Tag Archives: backlit

Oak And Granite, Autumn

Oak And Granite, Autumn
“Oak And Granite, Autumn” — Autumn leaves on black oak trees against a background of Yosemite Valley granite cliffs.

I like oak trees and oak leaves, but they do not generally provide the most intense fall color. In normal light the leaves are a sort of tan-brown that I charitably call “golden-brown.” They aren’t typically as spectacular as other trees that turn golden, orange, and red. However, when the sun is behind the tree, the leaves are translucent enough to glow with rich, warm color.

I was at this location in Yosemite Valley to photograph large trees in an open meadow. When I arrived the shadows from cliffs across the valley were staring to move over the meadow, and trees were gradually losing that colorful glow. Standing under this tree, I looked up and saw the silhouetted branches and luminous color. I quickly set up to photograph straight into the tree and managed a few photographs before the shadows arrived.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Backlit Autumn Oak Tree

Backlit Autumn Oak Tree
“Backlit Autumn Oak Tree” — Branches and leaves of an autumn black leaf oak tree in Yosemite Valley.

My Autumn color hunting season in the Sierra Nevada runs from roughly the very end of September through the beginning of November, as color moves from the highest east side regions to the foothills and valleys of the Western Sierra. A trip to Yosemite Valley right around Halloween is traditional, and this year was there on that date.

While California’s western Sierra isn’t known as a fall color hot spot, there is a lot of beautiful color if you know where and when to look. In Yosemite Valley, much of the color comes from bright yellow big leaf maples, golden-brown black oaks, and yellow-to-red dogwoods. The tree in the photograph is a large oak growing in a Valley meadow. I photographed directly backlit by the sun, just before it moved behind a high cliff.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Aspen Grove and Pond

Aspen Grove and Pond
“Aspen Grove and Pond” — Autumn aspen trees on the shore of a small Eastern Sierra Nevada pond.

I came to this spot rather late in the day, though that was partially intentional. I knew that rows of aspens here can glow in backlight in the late afternoon, and there is a short window of opportunity between the time that the sun moves behind them and when it drops behind the surrounding peaks. I arrived and quickly went to work, since I had my eyes on several of the groves.

These trees grow in a row on the far side of a beaver pond. You wouldn’t know it from the photograph, but it can be a bit difficult to find a camera position with a clear view across the water — lots of stuff grows along the near shoreline, and much of it is so wet and muddy that it isn’t easy to get to the water’s edge. When I made the photograph the far slopes of the upper valley had already fallen into shadow, and before long the light would disappear from these trees, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trail of Boulders

Trail of Boulders
Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

Trail of Boulders. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

This became a familiar bit of terrain during our weeklong (plus a bit) photography visit to an Eastern Sierra backcountry area last September. Our routine is to establish a base camp, photograph in the immediate vicinity, and then start working outward to photograph areas a bit further away. The area through which this trail passed became a favorite, and we walked this route many times.

There is a lot to observe in this scene. Perhaps one of the first obvious features is the trail of boulders crossing the meadow. Sierra Nevada backcountry travels might be struck by something about this — most meadow trails are either deep ruts, dug out by many hikers and animals, or they have been moved out of the meadows and onto tougher terrain. The extensive use of boulders here is unusual. (I wonder if it a good thing for avoiding the scarring of the typical deeply grooved trail, or if it might have been better to re-route.) Note the open quality of the forested terrain here — it is typical of the high country not far below the tree line. The trail is heading off towards higher country and, in fact, the trail runs out only yards beyond this point. Above that is a headwall and huge talus slopes which can be climbed, but only by those willing to travel cross-country. Finally, the peaks that lie dead ahead are on the Sierra Nevada crest itself.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.