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Mendocino Bay Bluffs, Morning

Mendocino Bay Bluffs, Morning
Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino Bay Bluffs, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino still seems to have some of the feeling of the California coast from some decades ago. When I was quite young my family used to visit Carmel, and back then it seemed like a very different and more intimate place than the touristy mob scene that it has become now. While Mendocino is most certainly a place that attracts and relies on the tourist trade, it still feels more like a real place than something contrived. It is small. There aren’t that many restaurants. Most of the lodgings are relatively unobtrusive.

It also is just about as close to the ocean as you can get in such a town along this part of the coast. To make this photograph I got out of bed, got dressed, (likely paused for coffee), headed out the door, and walked about five minutes to the edge of the coastal bluffs. There was hardly anyone else there — perhaps they were busy enjoying brunch still. The photograph looks along the edge of Mendocino Bay, back toward the outlet of the Big River.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late Afternoon Shadows, Subalpine Lake

Late Afternoon Shadows, Subalpine Lake
Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

Late Afternoon Shadows, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

During mid-July I managed to get to the East Side of the Sierra fora few days of photography, hiking, and camping. Given the complexities of access to Yosemite right now I decided to go elsewhere — even though my usual “go to” for an initial summer trip like this tends to be the Tuolumne Meadows high country. I spent a bit of time in the Sonora Pass area and then headed further south to a location in the Bridgeport/Lee Vining region, where I found a campsite near a trailhead leading to high country lakes.

Since my schedule is prejudiced by my preference for early and late day light, I spent the early afternoon in camp. But by mid-afternoon it was time to load up the pack of camera equipment and head out. My trail passed several lakes as it ascended, each a bit more alpine than the last. At my scheduled turn-around time I reached a meadowy area with running water, several small lakes and tarns, and the small trees characteristic of near-timberline Sierra locations — in other words, my favorite terrain! I paused to make a few photographs there before starting back down the trail. As expected, the low-angle afternoon light began to distract me from hiking, and I stopped frequently. The first stop was at this small, shallow lake where the shadows were beginning to extend across the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Stream, Smoky Light

Eastern Sierra Stream, Smoky Light
Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Eastern Sierra Stream, Smoky Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Recently I spent a few days in the Eastern Sierra, mainly to readapt to altitude before a potential backcountry trip. The plan was to car camp in some Forest Service campgrounds, take a few high-elevation hikes while laden with a full load of camera equipment, and to make some photographs. This photograph comes from a location that I’ve known for years, near the base of one of the trans-Sierra passes along the east side of the range. Late in the day I had noticed the interesting haze and remembered some meadows and stream side country a few miles away. So I headed that way just. before the sun dropped behind the Sierra crest and photographed straight into the late-day light.

Since I haven’t written about any recent Sierra trips lately, I’ll use this post as an excuse to share some observations about conditions. And, of course, this year “conditions” is hard to separate from the effects of heat and drought. On the positive side, some of the high country locations I visited were not (yet) as dry as I had feared. I saw green meadows, wildflowers, corn lily fields in full bloom, and some water. On the other hand, it is only the middle of July — the moisture levels looked more like what I’d expect to see in August. Aside from the early season wildfires and the smoke they spread, one of the most worrisome signs was in the foothills on the west side, where it looks like huge numbers of oak trees are turning brown and dying.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Forest Flowers

Redwood Forest Flowers
“Redwood Forest Flowers” — White flowers growing amongst redwood sorrel in Redwood National Park. (Possibly columbia windflower?)

As I frequently report, I’m fairly weak when it comes to identifying wildflowers. I know a few obvious ones instantly, at least by their common names. (Latin names? Let’s not go there!) But there are many more that simply cannot name. In many cases I “know” the flowers, and I’m familiar with when and where they appear and how they grow. It is the naming that has always challenged me.

All of that is a preface to the experience of photographing these lowers. I know that I’ve seen them before in the redwood forests, deep beneath the shadows of the big trees. In fact, I recognized them from a previous visit when we photographed at this location. But when I wanted to go behind “white flower on forest floor” I had to start searching. I finally came up with “Columbia windflower,” and my family botanist (thanks, Ruth Ann!) confirms that identification. What attracted me was their white blossoms standing above the bed of darker greenery, including some redwood sorrel.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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