Tag Archives: back

Back-lit Trees and Ridges

Back-lit Trees and Ridges
Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

Back-lit Trees and Ridges. Eastern Sierra Nevada, California. October 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

What can I say? I love back-light! The more difficult the light, the more I like it. Often I shoot almost directly into the sun when it is low in the sky, especially when there is some haze that makes the atmosphere appear to glow. (I’ve become adept at shading the lens from the direct light — using my hand, my hat, or anything else handy to try to prevent lens flare and reduce the hazy quality that comes when this light is directly on the lens.) The kind of light I’m looking for is the sort that is too bright to look at.

We arrived at this location late in the day, as per my plan. I know it well enough to recognize that the light can become quite interesting just before the sun drops behind mountains to the west. For a short time the light slants across the landscape, almost parallel to the slope of the land as it drops to the east. This produces that glow I mentioned, it accentuates the atmospheric recession effect, and the leaves of trees can glow with the light coming from behind. For this photograph I found a spot where lines of colorful aspens crossed the frame from bottom to about half way up, and then ridges continued the pattern until the final pattern with its row of conifer trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Oak, Cliff

Winter Oak, Cliff
A dormant winter oak in back-light, against the backdrop of granite Yosemite cliff

Winter Oak, Cliff. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A dormant winter oak in back-light, against the backdrop of granite Yosemite cliff

Near the end of February I spent a few days in and around Yosemite Valley. I scheduled my visit to coincide with the opening reception of the 2017 Yosemite Renaissance exhibit at the Yosemite Visitor Center Museum Gallery. The annual show features work by artists focusing on Yosemite and the Sierra, including almost every medium imaginable — and one of my photographs was in the show this year.

Almost any visit to Yosemite Valley calls for photography, so I arranged my schedule to be there for three days. While I hiked a lot on some days, on this day I hopped in my vehicle and headed down the Valley to visit various areas including El Capitan Meadow with its beautiful winter-bare trees and the backdrop of huge cliffs. The face of Sentinel Rocks, almost always in shade at this time of year, rises behind this single back-lit dormant oak tree.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Brush, Morning Light

Dense Brush, Morning Light
Morning light falls on dense brush at Pinnacles National Park

Dense Brush, Morning Light. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light falls on dense brush at Pinnacles National Park

Today’s photograph is another from my recent re-introduction to Pinnacles National Park in the mountains to the east of California’s Salinas Valley, following a gap of decades since my last visit. Despite being a place that I regularly visited when I was much younger — back then I rode a bike there to camp, went there to rock climb, hiked the trails and caves — it had somehow slipped off my map of places to visit. For the past few years, since its conversion from National Monument to National Park status, I’ve been planning to finally return.

If your experience with National Parks is mainly with the big, iconic parks such as Yosemite or Yellowstone, this park is going to surprise you with its intimacy. It is a relatively small place, and even its primary visual feature, the High Peaks, doesn’t present a single, focused identifying image in the way that, say, Half Dome or Old Faithful do. It seems more the sort of park that is about subtle and small things and the overall experience of the place — mostly California chaparral terrain that can evoke a sense of near desert at times. I made this photograph earlier in the morning when I paused along a route through a canyon when I came upon dense, back-lit foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Morning Light

Trees, Morning Light
Sunlight illuminates trees on a spring morning at Pinnacles National Park

Trees, Morning Light. Pinnacles National Park, California. March 17. 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Sunlight illuminates trees on a spring morning at Pinnacles National Park

On this first return visit to Pinnacles National Park in about three decades — the last time I visited the place it was still called Pinnacles National Monument — I approached from the west through the small Salinas Valley town of Soledad, heading east into the low, grass-covered hills, ascending wooded valleys, and then passing through vineyard country where I had my first good views of the pinnacles. Until that point much of the drive did not bring back any memories, but that view was much as I remembered. I continued a bit further, passed the expected national park entrance sign, arrived at the kiosk, and went into the nearby ranger station to show my permit. This faculty seemed new to me, and it certainly had not been there years back when we simply drove up the end of the road and camped. This time I got back on the road and continued toward the end of the road.

One expects to simply ascend to the end of this road, but the route surprised me by descending into the valley where that old campground (now gone over twenty years) was once located. Along this descent the road passed by the beautiful California “impossible green” spring landscape of new grass, budding trees, and a few wildflowers. At one point the road turned to the right and descended, and in front of me was a high ridge with back-light flowing over its summit and striking the trees from behind. Those who know me know that I’m completely unable to resist back-lit trees, so I pulled over and paused to make a few photographs before continuing the short distance to the trailhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.