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Tule Fog, Marsh

Tule Fog and Marsh, with a passing bird
“Tule Fog, Marsh” — Thick tule fog obscures the view of a central California marsh

These conditions are among my favorites out in the Central California wetlands — silent except for the calls of birds, almost nothing moving, fog so thick that details quickly disappear, and a gentle glow from sun above the shallow fog layer. Mornings like this one remind me that the photography is about something deeper than getting a clear shot of another bird — it is about somehow trying for that merging of capturing and evoking the mood of such a place, and about personally experiencing the thing.

Subtle and uncontrollable things come into play. I have to slow down a lot and look for compositions in place that are not at all obvious, and the subjects from which I can select are limited to those that are very close. Some elements of the composition exist almost on the very edge of visibility — in this photograph there is a further extent of the tules that is barely visible at all. Focus isn’t easy, and I may choose to “go with the softness,” as I did here. And the bird, suddenly appearing at the lower left, turns out to be utterly unpredictable yet important to the overall effect of the image.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret on the Hunt

Egret on the Hunt
Egret on the Hunt

Egret on the Hunt. San Joaquin Valley, California. December 22, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

An egret hunts in marshland grasses, San Joaquin Valley, California

On this foggy late-December morning I was in this spot mostly looking to photograph sandhill cranes. It seems that the cranes are often a bit shy in the early morning and I often am not able to get too close to them — I try, but they tend to be a bit off in the distance except when they are in flight, and then they typically diverge a bit when they see me. There were lots of cranes on this morning, but they were by the ponds near the more distant trees in this photograph. (If you look closely you can probably spot a few of them.)

Egrets, on the other hand, are often not that far from my route. Out here they tend to be found along creeks and ditches or out in grassy areas where they can hunt, which is what this one was doing. While the egrets are spectacular in flight — with their slow, swooping trajectories and huge wingspans — they may actually be more interesting to watch when they are hunting. They seem to be very careful and very patient hunters, often sneaking up on their prey slowly. Along the way they may stop in some awkward pose, perhaps standing almost still aside from a bit of neck “rocking” or the slow movement of a foot. Then the neck stretches a bit and suddenly the bird stabs its small prey. This bird was hunting in grasses very close to a gravel road, so I remained in my vehicle to photograph it as it looked for its breakfast.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetlands Tree, Evening

Wetlands Tree, Evening
Wetlands Tree, Evening

Wetlands Tree, Evening. San Joaquin Valley, California. December 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A last beam of evening light illuminates a lone tree in San Joaquin Valley wetlands

My recollection of this early winter, late December day in the San Joaquin Valley is that it was mostly a foggy and gray day, with direct light being quite rare. I’m usually fine with that, since the fog is certainly a strong element in the character of the place at this time of the year and because I like photographing in cloudy, foggy, and misty conditions. (Gray is another story… ;-) On a day like this, while I’m happy to see some glow through the clouds and fog, I’m also often just fine with conditions that some might regard as boring.

Sometimes, even on a gray day, there are surprises. We had photographed all morning, taken a brief break away from here to grab some lunch, and then returned to photograph in the middle afternoon and on into the evening. For the most part, the combination of some fog and high clouds kept things fairly “atmospheric” for the rest of the day. But not long before sunset there was one of these “surprises.” To be honest, when I am watching the conditions carefully and predicting where they might lead, there are less likely to be literal surprises. Perhaps they are better described as positive evolutions of potential conditions. In this case, even though it was cloudy and gray, I had my eyes on the possibility that the sun might briefly shine through a gap along the horizon just before sunset. And that is exactly what happened! For a brief span of a few minutes the light gradually warmed and intensified, starting almost imperceptibly but soon becoming quite obvious. As this happened I move quickly to this nearby spot where I had photographed this tree many times before and therefore knew that it could be my central subject, standing out in the warm light against the flat valley marshes and flatland extending into the distance.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Morning, Round Valley

Autumn Morning, Round Valley
Autumn Morning, Round Valley

Autumn Morning, Round Valley. Eastern Sierra Nevada, California. October 11, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light on the pastureland and trees of Round Valley and the eastern Sierra Nevada

This lovely pastoral location sits at the base of the eastern Sierra, and is as much a part of the Owens Valley as it is a part of the Sierra. It is green and lush in the spring and early summer, it takes on some of the typical California golden color later on, and its brown grasses and colorful leaves produce a beautiful sight in autumn. It is not at all a “destination,” but it is a place that I always look forward to seeing when I pass up and down the east side of the range.

There are two particularly beautiful lighting conditions that occur here. One, which I’ll share in another photograph a bit later, occurs in the afternoon. The sun drops behind a tall ridge along the upper section of the valley, leaving the steep slopes of the eastern Sierra escarpment in shade while brilliantly lighting the autumn-colored cottonwood trees from behind. The other lighting, which is seen in this photograph, comes in the morning, when low angle light crosses the meadow, creating long shadows and gradually lighting up the backdrop of the Sierra.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.