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Photographs: Nature, Photographs: Sierra Nevada

Trees in Morning Light

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Trees in Morning Light
Trees in monring light, backed by rocky slopes, Ansel Adams Wilderness.

Trees in Morning Light. © Copyright 2022 G Dan Mitchell.

Trees in morning light, backed by rocky slopes, Ansel Adams Wilderness.

Have I mentioned that I like backlight and that I especially like trees in morning backlight? Well, yes, I think I have. Even more, I like this subject when the background is filled by distant, rocky mountain slopes in shadow. This little group of trees was nestled against a rocky promontory not far from our camp.

After nearly two days of rain, this was the first morning when we had sun. All of us were more than ready for this development, and soon everyone was out and about, enjoying the dry weather and warm light. (We also continued to be impressed by the unusually high creek levels and the nearby lake that was now completely full of sediment washed down from the peaks.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Morning Light

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Creosote, Morning Light
A cluster of creosote in sand dunes, backlit by morning sun.

Creosote, Morning Light. © Copyright 2022 G Dan Mitchell.

A cluster of creosote in sand dunes, backlit by morning sun.

As this morning’s light quickly evolved, I had just time to make one photograph of this subject from this camera position. I was photographing almost straight into the sun, which was just above the ridge that creates the shadow in the background. The plant’s mirror image of shadows caught my attention, and it sort of felt like the combination of the plant and its shadow exploded across this bit of dune landscape.

From a photographic perspective, this image is another example of a few semi-technical points I’ve made in some of my recent Death Valley posts. It was made quickly — not at all using the sort of sedate process that some might think of when considering landscape photography. This landscape of dunes and light evolves very quickly at this time of day, and to respond to it I often work quickly, moving rapidly from one subject to the next. It is also a photograph made with a long focal length lens. As I have mentioned, this lets me work a larger area in the dunes more quickly, and it also allows me to limit the scope of the composition.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree, Red Rock, Morning Light

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Tree, Red Rock, Morning Light
A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

Tree, Red Rock, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

We recently managed to get away for our first long road trip in a very long time. We started in the Eastern Sierra Nevada, where the annual autumn aspen color show was well underway. From there we headed to Utah — which I have not visited since before the previous presidential administration — where we spent several days photographing in Zion National Park. From there we moved on to spend some time on one of the less-travelled Utah backroads before heading south for a very quick visit to the North Rim of Grand Canyon. (The story of that part of the trip is a bit too long to relate here. Perhaps later…)

Our visit to Zion was divided roughly into two sections. We spent the first part of the visit exploring and photographing sections of Zion Canyon on foot. Then we spent a day in the “high country” along the Mount Carmel highway, an area with an infinity of photographic opportunities that change with the light throughout the day. That is the area where I made this photograph of a solitary tree standing atop a sand stone formation in the brilliantly bright morning back-light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Sage Brush Country

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Autumn Aspens, Sage Brush Country
A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Autumn Aspens, Sage Brush Country. © Copyright 2021 G Dan Mitchell – all rights reserved.

A sage brush country grove of colorful autumn aspen trees in back-light, Eastern Sierra Nevada.

Wildfire smoke has posed challenges to Californians and those in other western states in recent years, and the current historic drought in the state has produced even more widespread and often large fires. We have come to live with smoke levels that are occasionally very unhealthy and almost always aesthetically displeasing. Almost every late-summer or autumn visit to the Sierra during the past two seasons has been affected, and on several occasions I have had to cut trips short as a result.

On this month’s brief visit to the eastern Sierra things were a bit better in the Sonora Pass area and a bit south, but the conditions deteriorated quickly starting just north of Mono Lake. Photographically speaking, this creates some rather serious challenges, especially when smoke covers (and discolors the atmosphere of) the larger landscape. There are some options — black and white can often work in such conditions or one can focus on closer subjects, composting to eliminate the longer views. The latter is what I did in this photograph of grove of small aspens growing in a shallow valley in sagebrush-covered hills, where back-light intensified the colors of the fall foliage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.