Tag Archives: artificial

Building 417, Green Shadows and Red Sky

Building 417, Green Shadows and Red Sky
Building 417, Green Shadows and Red Sky

Building 417, Green Shadows and Red Sky. Mare Island Naval Shipyard, Vallejo, California. February 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dilapidated Building 417 under garish green light and reddish sky, Mare Island Naval Ship Yard, Vallejo, California.

I think this photograph probably includes some of the most bizarre lighting that I’ve encountered at Mare Island when doing night photography there. The majority of the light comes from the right, from artificial light that has been roughly color corrected to appear relatively white, at least by comparison to some of the other light colors in this image. The garish green color comes from some add artificial light behind my camera position – the same light that appears in a recently posted photograph of Building 631 with it terribly peeling wooden walls. (One odd touch – note that the shadow of the tree that appears near the center of the lower part of the building is illuminated by this light, explaining the green tree.) The green tones also appear in the stripe of paint along the upper edge of the old loading dock, in the small #417 sign at the peak of the building, and in the less-dark portions of the tree at upper right. Then the sky ends up with odd reddish-brown light reflected on the bottoms of the moving clouds, and a similar tone is found on the wall pattern of the building in the background on the left side of the frame. Finally, though it is hard to see in this small image, there is a bit of sort of grayish-purple in the window frame at the right border of the frame.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: mare, island, naval, ship, yard, historic, vallejo, california, usa, nocturnes, night, photography, structures, red, green, garish, artificial, light, sidewalk, street, lines, cement, wall, loading, dock, corrugated, building, 417, angles, architecture, windows, door, wall, tree, urban, north america, roof, sign, stock, minsy

Building 631, Mare Island

Building 631, Mare Island
Building 631, Mare Island

Building 631, Mare Island. Mare Island Naval Ship Yard, Vallejo, California. February 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Building 631, with badly peeling paint and illuminated by garish artificial lighting, Mare Island Naval Ship Yard, Vallejo, California.

For some reason I often find myself down around the old power plant and in the alley next to Building 631 near the end of my nighttime shoots at Mare Island. The railroad tracks curve through this alley – though they aren’t particularly visible in this photograph – and the bizarre and garish light and grossly peeling paint on this wall seem different from many of the other subjects around here.

One of the fun things about this sort of night photography is that “white balance” is more or less impossible! This scene includes light sources ranging from some kind of bizarre blue-green lighting that I can’t identify (fluorescent?) to sodium vapor to tungsten to sky lit by the glow from Vallejo, across the bay from the island. When it comes to the right color balance… pick one! Or several! Or make one up! In the end, no matter what you choose it won’t really “look like” what you saw in the dead of night – but for me that isn’t really the object. Long-exposure night photography lets us reveal things that we cannot see with our own eyes and present them in ways that are imaginative and different from our usual reality.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: mare, island, naval, ship, yard, historic, vallejo, california, usa, nocturnes, night, photography, structures, building, 631, peeling, paint, wall, door, light, lamp, garish, artificial, window, road, track, sky, plants, old, abandoned, industrial, north america, conduit, boarded up, downspout, no parking, wire, perspective, convergence, stock

House with Window, Purple Trim, and Plastic Tree

House with Window, Purple Trim, and Plastic Tree
House with Window, Purple Trim, and Plastic Tree

House with Window, Purple Trim, and Plastic Tree. San Jose, California. January 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

An old suburban home with barred window, purple trim, brick steps, and plastic Christmas Tree – San Jose, California.

I made this photograph on a late afternoon/early evening “photo walk” from my home. This is an interesting and perplexing building. It is a very unusual home, as you can see from the unusual room line and the shapes at the end of the rounded eaves. Someone perhaps once put a lot of thought and effort into creating such an unusual building – unlike most others in the area. But as the place has aged the result has not been wholly wonderful. The purple paint isn’t necessarily a bad thing – just a bit unusual – but it is quite worn. The tiny plastic Christmas tree to the right of the front door is a strange touch; it still has a very small string of lights attached. And things are a bit off-kilter. The room angles don’t quite match up and the grate over the window tilts to one side. Although this was originally a home, I can’t really tell for sure if it is still a home or if it has become some sort of office or business.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.



What Does “Purist” Mean?

So, let’s say you happen to be spending some time in a popular place doing photography and other things. In the course of your day you wander down to a spot that is very popular with tourists, and you discover an interesting and impressive-looking gallery of photographs. You go inside and read about the photographer – a self-described “purist” who says the photographs show the scenes as they were at the time of the exposures and don’t use fancy and artificial post-processing.

But all but a few of the photographs look like the saturation slider in Photoshop was pushed up to about 100. (OK, I exaggerate… a bit! :-) Highlights in clouds and such are blown out. Shadows are blocked. And colors are pushed in odd and impossible directions.

You understand why such an approach is appealing to folks unfamiliar with fine photographic work, especially when the presentation and pricing of the prints screams “This is Great Photography!” But you’ve seen really, really fine photographs that did not depend on heavy-handed post-processing. In fact, among the photographs in this collection you see a few that take the high road and don’t go over the top, and which remind you of some of those other fine and subtle and sophisticated prints – and which even inspire you a bit.

The artist’s statement keeps coming back to you – the business about being a “purist” and about not post-processing and about presenting in the photographs an unadulterated and real vision of the original subjects.

What do you do? Do you get mad? Do you laugh? Do you try not to think about it? Something else?

Just wondering…

BTW: A few things for the record:

  • I am not criticizing any specific photographer, but rather thinking about an issue that we might all have to deal with.
  • You do not know what photographer (or “popular place!”) I might be writing about – and since the specifics don’t matter I won’t confirm or deny anyone’s guesses.
  • Consider the possibility that I might have just made up the whole story as a literary device for this post… :-)