Tag Archives: amargosa

Meandering Channels

Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Valley to Mountains

Valley to Mountains
An expansive view of rugged Death Valley National Park desert mountain landscape.

Valley to Mountains. © Copyright 2023 G Dan Mitchell.

An expansive view of rugged Death Valley National Park desert mountain landscape.

I don’t think most people think of Death Valley as a “mountain park” along the lines of Yosemite, Rocky Mountain, Sequoia-Kings Canyon and similar places. Most of the popular routes and sights are in valleys, including the great one that gives the park its name. But there are mountains, spectacular and very tall mountains, and it is possible to venture into them. This view comes from a place high in the Panamint Range, to the west of the main valley, topped by 11,000+’ Telescope Peak.

I made the photograph close to sunset, when long shadows began to highlight the textures of the terrain. This high perspective reveals features that are difficult to fully appreciate close-up. For example, it is very hard to get a sense of that remarkable terrain formed by flowing water at the bottom of the frame. Desert mountains rise behind, and beyond them is the Amargosa Valley and even more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains, Morning Clouds

Desert Mountains, Morning Clouds
Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

Desert Mountains, Morning Clouds. © Copyright 2023 G Dan Mitchell.

Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

This photograph is the result of one of those “look what’s behind you!” moments. I was at a location where I had previously scouted sunrise subject. I arrived early, set up, and photographed that subject in the light that I had hoped for. Once finished, I paused to look around. In the opposite direction I saw this series of back-lit formations leading away toward the cloud-crested peak. It was time to rotate the camera on the tripod and work this subject, too!

Haze can be the photographers’ friend or foe in Death Valley. It often cannot be avoided photographs made across any sort of distance — and sometimes the distances in this park are huge. The haze may be an impediment a clear view of a distant mountain range. But it also can produce a lovely atmosphere if the conditions and light are just right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mustard Canyon

Mustard Canyon
Evening light on the Mustard Canyon area in Death Valley National Park.

Mustard Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the Mustard Canyon area in Death Valley National Park.

This is a place that I photograph from time to time. It isn’t far from spots where I camp, so it isn’t unusual to pass by as I head out or return from some more distant location. A few years ago I stopped and climbed a low hill there late in the day, found it magical, and the hill — which might seem like nothing special to others — is one of my little personal spots in Death Valley. From here the panorama is expansive in all directions, and the slight elevation of the place lets me see even farther.

The view here begins in the foreground with the Mustard Canyon area. The mustard part of the name makes sense — in the ideal light the formations are strikingly yellow. The canyon part seems a bit of a stretch. I’m sure that there is a route followed by water heading out into the valley, but it seems more like a wash than a canyon. The rugged foreground, filled with alternating yellow and reddish material, eventually gives way to giant alluvial fans, and in the far distance the terrain rises to the Amargosa Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.