Tag Archives: back

The Back Door

The Back Door
The rear entrance to a local market.

The Back Door. © Copyright 2020 G Dan Mitchell – all rights reserved.

The rear entrance to a local market.

So, can we imagine that this is the, uh, “urban wilderness?” It does contains some relatively very wild areas, and there is wildlife of a sort. If you look around carefully enough at the right time you can find a degree of solitude.

This is a back entrance to a grocery store, photographed across a deserted parking lot. Someone has abandoned their cart next to the door, perhaps expecting the store employees to discover it there and reclaim it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Keith Walklet, Yosemite Backcountry

Keith Walklet, Yosemite Backcountry
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

Keith Walklet, Yosemite Backcountry. © Copyright 2019 G Dan Mitchell – all rights reserved.

Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.

I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Behind The Wall

Behind The Wall
The “backside” of the Berlin Wall at the East Side Gallery

Behind The Wall. © Copyright 2019 G Dan Mitchell – all rights reserved.

The “backside” of the Berlin Wall at the East Side Gallery.

A possible alternative title for this photograph could be “Back Side Gallery.” Get it? OK, I’ll explain. The wall is The Wall, a remnant of the old Berlin Wall. This section is now known as the East Side Gallery, and on the other side (the “front side”) it features a wonderful array of street art that memorializes and comments on the Wall, its history, and a range of related subjects.

The East Side Gallery is, among many other things (most of which are likely more significant than what I’m about to write) a powerful example of how art claims out attention and can, at least temporarily, distract our vision from the mundane. The location of this section of the wall is unremarkable. One one side (where most probably don’t look) is this empty field, a plain wall covered with graffiti, and not much else. On the other side, as you stand looking at the “Gallery” portion, behind you is a busy roadway and an area filled with architecture that is not exactly eye-catching. But if you stop and take in the street-art side of the wall and the impromptu street theater produced by visitors, all of the rest of that temporarily disappears.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Back-lit Trees and Ridges

Back-lit Trees and Ridges
Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

Back-lit Trees and Ridges. Eastern Sierra Nevada, California. October 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada

What can I say? I love back-light! The more difficult the light, the more I like it. Often I shoot almost directly into the sun when it is low in the sky, especially when there is some haze that makes the atmosphere appear to glow. (I’ve become adept at shading the lens from the direct light — using my hand, my hat, or anything else handy to try to prevent lens flare and reduce the hazy quality that comes when this light is directly on the lens.) The kind of light I’m looking for is the sort that is too bright to look at.

We arrived at this location late in the day, as per my plan. I know it well enough to recognize that the light can become quite interesting just before the sun drops behind mountains to the west. For a short time the light slants across the landscape, almost parallel to the slope of the land as it drops to the east. This produces that glow I mentioned, it accentuates the atmospheric recession effect, and the leaves of trees can glow with the light coming from behind. For this photograph I found a spot where lines of colorful aspens crossed the frame from bottom to about half way up, and then ridges continued the pattern until the final pattern with its row of conifer trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.