Tag Archives: area

Steelhead Lake, Morning

Steelhead Lake, Morning - Morning light on shoreline trees at Shoreline Lake.
Morning light on shoreline trees at Shoreline Lake.

Steelhead Lake, Morning. Eastern Sierra Nevada, California. September 15, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on shoreline trees at Shoreline Lake.

This photograph comes from my late-season three-day backpack trip up into McGee Canyon in the eastern Sierra. This has been a very unusual summer in various ways, so it was almost certainly also my only pack trip this season. (This is very unusual for me – I typically spend several weeks to as much as a month on the trail each summer.) I have visited the McGee Creek trailhead on a number of occasions, most often while searching for aspen color, but I had never hiked more than perhaps a quarter mile up the trail into the canyon. The three of us were rather lazy about planning. At various times leading up to the trip we had thought about heading up to the McGee Lake area, possibly crossing McGee Pass on the Sierra crest and various other ideas – but we hadn’t really settled on anything specific by the time we arrived at the trailhead.

More or less while loading up the packs, we decide that Steelhead Lake would be out likely objective. None of us had been there before, and I was pretty much completely unaware of the place or more than the general outline of the day’s hike. I had briefly looked at maps, but not in any detail. I understood that we would follow the main trail straight up the canyon and then follow its curve to the left as we climbed. I also knew that somewhere up there I would find a trail junction to Steelhead Lake and that it didn’t look like the like was very far beyond this junction. (Sometimes I like to intentionally avoid knowing too much about a place in advance, since this allows me to discover it on its own terms when I get there.) The first portion of the hike was much as I imagined, except that I was surprised to find that there were extensive aspen groves and that they were already changing colors. There was one bit of surprise when the junction to Steelhead Lake turned out to be further up the trail than expected. However, the biggest surprise – and not quite the happiest one – was that what looked like a short journey up this side trail to the lake turned out to be a very, very steep climb! In any case, the lake itself turned out to be a pretty little isolated place, being at more or less the end of a spur trail. It sits in a bowl that with steep slopes on two sides and, somewhat surprisingly for an “east side” location, while it gets decent evening light over the crest, it does not get very early morning light at all. I made this photograph shortly after that morning light had finally arrived and backlit some of the lakeside trees near out campsite.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Muir Beach Overlook, Sutro Tower, Dusk

Muir Beach Overlook, Sutro Tower, Dusk - San Francisco's Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.
San Francisco’s Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.

Muir Beach Overlook, Sutro Tower, Dusk. Marin Headlands, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

San Francisco’s Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.

A few moments before making this photograph, I had decided that I was done for the evening, as the light was fading very fast and the brilliant and intense sunset and post-sunset colors were draining from the scene. But a turn or two up the road I came upon this overlook, with its view traversing the steep headlands toward the south to where the low hills of San Francisco just outside the Golden Gate were visible, Sutro Tower stood high above these hills, and subtle shades of blue and rose light were still visible.

So we pulled over, and I quickly got set up – again! – and made a few exposures in this dying light. This light is just about as subtle and difficult to photograph as it gets. In fact, I almost didn’t bother! On the scene, it was quite dark – darker than this rendition would suggest. And in that darker dusk, the haze that here partially conceals the San Francisco hills made them almost invisible.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog and Blue Sky, Drakes Bay

Fog and Blue Sky, Drakes Bay - Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore

Fog and Blue Sky, Drakes Bay. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.

One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.

I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hills and Trees Near Limantour, Drakes Bay

Hills and Trees Near Limantour, Drakes Bay - Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Hills and Trees Near Limantour, Drakes Bay. Point Reyes National Seashore, California. August 18,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.

The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.