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Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne
Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne. Yosemite National Park, California. September 6, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Haze fills the westward view into the Grand Canyon of the Tuolumne River

Far below the location of this photograph lies one of the greatest travesties in the national park system — the abomination of the Hetch Hetchy dam and reservoir. I now understand the political pressures that led to the damming of this “second Yosemite” — San Francisco’s obsession with water following the 1906 great earthquake and the subsequent fire — but in retrospect this was a monumental offense to the purpose and goals of our great national parks. The Hetch Hetchy Valley had virtually everything that its more southerly neighbor has and which astound people from all over the world — towering cliffs, beautiful domes, forest and meadow along a great river on the valley floor, tall waterfalls. After years of absence from this prostituted place, I returned a year or two ago on an afternoon when I was heading home from the Sierra… and I felt only anger and disgust at the the damned dam.

But here, miles upstream, the Grand Canyon of the Tuolumne River is still a wilderness, protected from overcrowding by tall and steep walls and a narrow gorge. In the late afternoon I walked a ridge near the edge of the canyon and looked west into the maze of successive ridges that separate creeks that feed the river and made this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Canyon, Trees

Dusk, Canyon, Trees
Dusk, Canyon, Trees

Dusk, Canyon, Trees. Yosemite National Park, California. September 6 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees on a ledge above a deep granite backcountry canyon catch the last light of the day

Late on this afternoon several of us wandered of to a nearby promontory, from which panoramic views of a large section of the Yosemite high country were  available, along with more intimate subjects of granite boulders and trees growing tenuously on granite slabs. This is fun terrain to explore — open enough that you can go wherever you can find a way and wherever your skills and comfort with heights will permit, yet full on surprising little features worth seeing and photographing.

Soon the light began to fade from this high point as the sun dropped to the horizon, and it was time to start back toward camp. If I timed things just right I could shoot a bit into the post-sunset evening light and still have enough light left to pick my way down the ridge and then through the lakeside forest in diminishing light. As I descended along the spine of a glaciated granite ridge, the views overlooked the gorge of the Tuolumne River, and this valley was filled with luminous blue hour light. I found a spot with a fairly clear view across slightly lower, tree-covered ledges, and made a few photographs into the canyon, using my hands to shield the lens from the last bit of direct light before the sun dropped below the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest Floor, Late Summer

Forest Floor, Late Summer, Sierra Nevada High Country
“Forest Floor, Late Summer” — Late-summer forest floor littered with fallen cones, branches, needles, and leaves.

As summer comes to an end in the high country of the Sierra Nevada, as it was during my early September visit this year, the moisture, growth, and greenery of the early season give way to the drier and more brown conditions signaling the coming of fall. The short period of rapid summer growth ends, and the mountains seems quieter.

We camped and photographed for several days at a small lake, exploring and even revisiting to places to photograph them more than once. By staying in one location for a time, it we notice things that are overlooked during a shorter stay. Initially the dramatic granite features around the lake drew our attention, but after a few days we became more interested in subtler things, including a low, grassy area near the outlet stream of the lake. On this morning I was simply wandering slowly though this area, now looking more closely and at smaller things, when I saw the still-shadowed ground densely covered by a carpet of pine cones.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cloud Gate

Cloud Gate
Cloud Gate

Cloud Gate. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Chicago’s Cloud Gate reflecting the city skyline

The Cloud Gate sculpture is one of the iconic sights of downtown Chicago, visited by many people and photographed by almost all of them! It stands in an accessible and central section of the lakeside Millennium Park, just across the street from central downtown areas. We wandered past twice on two different days as we walked around this area during our visit. (There are other fascinating public art installations in the surrounding area, too.)

The sculpture is impressive in photographs, but I did not realize how large it is in person. It is remarkable in a number of ways, not the least of which is the effect it has had on the public consciousness. In a purely objective sense, the existence of such a huge, unbroken and curving reflective surface is a marvel. And it is also, to be plain, a lot of fun — it is hard to imagine how anyone could resist playing around with the distorted reflections it produces. Having seen so many photographs of the thing I first resisted the temptation to shoot it, instead just looking. Then I thought that it might be interesting to photograph the ways that people interact with the sculpture, so I took the camera out and started shooting.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.