Tag Archives: america

Flag Vendor, Manhattan

Flag Vendor, Manhattan
“Flag Vendor, Manhattan” — A flag vendor at the 2022 New York City “Columbus Day” Parade.

This photograph comes from a midday walk in the vast and vibrant cultural smorgasbord that is New York City. There was a time when I imagined that this place would not interest this landscape photography guy from California. But I was very, very wrong. I love New York City, in part because of the contrast with other places I know. But it is simply a place with no end of things to see, places to eat, stuff to do, spots to hang out, cultures to experience.. On this October morning we left our Upper West Side hotel, crossed Central Park to the Upper East Side, then wandered south until we encountered a Columbus Day Parade, where I photographed this sidewalk vendor.

I’m often surprised and discouraged to encounter Americans who are fearful to the point or irrationality that they might encounter someone not quite like themselves, and that this might endanger them. So often, it seems, the most fearful people have the least experience around the “others” they fear. I’ve also visited some of the locations with high percentages of Americans who fear immigrants and people of color… and for the most part they are places where the likelihood of actually encountering those folks is low to nearly nonexistent. Why is it that the most fearful people are in those places, while in places where multicultural America is at its most diverse and vibrant this is largely not the case?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Autumn Morning, White Mountains

Autumn Morning, White Mountains
Colorful autumn forest in morning light, White Mountains, New Hampshire.

Autumn Morning, White Mountains. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

I made this photograph on what I came to regard as the actual day of peak color in this part of the White Mountains. Here and nearby, the colors were noticeably more intense and widespread than the previous day, and one day later when some weather came through trees were dropping leaves and more bare branches were appearing. This photograph exemplifies an approach that I often like — using a longer focal length lens to isolate a small section of the overall landscape. Here I wanted to focus on the juxtaposition of the foreground trees and hill with the more distant pattern of the ascending gully.

Another aspect of this photograph is, I came to learn, typical of a lot of White Mountains autumn photography. It is often a challenge to get unobstructed access to longer and wider views of the landscape, partially because the forest are so dense and close-in, and partially because roads here tend to be designed without shoulders and with few places to pull over. Consequently, any place that does have a wider view seems precious. Here there was a small turn-out along the road, and if I put my camera in just the right spot I could manage to photograph between and over the nearer brush and trees… and obtain one of those long views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pine and Aspen, Eastern Sierra

Pine and Aspen, Eastern Sierra
A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

Pine and Aspen, Eastern Sierra. © Copyright 2022 G Dan Mitchell.

A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

This scene seems both typical and atypical of the Sierra Nevada. The familiar aspects are perhaps obvious, particularly if you spend time on the east side of the range. There is a solitary pine at the edge of dry, sagebrush meadow, with more such trees in the background. Aspens are mixed in with the pines, and in the distance they climb the hillside. Overall there aren’t really a lot of trees, and the views are quite open. Slopes climb steeply along the sides of the valley and toward the Sierra crest beyond.

What is atypical? For one thing, I made the photograph in virtually the middle of the day. I had started back home to the Bay Area that morning, thinking I’d drive through once the early morning light was gone. But the high, thin clouds softened the light enough in some locations to make midday photography attractive. Although my initial reason for going to this spot was to scout (and then to stop to eat my lunch), I ended up photographing. Another slightly unusual factor is the rather excellent aspen color, even high up in the mountains, at the end of the third week of October. I think the color sustained more this year due to climate and weather factors — it has been relatively warm and dry here during aspen season.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

River Bank Forest, Autumn

River Bank Forest, Autumn
“River Bank Forest, Autumn” — Autumn trees along the banks of the Swift River, New Hampshire

Perhaps you thought that I had shared all of my photographs from our early-October trip to photograph New England color. You might be wrong. I took a break from sharing those so that I could post some of the photographs from this year’s crop of Sierra autumn color images. And, I am not quite done with material either, so expect to see me alternate between coasts for a bit longer. Somewhere in all of this, there will also be some urban photographs from a brief visit to Manhattan.

I previously noted that it is often difficult to get longer views in the area of New Hampshire where we photographed. The forest is thick, grows right to the edge of roadways, and there are not many places to pull over. There are some openings, and when I found them I tried to take advantage. They came on a few routes that climbed to higher elevations, some areas with lakes and fields, and occasionally along rivers. This photograph is one of the latter, made while wandering along the banks of the Swift River, where I could photograph across and along the open areas above its course.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.