested in what the photographer wants us to find in the subject.

I was in sand dunes in the evening after the sun had dropped beyond mountains far to the west, leaving very colorful light in the clouds, light that suffused the landscape with color while softening the details. Here I was interested in the large patterns of light and dark and the smaller patterns made by wind on the surface of the dunes. The final interpretation of the colors reflects the bluish tones of evening light and the effect of the brightly colored sky, though here I modified the colors in ways that seemed to make some sense for this image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Reflections, Merced River

Autumn Reflections, Merced River
Autumn reflections in the surface of the Merced River, Yosemite Valley.

Autumn Reflections, Merced River. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn reflections in the surface of the Merced River, Yosemite Valley.

Some years back, as is my annual tradition, I was in Yosemite Valley in autumn to photograph fall color and other aspects of the seasonal change. To be honest, I mostly avoid the Valley during the summer time. It is a spectacular place any time of year, but I’ll happily avoid the oppressive crowds and overly-hot weather and visit during the other three seasons.

I distinctly recall the circumstances of this photograph. It was morning, and there had been some light early snow. The sun was coming out in the morning, the temperature warmed, and the melting snow was dropping from every tree. As I walked across a bridge on my way to a different subject I happened to look down and see the patterns created as the droplets fell into the Merced River, creating expanding and overlapping rings. I was entranced. I stopped and set up, forgetting about my original goal, and focused on this subject instead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.