Tag Archives: arid

Light in the Canyon

Light in the Canyon
Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

Light in the Canyon. © Copyright 2023 G Dan Mitchell.

Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cactus-scape

Cactus-scape
Close-up view of beavertail cactus, Death Valley National Park.

Cactus-scape. © Copyright 2023 G Dan Mitchell.

Close-up view of beavertail cactus, Death Valley National Park.

Many of the photographs that I brought back from Death Valley last week feature the grand, immense scale of the landscape — which is only nature given the, well, grand, immense scale of the landscape of the place. Today I’ll take a break from those images and look share something on much smaller scale — a cactus-scape, if you will. This is a very close view of a small portion of a beavertail cactus. As I worked on landscape photography in this location I realized that these cacti were everywhere, so I soon switched to a different camera with a macro lens.

This subject may bring up the question: will this be a “super-bloom” year? I don’t have a definitive answer to that, but I’ll share a few observations. I have heard that above-average rainfall in about the November time frame supports those extraordinary spring blooms. That did not happen this year. But there was rain — quite heave and even damaging rain — much earlier in the season, and there was some additional rainfall during the December-January period. I did see some very young shoots of new plants already starting to pop up in a few promising areas. My bet? No super-bloom, but more of a good to better-than-average year for wildflowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Playa Patterns

Playa Patterns
Patters of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

Playa Patterns. © Copyright 2023 G Dan Mitchell.

Patterns of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

In a roundabout way, this photograph is the result of last-minute changes to my plans during my recent Death Valley visit, changes necessitated by the closure of other places I intended to visit there. I took advantage of this situation by more carefully exploring some popular (and some less popular) locations in my central portions of the park. And that led to me being being at Dantes View on a rather cold evening. This is a location with some rather remarkable views, stretching from distant Sierra peaks to mountains near Las Vegas.

I arrived while there was still direct light on the salt flats and other features in Death Valley, and then I continued to photograph right on through sunset until early dusk. I made this photograph was the sun-shadow line was just passing over this area of salt deposits in, more or less, Badwater Basin. From Dantes View, more than 5000′ above Death Valley, these features look quite different than what we see when we are among them, and I used a long lens to isolate interesting sections of this otherworldly landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Holly in the Sun

Holly in the Sun
A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Holly in the Sun. © Copyright 2023 G Dan Mitchell.

A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Last week I made my first visit of the year to Death Valley National Park. I like to photograph there during the winter and again at the very beginning of spring. Despite the reputation of the place, it can be quite cold there in January, and I experienced a few windy and chilly moments. I made this photograph near the furthest point in a pleasant wander up a lovely wash that I happened into more or less by accident. I was near a ridge and the slanting afternoon light was still just catching the branches of this desert holly plant.

The circumstances of this afternoon’s walk were a reminder about one of the best ways to encounter the wild. I had gone out to scout a location for the next day’s dawn photography, and from my selected location I saw a small canyon dropping away. I almost didn’t enter it, but finally decide to walk “just a few feet” in to investigate. I did, and soon came to a junction with a much larger wash, and I couldn’t resist exploring. I started up, eventually going 15 minutes past my turn-around time, and finally ending up in a narrow, constricted, dark… and altogether fascinating little stretch of canyon that I need to explore again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.