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Annual Favorites, Commentary, Gallery

2025 (Almost) Favorite Photographs

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G Dan Mitchell's 2025 (Almost) Favorite Photographs
“G Dan Mitchell’s 2025 (Almost) Favorite Photographs” — 16 photographs that almost made it into G Dan Mitchell’s 2025 Favorite Photographs.

Each winter I go review the year’s work and select a set of “annual favorites.”I enjoy reviewing all of my photographs each year, but it is difficult to winnow them down to a manageable 12 to 16 images. As I created my 2025 Favorite Photographs I had to make hard decisions near the end of the process, and inevitably some photographs I liked were left out.

So this year I’m trying something new: I have assembled this set of 2025 (Almost) Favorite Photographs, selected from those I like that did not quite make the cut for my the 2025 Favorite Photographs.

Why didn’t they make it? I photograph a variety of subjects — from landscapes to travel to street photography. Since I want to include multiple genres I must eliminate photographs of one type to make room for others. Sometimes the issue is that I have a lot of photographs of certain subjects. For example, this year I had many photographs of trees and desert landscapes, and I couldn’t include them all.

With this in mind, here’s a set of 2025 (Almost) Favorite Photographs that didn’t quite make it into the final set. Continue reading to view them individually below and then in a gallery at the end of the article, where you can click on an image to view the set as a slideshow.)

Continue reading 2025 (Almost) Favorite Photographs →
Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

December Moon, Bird-Filled Sky

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Full Moon, Bird-Filled Sky
The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

December Moon, Bird-Filled Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

When photographing wildlife, virtually any time of day can present special, even miraculous events — but if forced to pick my favorite time of the day out in bird photography country, it might well be evening. The choice would be difficult, for sure, but some of the most memorable sights and sounds I’ve experienced while photographing autumn and winter birds have occurred late in the day: the evening fly-out of flocks of geese, the rising moon, the return of cranes, and more.

I made this photograph very late on a December day, at time time we might describe as very late afternoon or perhaps early evening. (Yes, technically the moon was not quite full.) It had been foggy for much of the day, but the sky had cleared and was now uniformly blue. It was the time when things are mostly slowing down and evening’s quiet is coming. And then the sky filled with birds for a few moments…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Almost Leafless

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Almost Leafless
A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Almost Leafless. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Strange things have happened with the aspen color change this year. While some things seem to be on a fairly normal schedule — for example, there are still a lot of eastern Sierra aspen trees that are completely green — I have seen two common difference. First, the color started to change a bit earlier, and I found good color perhaps a week earlier than I might in a more typical, non-drought year. Second, it is clear that some groves of trees seem to have simply dropped their leaves, with little or no color appearing first. (Don’t worry too much. While there are certainly examples of this occurrence, the majority of the trees do not seem to be affected by this.)

Far up an eastern Sierra canyon where I photograph aspens every year I know of places where a variety of aspen types can usually be found. I visited one where it is not uncommon for a dense carpet of brilliant color from a grove of densely packed trees covers a particular mountainside. However, this year the groves was almost completely bare of leaves when I visited in late September. At first I was disappointed, but I soon recalled how much I like groves that are mostly white trunks and branches, with only a few colorful leaves remaining — and I made a few photographs. The idea here was not so much to construct a clear and obvious composition, but instead to capture a sort of wall of aspen trunks and branches, with that wonderful bit of color still holding on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Almost Without Form

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Almost Without Form
Almost Without Form

Almost Without Form. Yosemite Valley, California. February 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Winter storm clouds, mist, and snow obscure the upper rim of Yosemite Valley

I have an idea that one kind of better photograph is a photograph that is as minimal as possible, perhaps so minimal that the viewer has to guess at and perhaps fill in details that are implied but not literally present in the image. I’m also intrigued by subjects that are on the edge of being (or not being) visible — how little can be present in the image and still have it be an image of something. And I’m also fascinated by luminous atmosphere — clouds and fog and mist made to glow softly by sunlight.

Near the end of February we were in Yosemite Valley for a few days in connection with the opening of the 30th Yosemite Renaissance exhibition. We were hoping for a real snow storm, and early encouraging predictions suggested snow all the way to the Valley floor. The way things have gone this year, it was little surprise when that did not happen — but there were beautiful clouds drifting around the upper reaches of the Valley’s cliffs and pinnacles, and snow did fall at higher elevations. Partially because we were with a person who had never been to the Valley before we stopped more than once at some of the popular and iconic spots — and this photograph, though it does not show the famous iconic view, was made at one of the best known as think clouds and light snow passed across the upper rim of the Valley, nearly rendering granite towers and solitary trees invisible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.