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Wheeler Cirque, Autumn Snow

Wheeler Cirque, Autumn Snow
Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

Wheeler Cirque, Autumn Snow. Great Basin National Park, Nevada. September 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

I often return to national parks and other places with which I have developed a personal relationship over a long period of time. But sometimes I do get to visit a brand new place, and I did just that during the last week or so of this year, when I spent five days making the long trip out to Great Basin National Park and back. When I go to a new area like this I intentionally avoid trying to find out too much about it ahead of time, preferring to begin a process of learning the place on my own terms. I already knew a bit about the Great Basin and the basin and range country, and I did look up the location on maps, though I did not take a detailed look at the maps of the park itself. I knew that the park is near the Nevada-Utah border, with Baker, NV being the closest “town,” that Wheeler peak is the second tallest point in Nevada, that there is a glacier nearby, that there are famous caves, and that I could camp along the main road into the park. I left the rest for discovery.

As I drove across highway 50 from California I was surprised to find recent snow on all of the major mountain ranges in Nevada, and by the time I got to Great Basin NP I knew that I would see it there, too. I made this photograph on my final day in the park. I spent the morning exploring a less-visited area accessible via a long gravel road. (Where I discovered, at the wrong time of day, where to find a lot of fall color!) After lunch I went up to the summit of the park road at 10,000’+ and hiked out to the bristlecone pine grove, traveling a good portion of the distance on snow. It was cold — up here in the upper 30s at times during the day — and the sun goes down earlier this time of year, so I set a turn-around time that would get me back to my car before nightfall. I made this photograph within five minutes of the end of my hike, as the late light was slanting across the peaks and cirque walls from low in the west, and as clouds were forming above the summit ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Peaks, and Storm

Meadow, Peaks, and Storm
A storm gathers above an alpine meadow and beyond snow-capped peaks

Meadow, Peaks, and Storm. John Muir Wilderness, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A storm gathers above an alpine meadow and beyond snow-capped peaks

Not too long ago I posted another photograph made on this same afternoon, from roughly the same place, and featuring very similar subject. In that post I noted that I had made several photographs of this subject on this afternoon, and that I planned to share all of them eventually, perhaps with a bit of commentary concerning how each represented this subject in its own way. The general setting was a large, subalpine meadow surrounded by mountains and forest, and with expansive views across a nearby canyon to the high, rocky country on the far side. A large afternoon thunderstorm was building beyond the high ridge, but meanwhile the sun was bright at my locations. The primary elements of the scene included meadow, mountains, dark clouds, the small pond or tarn, and the nearby trees. There are many ways to “see” a subject photographically, and I tried several variations with this one.

I wanted to include the pond in the portion of the meadow in the photograph, but in this interpretation I decide not to put it in the center of the frame, but instead to have it off to the side, perhaps giving it a bit less presence in the scene. I wanted to include the small foreground trees to increase the sense of depth in the image and to ensure that there wasn’t empty space in the foreground. I framed the mountains this way so that I could place the dark peak in the middle, and envelop it in the higher peaks stretching back behind it. A remaining question was about how much sky in include. In another interpretation I included a lot of sky, placing the horizon near the center of the frame. Here I did what I more typically do, placing the horizon very high and including only a small strip of sky at the top. This draws attention to the landscape itself, and I was still able to include enough sky to make the dark thunder-storm clouds visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Shadow

A Shadow
A shadow falls across a Seattle sidewalk and roll-up door

A Shadow. Seattle, Washington. September 8, ,2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A shadow falls across a Seattle sidewalk and roll-up door

In early September I had the opportunity to spend several days in the Seattle area. I was actually there on a sort of business — not photography related — but I did have enough spare time that I could do some photography, too. It turned out that I had two opportunities. On nearly the last time of the trip I managed the long drive to the North Cascades, where I photographed in the Mount Shuksan and Artist Point area for an afternoon. Before that I managed to head to downtown Seattle for a bout of street photography. This photograph comes from that visit.

When I do street photography I work in ways that are both related to my landscape photography and also different. In both cases I tend to only select general subjects ahead of time, preferring to head out and explore and see what I can find. In both cases I am looking not just for “depictions” of the subjects, but also for bits of visually interesting material that might stand on their own outside of the specific location context. Of course, I use different equipment — for street I leave the tripod behind and I work with a small camera, typically using one or two small prime lenses. As I walk, often slowly, I am attentive to what is around me. I am discrete with the camera, only lifting it in front of me when I make a photograph. I often spot something, make the photograph, and move on quickly. (Not always, though. Some subjects demand more patience or are worth a careful exploration.) I may photograph people, architecture, or fragments of the scene. This is one of those fragments, an odd shadow falling across the slightly warped geometry of the metal roll-up door, and offset by the tilting sidewalk below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Evening Clouds

Clearing Evening Clouds
The moon above clearing evening clouds over the John Muir Wilderness

Clearing Evening Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The moon above clearing evening clouds over the John Muir Wilderness

We covered a lot of ground on this afternoon and evening, and this was almost the last photograph I made on this day. Earlier we had climbed above the forest surrounding the lake where we were camped, emerging into a big, open meadow with expansive views in all directions. From here we took off, individually and in small groups, to explore higher areas, walking cross-country over the glaciated granite landscape to ascend ridges and reach various lakes. I noticed that the sun was about to pass behind mountains to the west, so I descended back into the valley I had come from and worked my way back down the course of the creek that drained it.

Before long we were back in the alpine meadow areas where we had started, and I found a high spot with an open view and started making a few final photographs as sunset came to the highest peaks and the clouds thinned as they passed in front of the moon. Since the light wasn’t going to last much longer, we pushed on to the main meadow, stopped for a couple of final photographs of alpenglow on peaks across the valley, and then continued on down through forest, arriving back in camp at twilight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.