Tag Archives: backlit

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove and Pond

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Aspen Grove and Pond
“Aspen Grove and Pond” — Autumn aspen trees on the shore of a small Eastern Sierra Nevada pond.

I came to this spot rather late in the day, though that was partially intentional. I knew that rows of aspens here can glow in backlight in the late afternoon, and there is a short window of opportunity between the time that the sun moves behind them and when it drops behind the surrounding peaks. I arrived and quickly went to work, since I had my eyes on several of the groves.

These trees grow in a row on the far side of a beaver pond. You wouldn’t know it from the photograph, but it can be a bit difficult to find a camera position with a clear view across the water — lots of stuff grows along the near shoreline, and much of it is so wet and muddy that it isn’t easy to get to the water’s edge. When I made the photograph the far slopes of the upper valley had already fallen into shadow, and before long the light would disappear from these trees, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Trail of Boulders

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Trail of Boulders
Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

Trail of Boulders. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

This became a familiar bit of terrain during our weeklong (plus a bit) photography visit to an Eastern Sierra backcountry area last September. Our routine is to establish a base camp, photograph in the immediate vicinity, and then start working outward to photograph areas a bit further away. The area through which this trail passed became a favorite, and we walked this route many times.

There is a lot to observe in this scene. Perhaps one of the first obvious features is the trail of boulders crossing the meadow. Sierra Nevada backcountry travels might be struck by something about this — most meadow trails are either deep ruts, dug out by many hikers and animals, or they have been moved out of the meadows and onto tougher terrain. The extensive use of boulders here is unusual. (I wonder if it a good thing for avoiding the scarring of the typical deeply grooved trail, or if it might have been better to re-route.) Note the open quality of the forested terrain here — it is typical of the high country not far below the tree line. The trail is heading off towards higher country and, in fact, the trail runs out only yards beyond this point. Above that is a headwall and huge talus slopes which can be climbed, but only by those willing to travel cross-country. Finally, the peaks that lie dead ahead are on the Sierra Nevada crest itself.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Black Oak, Meadow, Autumn

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Black Oak, Meadow, Autumn
Black Oak, Meadow, Autumn

Black Oak, Meadow, Autumn. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A backlit black oak tree with autumn foliage stands in a meadow below Sentinel Rocks, Yosemite Valley

This black oak, like so many in Yosemite Valley, stands in a large grassy meadow. Although the autumn foliage of these trees may seem less spectacularly colorful than that of the big leaf maples and the cottonwoods, the black oak has a more subtle beauty in the fall. But when lit from behind, early or late in the day when the sun is low, the color of black oak leaves can be surprisingly intense. Off all the fall colors in the Valley, in some ways the combination of that of these oaks and the grasses of the meadows where they are found seems to most strongly speak of fall to me.

This single tree is in a meadow filled with black oaks. I would not be surprised to find that there are 100 of them here. On this afternoon I had gone to the meadow to photograph something different, a group of small cottonwood trees growing near the bank of the Merced River. Finishing that project, I was about to start back toward my car when I noticed that a short-lived beam of direct sun was coming down from an opening in the upper cliff walls and spotlighting this tree. Naturally, I changed my plans, took a little detour, and spent a few minutes with this tree.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees and Red Rock, High Country

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Trees and Red Rock, High Country - Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park
Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Trees and Red Rock, High Country. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Since this has been a recurring theme in my photographs from Zion National Park in October, I think I’ll keep the commentary a bit short on this one. I made the photograph along the Mount Carmel Highway, which passes through high country along an east-west route though the park. We had a day here while on our way to our eventual destination to the east, so we decided to focus on this high country area, with its deep washes and slot canyons, autumn colors, and rounded forms of various types of layered sandstone.

In this area the sandstone was a sort of medium red – not as intense as some of the deeper strata nor as light as some of the nearly white rocks found elsewhere. This rock was finely layered in many places, and formed into a small world of ridges and domes covered with widely spaced trees. I photographed the scene in afternoon light, when the sun was shining from behind the trees and creating a sort of halo of light for each one. Because of the backlight, a bit of atmospheric haze is present and the underlying rocks take on a deeper tone. Every so often a friend of fellow photographer might refer to something they call “G Dan light,” and this is it – the light of backlit trees, photographed by shooting almost directly into the sun, with just a bit of haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.