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Edge of the Meadow

Edge of the Meadow
High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

Edge of the Meadow. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

As often happens at busy photographic times of the year, I have a set of projects that I’m working on simultaneously right now. Some come from photography I have done as recently as the current week, while other come from work that I did as long as a couple of months ago. Along those lines, I still am working on photographs from our late-August and early September visit to a special Sierra Nevada backcountry location, where a group of us spent more than a week base-camped near a region with an unbelievable wealth of photographic subjects to explore. Today’s photograph comes from that trip.

We were camped for more than a week at a lake just a bit lower in elevation than the location of this photograph. On almost every day we visiting this general area, either focusing on it as the subject or passing by it on our way to other higher places. On this day I had gotten up rather early and explored the area as the first sunlight began to fall on the distant peaks, the meadow, and the trees surrounding it. My recollection is that this was probably one of the last photographs of the morning before I headed back to base-camp, and I’m certain that we were close to the conclusion of our trip. The foreground meadow was typically our main subject here. When we arrived a week from the end of August we were surprised to find it still completely green and filled with wildflowers. The flowers were still there when I made this photograph, but already the late-summer brown meadow color was appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening, Wildfire Smoke, Tomales Bay

Evening, Wildfire Smoke, Tomales Bay
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

Evening, Wildfire Smoke, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.

On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Peak Aspen Color

Peak Aspen Color
An eastern Sierra Nevada aspen grove at the peak of fall color

Peak Aspen Color. Eastern Sierra Nevada, California. October 9, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada aspen grove at the peak of fall color

I regard fall aspen photography as, to a great extent, an exercise in timing. One element of this is, of course, to simply be in the right place at times of peak color. Aspen color is rarely static, and from day to day it changes. Just a few days earlier I had been in this same spot and most of the trees were still green. (I made a mental note on that earlier visit to come back in a few days when I suspected that the colors might be more developed.) The time of day is also critical since light variations play a huge role in the ways the colors appear. Early and late in the day, when the trees are still in shadow but perhaps lit by open sky and reflections from surrounding mountains, the soft light can produce rather saturated colors and fill the shadows with light. When backlit, the same groves might be so bright that it is sometimes difficult to figure out the idea exposure. And when the groves are front lit the colors can be greatly diminished.

Before we came to this spot we had started our day by photographing in a rather different area a few miles away. We worked those subjects for perhaps an hour and a half, and at that point I remembered my idea of visiting this other location, the one where I made this photograph, before the direct sunlight arrived. So off we went, down one canyon and then up another, to arrive at this spot where I knew colorful aspen trees would spread up the hillside in the shade. The colors were quite incredible. Most of the hillside was in full color — a lot of golden/yellow, but also shades of orange and red. Here and there a few trees where still green, and for this composition I decided to place one of those clusters of green trees in almost the center of a frame otherwise filled with wild colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Back-lit Trees and Ridges

Back-lit Trees and Ridges
Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

Back-lit Trees and Ridges. Eastern Sierra Nevada, California. October 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

What can I say? I love back-light! The more difficult the light, the more I like it. Often I shoot almost directly into the sun when it is low in the sky, especially when there is some haze that makes the atmosphere appear to glow. (I’ve become adept at shading the lens from the direct light — using my hand, my hat, or anything else handy to try to prevent lens flare and reduce the hazy quality that comes when this light is directly on the lens.) The kind of light I’m looking for is the sort that is too bright to look at.

We arrived at this location late in the day, as per my plan. I know it well enough to recognize that the light can become quite interesting just before the sun drops behind mountains to the west. For a short time the light slants across the landscape, almost parallel to the slope of the land as it drops to the east. This produces that glow I mentioned, it accentuates the atmospheric recession effect, and the leaves of trees can glow with the light coming from behind. For this photograph I found a spot where lines of colorful aspens crossed the frame from bottom to about half way up, and then ridges continued the pattern until the final pattern with its row of conifer trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.