Tag Archives: almost

Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

December Moon, Bird-Filled Sky

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Full Moon, Bird-Filled Sky
The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

December Moon, Bird-Filled Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

When photographing wildlife, virtually any time of day can present special, even miraculous events — but if forced to pick my favorite time of the day out in bird photography country, it might well be evening. The choice would be difficult, for sure, but some of the most memorable sights and sounds I’ve experienced while photographing autumn and winter birds have occurred late in the day: the evening fly-out of flocks of geese, the rising moon, the return of cranes, and more.

I made this photograph very late on a December day, at time time we might describe as very late afternoon or perhaps early evening. (Yes, technically the moon was not quite full.) It had been foggy for much of the day, but the sky had cleared and was now uniformly blue. It was the time when things are mostly slowing down and evening’s quiet is coming. And then the sky filled with birds for a few moments…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Almost Leafless

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Almost Leafless
A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Almost Leafless. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Strange things have happened with the aspen color change this year. While some things seem to be on a fairly normal schedule — for example, there are still a lot of eastern Sierra aspen trees that are completely green — I have seen two common difference. First, the color started to change a bit earlier, and I found good color perhaps a week earlier than I might in a more typical, non-drought year. Second, it is clear that some groves of trees seem to have simply dropped their leaves, with little or no color appearing first. (Don’t worry too much. While there are certainly examples of this occurrence, the majority of the trees do not seem to be affected by this.)

Far up an eastern Sierra canyon where I photograph aspens every year I know of places where a variety of aspen types can usually be found. I visited one where it is not uncommon for a dense carpet of brilliant color from a grove of densely packed trees covers a particular mountainside. However, this year the groves was almost completely bare of leaves when I visited in late September. At first I was disappointed, but I soon recalled how much I like groves that are mostly white trunks and branches, with only a few colorful leaves remaining — and I made a few photographs. The idea here was not so much to construct a clear and obvious composition, but instead to capture a sort of wall of aspen trunks and branches, with that wonderful bit of color still holding on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Almost Without Form

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Almost Without Form
Almost Without Form

Almost Without Form. Yosemite Valley, California. February 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Winter storm clouds, mist, and snow obscure the upper rim of Yosemite Valley

I have an idea that one kind of better photograph is a photograph that is as minimal as possible, perhaps so minimal that the viewer has to guess at and perhaps fill in details that are implied but not literally present in the image. I’m also intrigued by subjects that are on the edge of being (or not being) visible — how little can be present in the image and still have it be an image of something. And I’m also fascinated by luminous atmosphere — clouds and fog and mist made to glow softly by sunlight.

Near the end of February we were in Yosemite Valley for a few days in connection with the opening of the 30th Yosemite Renaissance exhibition. We were hoping for a real snow storm, and early encouraging predictions suggested snow all the way to the Valley floor. The way things have gone this year, it was little surprise when that did not happen — but there were beautiful clouds drifting around the upper reaches of the Valley’s cliffs and pinnacles, and snow did fall at higher elevations. Partially because we were with a person who had never been to the Valley before we stopped more than once at some of the popular and iconic spots — and this photograph, though it does not show the famous iconic view, was made at one of the best known as think clouds and light snow passed across the upper rim of the Valley, nearly rendering granite towers and solitary trees invisible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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California Sky, New Years Morning

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California Sky, New Years Morning
California Sky, New Years Morning

California Sky, New Years Morning. Over the San Francisco Bay Area, California. January 1, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

The sky over Northern California, stretching from coastal hills and fog across the tule-fog-filled Central Valley to the Sierra Nevada, New Years Morning.

On New Years Day 2008 I flew to Seattle for a family visit. As we flew out of San Jose and over the hills along the eastern edge of the Bay Area, the winter tule fog was filling the Central Valley and spilling up against the hills, while above and beyond it was a nearly perfectly clear sky. For those who might be unfamiliar with the landscape here, beyond the fog-filled Central Valley, and very far away, the faint dark line of the Sierra Nevada crest is visible, and if you look very closely you may be able to see that the highest peaks are snow-capped.

This photograph has sat in the archive for over three years. I liked the scene but I wasn’t quite sure of what to do with the somewhat odd colors that resulted from shooting though an airplane window and into very bright light. I had considered a straightforward black and white interpretation and, if fact, that is what I was working on when I decided to instead desaturate the image about three-quarters of the way to being monochrome – and for me this seemed like just the right thing and more in line with how I think of the scene now. Another question was whether to clone out the contrail of another plane near the upper left corner. In the end I decided to leave it, for several reasons that I’ll leave to your imagination for now.

G Dan Mitchell Photography
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