Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Evening Shadows

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Desert Mountains, Evening Shadows
Patterns of rock, evening light, and shadows in rugged desert mountain terrain

Desert Mountains, Evening Shadows. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Patterns of rock, evening light, and shadows in rugged desert mountain terrain

In places along the eastern edge of Death Valley, the color of soils and rocks varies tremendously. In the daytime light the colors are perhaps subtle — tans, reddish, gold, black, and more — but in the early and late (especially, on this side of the valley) light the colors intensify and become more saturated.

After I finished photographing more expansive views taking in the width and length of the portion of the Valley and including the base of the Panamint Mountains, I headed over along this other side of the valley where the final light falls. This scene holds some of the range of rock color, along with the rugged landscape of overlapping hills and gullies.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Strata and Folds, Evening

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Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Evening

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Badlands, Evening
Evening light on deeply eroded terrain, Death Valley National Park

Badlands, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on deeply eroded terrain, Death Valley National Park

Early each spring I head back to Death Valley for several days of exploration and photography. In March of 2015 I began my trip with a visit to Los Angeles, from which I departed and drove to the park to set up my camp. My typical ritual is to arrive in the early afternoon, find a campsite, get set up and settled in, wait for early evening, and then head out for my first photography in this vast landscape.

I began by heading to an area of the Valley with expansive views across to the Panamint Mountains, backlit by the early evening sun. I photographed them through a moody haze from an elevated spot that I often go to. Before long the light on these mountains faded as the sun dropped behind them, and my attention turned to nearer formations on my side of the valley, which were now being illuminated by the warm evening light. The low angle delineated the complex structures of these badlands during the last few minutes of light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Evening Dunes and Mountains

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Evening Dunes and Mountains
Evening on Death Valley sand dunes with desert mountains in the distance

Evening Dunes and Mountains. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening on Death Valley sand dunes with desert mountains in the distance

It was the first evening in Death Valley this season, and we had arrived after a lazy drive in from the Ridgecrest area. Having plenty of time, we stopped at Trona Pinnacles before reaching the park and after entering we took a long side trip out on a gravel road to a couple of somewhat remote canyons. We got settled in and it was time to head out for some evening photography — and since dunes were nearby they seemed like a good first evening destination.

The sand dunes go quickly through some remarkable transitions of light and color at the end of the day. In the full sunlight the tones of the sand can seem a bit flat and washed out, but the low angle light begins to highlight the textures — large textures of the dunes themselves, plus the finer textures of small patterns of windblown sand. The the color of the light begins to warm and the contrast drops and shadows fill with a soft light. At the moment I made this photograph the sun was still above the ridge to our west, but it had passed behind high, thin clouds that momentarily muted the light even more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.